Portrett av Jeremiah Theus

Jeremiah Theuss malerier: De 28 mest kjente, sett gjennom et galleris øyne

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 29 verk av Jeremiah Theus i vår katalog

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Etter galleriets vurdering er Jeremiah Theuss mest kjente maleri Captain William Richardson (1743-1786) (1757), hvis original henger i Yale University Art Gallery, New Haven. William Wragg (1750) og Portrait of Amarinthia Elliott (1748) fullfører trioen som alle kjenner igjen. Av de 29 verkene til Jeremiah Theus i vår katalog, presenterer galleriet de 28 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.

1716 – 1774, Chur Rococo Flest verk: Metropolitan Museum of Art

Galleriets 10 beste malerier av Jeremiah Theus

1
Captain William Richardson (1743-1786) (1757) av Jeremiah Theus

Captain William Richardson (1743-1786)

1757 · Oil On Canvas · Yale University Art Gallery, New Haven

A formal 18th-century portrait of a young man, presented within an oval vignette against a dark, monochromatic background. Captain William Richardson is depicted from the waist up, positioned at a slight angle while looking toward the viewer. The composition relies on a restrained color palette, dominated by the creamy white of his waistcoat and jacket, which contrasts sharply against a deep blue trim. This trim features intricate silver or gold…

2
William Wragg (1750) av Jeremiah Theus

William Wragg

1750 · Watercolor · Detroit Institute of Arts, Detroit

In this intimate portrait of William Wragg, the sitter meets our gaze from a time long passed. Painted around 1750, the work captures a man of status through a refined, oval-shaped bust-length composition. He sits slightly off-center, his body turned toward the right while his eyes remain fixed forward, creating a sense of quiet presence. The subject wears a cool lavender-grey frock coat that contrasts against the warm, shimmering gold…

3
Portrait of Amarinthia Elliott (1748) av Jeremiah Theus

Portrait of Amarinthia Elliott

1748 · Painting · Detroit Institute of Arts, Detroit

Portrait of Amarinthia Elliott, painted by Jeremiah Theus in 1748, captures a young woman in a formal, medium close-up composition. The subject is positioned slightly off-center, holding a small sprig of blue flowers against a muted, atmospheric background. This work originates from the mid-18th century, a period when Theus was establishing his presence within the colonial social hierarchy.

4
Mrs. Thomas Lynch (Elizabeh Allston Lynch) (1755) av Jeremiah Theus

Mrs. Thomas Lynch (Elizabeh Allston Lynch)

1755 · Oil On Canvas

In this oil on canvas portrait, we encounter Mrs. Thomas Lynch (Elizabeth Allston Lynch), a figure captured by the Swiss-American painter Jeremiah Theus. Created in 1755, the work offers a direct look at a woman of the colonial era. Theus, who established himself in Charleston, South Carolina, brought a refined sensibility to his depictions of the local elite. This specific piece reflects the quiet dignity of his portraiture from that…

5
Mrs. Peter Manigault (1757) av Jeremiah Theus

Mrs. Peter Manigault

1757 · Oil On Canvas

In this 1757 portrait, we encounter Elizabeth Wragg Manigault, a woman whose presence defines the social hierarchy of colonial South Carolina. She is captured in a full-length vertical composition, her figure positioned with a poised, slight offset that suggests both grace and a quiet, commanding authority. The light, descending from the upper left, catches the luminous sheen of her white and silver satin gown, creating a play of light and…

6
Portrait of John Faucheraud Grimké (1762) av Jeremiah Theus

Portrait of John Faucheraud Grimké

1762 · Oil · John and Mable Ringling Museum of Art, Sarasota

The mid-18th century in Charleston was a time of burgeoning commercial and social complexity. Theus arrived in the colony from Switzerland, contributing to a growing artistic community that sought to mirror European sophistication. His work provides a visual record of the individuals who shaped the social fabric of South Carolina. This portrait remains a specific window into the life of a man who navigated the legal and political intricacies of…

7
Portrait of Mrs. John Champneys (Anne Livingston, born 1746) (1763) av Jeremiah Theus

Portrait of Mrs. John Champneys (Anne Livingston, born 1746)

1763 · Oil On Canvas · Museum of Fine Arts, Houston, Houston

In this 1763 oil portrait, we encounter Mrs. John Champneys, known to history as Anne Livingston, captured in a moment of quiet contemplation. She is presented in a three-quarter view, her form emerging from a deep, atmospheric brown background that lends a sense of weight and presence to her figure. The lighting, descending softly from the upper left, traces the contours of her face and neck, creating a gentle play…

8
Mrs. Lionel Chalmers (Martha Logan) (1756) av Jeremiah Theus

Mrs. Lionel Chalmers (Martha Logan)

