Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 223 verk av Henri Le Sidaner i vår katalog
Kort fortalt
I galleriets øyne er Henri Le Sidaners mest kjente maleri A Beauvais Square by Moonlight (1900). Sunday (1898) og La Piazatta (1914) fullfører trioen som alle kjenner igjen. Av de 223 verkene til Henri Le Sidaner i vår katalog, presenterer galleriet de 100 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
A Beauvais Square by Moonlight1900 is a painting that captures a serene street scene under the soft glow of a moonlit atmosphere. The composition focuses on a grand building characterized by a large archway that serves as an entrance to a courtyard. The facade of this structure is detailed with numerous windows and doors, contributing to its imposing presence.
A Moment of Tranquility: Henri Le Sidaner's "Sunday" Henri Le Sidaner’s “Sunday,” painted in 1898, is more than just a depiction of women gathered in a park; it’s an invitation to pause and absorb the quiet beauty of a fleeting moment. The canvas breathes with a soft, diffused light that suggests either dawn or dusk, bathing the scene in an ethereal glow. This isn't a bustling social gathering captured mid-conversation,…
We are looking at La Piazatta, an oil on canvas painted by Henri Le Sidaner in 1914. This work captures a specific moment in the artist's career, rendered during his travels through Venice. It offers a view from inside St Mark's Square, looking out toward the architectural grandeur of the city. The scene is anchored by the presence of the Doge's Palace on the left and the Campanile of San…
A terrace waits in the soft light of 1927. Two plates sit upon the table, one toward the left and one toward the right, as if the diners have only just stepped away. Three wine glasses are positioned around the setting, catching the fading light. A single bowl rests near the center, a silent witness to the meal that was or is about to be. In the background, the silhouettes…
A house sits anchored against the light, its facade defined by shutters of deep green. Vines climb the walls, tracing slow, organic paths toward the eaves. The structure feels settled, a permanent fixture in a world of shifting shadows. Two large windows face the viewer, their glass reflecting a stillness that suggests the interior is a sanctuary of silence. A doorway remains centered, a dark threshold leading into a private,…
Canal in Bruges by Henri Le Sidaner presents a serene view of a Belgian waterway, centered around a bridge spanning the canal. The composition is anchored by two boats resting upon the water; one is positioned near the left foreground, while the second is situated further back toward the right. This arrangement directs the eye through the depth of the canal scene.
In "The Quay in Twilight" by Henri Le Sidaner, a lively harbor scene unfolds under a hazy, diffused sky. The composition is dominated by the expansive water, which acts as a mirror for the world above. Buildings line the waterfront, their facades rendered in shifting shades of pink, red, yellow, and blue. These structures create a rhythmic boundary against the sky, while several boats are scattered throughout the scene, adding…
The oil on canvas titled Little place by the river was painted by Henri Le Sidaner in 1902. This work captures a quiet winter scene where the river flows through a landscape of snow. The artist, Henri Le Sidaner, uses the medium to fix a specific moment of seasonal stillness. Cold air and white drifts define the setting.
In The Orphan Walk, Berck, Henri Le Sidaner organizes a horizontal landscape centered on a group of women in traditional regional French folk costume. These figures are distributed across the middle ground, their movement along a sandy coastal path or dunes guiding the viewer's eye through the terrain. The perspective is set at eye level, establishing an intimate connection with the subjects as they navigate the dunes. Depth is achieved…
In this work, titled Full Moon, the artist Henri Le Sidaner presents a quiet nocturnal landscape. Painted about 1909, the scene captures a moment of stillness under the influence of a luminous lunar presence. The composition centers on the interaction between the sky and the water, creating a sense of profound solitude.