1756 · Oil On Canvas · Museum of Fine Arts, Boston

Jeremiah Theus presents Mrs. Lionel Chalmers (Martha Logan) within a formal oval composition. The arrangement focuses on the subject's head and upper torso, utilizing a straight-on, medium close-up perspective to establish a sense of intimacy. The single female figure is captured with a calm, dignified expression, projecting an air of poise and social standing. This portrait, executed about 1756, centers the viewer's attention on the sitter's steady gaze and composed…

9
Dr. Lionel Chalmers (1756) av Jeremiah Theus

Dr. Lionel Chalmers

1756 · Oil On Canvas · Museum of Fine Arts, Boston

The gaze of Dr. Lionel Chalmers meets the viewer from across the centuries, preserved within this 1756 oil portrait. Jeremiah Theus, a Swiss-born American painter, captures the man in a moment of quiet, professional dignity. The subject sits with a composed presence, his features rendered with a clarity that suggests a life of intellect and social standing. Every line of his expression seems to hold a silent story of the…

10
Mrs. Samuel Carne (1740-1805) (1765) av Jeremiah Theus

Mrs. Samuel Carne (1740-1805)

1765 · Oil On Canvas · New York Historical Society, New York City

The sitter gazes out from an oval frame, her presence steady and quiet against a dark, muted background. She is a woman of the mid-eighteenth century, captured in a moment of formal repose. Her attire speaks of a specific social standing, defined by the delicate translucency of a lace collar that rests against her neck. A dark choker encircles her throat, drawing the eye upward toward the soft features of…

Jeremiah Theus sine malerier, rangert fra 11 til 28

Motivene som fanget Jeremiah Theuss blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Jeremiah Theuss originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Jeremiah Theus Malerier fra denne listen
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 4 Mrs. Jacob Motte (Rebecca Brewton), Mrs. John Dart, Gabriel Manigault
National Gallery of Art, WashingtonNational Gallery of Art Washington 3 James Cuthbert (?), Mr. Motte, Mrs. Cuthbert
Gibbes Museum of Art, CharlestonGibbes Museum of Art Charleston 3 Benjamin Smith, Kolonel Barnard Elliott Jr., Mrs. Barnard Elliott, Jr. (Mary Elizabeth Bellinger Elliott)
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 2 William Wragg, Portrait of Amarinthia Elliott
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Mrs. Lionel Chalmers (Martha Logan), Dr. Lionel Chalmers
New York Historical Society, New York CityNew York Historical Society New York City 2 Mrs. Samuel Carne (1740-1805), Samuel Carne, MD (1725-1780)
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Captain William Richardson (1743-1786)
John and Mable Ringling Museum of Art, SarasotaJohn and Mable Ringling Museum of Art Sarasota 1 Portrait of John Faucheraud Grimké

Jeremiah Theus, ett signaturmaleri per tiår

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Jeremiah Theuss malerier: galleriets svar

Hvilket maleri av Jeremiah Theus er det mest kjente av alle?Avslør svaret

Captain William Richardson (1743-1786) (1757), Yale University Art Gallery, New Haven. Deretter følger William Wragg (1750) og Portrait of Amarinthia Elliott (1748).

Hvor gammel var Jeremiah Theus da Captain William Richardson (1743-1786) ble ferdigstilt?Avslør svaret

41 år gammel: Captain William Richardson (1743-1786) er fra 1757, og Jeremiah Theus ble født i 1716.

Hvilke er de 10 beste maleriene til Jeremiah Theus?Avslør svaret

Captain William Richardson (1743-1786), William Wragg, Portrait of Amarinthia Elliott, Mrs. Thomas Lynch (Elizabeh Allston Lynch), Mrs. Peter Manigault, Portrait of John Faucheraud Grimké, Portrait of Mrs. John Champneys (Anne Livingston, born 1746), Mrs. Lionel Chalmers (Martha Logan), Dr. Lionel Chalmers og Mrs. Samuel Carne (1740-1805). Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk skapte Jeremiah Theus?Avslør svaret

Vår katalog inneholder 29 verk av Jeremiah Theus, datert fra 1748 til 1772.

Hvor henger de mest kjente originalverkene til Jeremiah Theus?Avslør svaret

Hovedsakelig i Metropolitan Museum of Art (New York), National Gallery of Art (Washington) og Gibbes Museum of Art (Charleston). Museumslisten ovenfor viser alle.

Når malte Jeremiah Theus sine mest kjente malerier?Avslør svaret

I 1760s: 13 av de 28 verkene på denne siden ble laget da, Portrait of John Faucheraud Grimké av dem.

Hvilke er Jeremiah Theuss tidligste og nyeste berømte verk?Avslør svaret

På denne siden er det eldste Portrait of Amarinthia Elliott (1748) og det nyeste Mrs. John Dart (1772).

Hvilke motiver vendte Jeremiah Theus oftest tilbake til?Avslør svaret

Woman (8), Man (7) og 18th century (4), fordelt på 28 verk på denne siden.

Hvilket medium arbeidet Jeremiah Theus mest med?Avslør svaret

Oil On Canvas, for 16 av de 28 verkene på denne siden.

Hvilken kunstretning er Jeremiah Theus tilknyttet?Avslør svaret

Rococo, basert på originalene på denne siden.

Hvilke originalverk av Jeremiah Theus har Metropolitan Museum of Art i sin samling?Avslør svaret

Mrs. Jacob Motte (Rebecca Brewton), Mrs. John Dart og Gabriel Manigault: Metropolitan Museum of Art, New York har 4 av verkene på denne siden.

Jeremiah Theus: kunstneren

Jeremiah Theus: Charleston’s Quintessential Portraitist

Jeremiah Theus (1716 – 1774) stands as a singular figure in the artistic landscape of colonial South Carolina, recognized primarily for his masterful portraits that captured the spirit and grandeur of the era's elite. Born in Chur, Switzerland—the eldest son of Simeon Walser Theüs—his early life was marked by Huguenot heritage and familial migration to America in 1735, driven by religious persecution. This journey established him firmly within Charleston’s burgeoning merchant class, where he swiftly ascended to prominence as the city's foremost limner (portrait painter).
  • Early Training & Arrival in Charleston: Theus’s artistic education remains somewhat elusive, likely honed through independent study rather than formal institutions. Nevertheless, his astute observation of prevailing stylistic trends—particularly those emanating from England—demonstrates a keen understanding of artistic conventions. Upon arriving in Charleston in 1740, he immediately established himself as a respected artist, advertising his services with considerable flair and attracting commissions from prominent families.
  • A Singular Career: What distinguishes Theus from his contemporaries is not merely skill but exclusivity; for much of his career, he was the sole portraitist in Charleston possessing significant reputation. This circumstance fostered an unparalleled level of artistic innovation and allowed him to cultivate a distinctive visual language—characterized by meticulous detail and subtle psychological insight.

Style & Technique: Embracing Rococo Influence
  • Theus’s portraits are predominantly bust-length compositions, meticulously rendered in oil on canvas. He skillfully adopted elements of Rococo art—a style originating in France—incorporating graceful poses, delicate drapery folds, and opulent embellishments like lace and ermine to convey status and refinement. His meticulous attention to detail—particularly in capturing facial expressions and subtle nuances of gesture—elevated his work beyond mere likenesses, transforming them into evocative representations of character.
  • English Inspiration: Like many artists of the time, Theus drew inspiration from English mezzotint prints depicting aristocratic subjects. He meticulously copied poses and compositional elements from these engravings, demonstrating a profound awareness of artistic precedents and signaling his commitment to upholding standards of elegance and sophistication.

Notable Commissions & Artistic Achievements
  • Among Theus’s most celebrated achievements was his depiction of Colonel Barnard Elliott and his wife—a commission that cemented his reputation as Charleston's premier portraitist. This artwork exemplifies his mastery of Rococo style, skillfully capturing the dignity and grace of its subjects while simultaneously reflecting the broader cultural milieu of the era.
  • Furthermore, Theus’s involvement in decorating St. Michael’s Episcopal Church—including the steeple and weather vane—underscores his versatility as an artist and his dedication to serving the community. His contribution to the building fund exemplifies his generosity and reinforces his standing as a respected citizen of Charleston.

Legacy & Historical Significance
  • Jeremiah Theus’s oeuvre constitutes a crucial document of colonial South Carolina society, offering invaluable insights into the tastes, aspirations, and social dynamics of the period. His portraits—characterized by their meticulous detail and psychological depth—continue to fascinate scholars and art enthusiasts alike, serving as enduring emblems of Charleston's artistic heritage.
  • Recent research has illuminated a fascinating aspect of Theus’s artistic practice: his appropriation of English mezzotint prints for stylistic inspiration. This demonstrates not only his awareness of contemporary artistic trends but also his willingness to engage in dialogue with European artistic traditions—a hallmark of Charleston's cosmopolitan culture.

Concluding Remarks Jeremiah Theus’s enduring influence on American art stems from his unwavering commitment to excellence and his ability to capture the essence of his subjects. His portraits stand as testament to a bygone era—a period defined by aristocratic grandeur, artistic innovation, and a profound engagement with European cultural currents.