The Lighted Window1906
12
The Italian Boutique1924
13
Landscape, Goose Girl1888 · musée Petiet de Limoux
14
The Bedroom (La Chambre à Coucher)1890 · Indianapolis Museum of Art
15
Blue River, Montreuil-Bellay1897 · Petit Palais
16
The Quay1898 · Groeningemuseum
17
Snowy Evening, Etaples1894
18
The Dessert1904 · Musée d'Orsay
19
Fountain in the Tuileries1900 · Wallraf-Richartz-Museum
20
The Stained Glass, Chartres1901 · Petit Palais
21
The Village, Twilight1902 · Dublin City Gallery The Hugh Lane
22
In the Garden1901 · Toledo Museum of Art
23
Boat on the Canal (Morning)1905 · Groeningemuseum
24
The Table in the White Garden at Gerberoy1900 · Museum of Fine Arts Ghent (MSK)
25
Grand Trianon1905 · Museum of Fine Arts
26
The Tuileries1902
27
The Tunnel1902
28
The Cathedral at Beauvais1900
29
Gerberoy in the snow1902
30
Orpheus Realizing the Loss of Eurydice1900
31
Snow in the Moonlight1903
32
The Pillar1901
33
The Canal, Snow1901
34
The Cradle1905
35
The Tuilleries1900
36
Terrace in Gerberoy1903
37
The House1901
38
Small house by the Eau River at Chartres1902
39
Le banc1903
40
The Belfry at Bruges, Belgium1900
41
The Snow1901
42
Terrace in Springtime1904
43
The Jet of Water1905
44
Dinner in the Garden1903
45
Moonlight at Gerberoy (Clair de Lune à Gerberoy)1904
46
Boats, Heyst1900
47
Old Houses1903
48
Le gouter au jardin1903
49
The House with the Green Shutters (Beguinage. Maisons à contre jour, Bruges)1899
50
The Bridge of Sighs1906 · Petit Palais
51
Roses and Wisterias on the House1907
52
Window with Carnations, Gerberoy1908 · Museum Barberini
53
The Garden of the Gerberoy House1909 · Cantor Arts Center at Stanford University
54
L'île Madre Clair de Lune1909 · Walker Art Gallery
55
Village at Bellay1911
56
Summer Afternoon at the palace of Hampton Court1908
57
Full Moon on the River1910
58
The Small Shop1906
59
Sunflowers1909
60
The Rose Window1908
61
The Ducal Palace1906
62
Garden at Hampton Court1908
63
The Canal1906
64
House by the Quentin Canal1910
65
The Gray Palace1906
66
The Suburbs1909
67
Plaza under Snow, Gerberoy1910
68
Unknown1910
69
Fishing Boats1910
70
The Wall, Autumn1910
71
Courtyard from a Window1910
72
The Red Palace in Venice1908
73
Rooftops in Moonlight1910
74
Small Villa in Afternoon1910
75
Trafalgar Square1908
76
The Old Palace, Moonlight, Venice1907
77
Port at Villefranche1911
78
The Great Gate at Hampton Court1908
79
Roses of Trianon1917 · Petit Palais
80
Versailles: Cour d'Honneur1912 · National Gallery of Ireland
81
Country house among roses1913 · Plantin-Moretus Museum
82
Canal in Autumn (Gisors)1913 · Cleveland Museum of Art
83
The Window at Croisic1915
84
Departure of Tobie1915
85
Steps at Chartes1913
86
Grand Canal in Venice1914
87
Neptune Fountain at twilight1916
88
Garden at Gerberoy1917
89
Snow at Chartres1914
90
The Grey Mill, Montreuil-Bellay1914
91
The Red Palace1914
92
Still Life1917
93
Garden in the full moon1914
94
A Window, Gisors1912
95
Spring Sky1913
96
The House in the Snow1913
97
The Pavillion and the Alley1916
98
The Ducal Palace1915
99
Sunset1913
100
Windows1915
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Henri Le Sidaner | Malerier fra denne listen |
|---|---|---|---|
 Petit Palais |
Paris | 4 | Blue River, Montreuil-Bellay, The Stained Glass, Chartres, The Bridge of Sighs |
 Groeningemuseum |
Brugge | 2 | The Quay, Boat on the Canal (Morning) |
 Musée des Beaux-Arts de Dunkerque |
Dunkirk | 2 | The Orphan Walk, Berck |
 Indianapolis Museum of Art |
Indianapolis | 2 | The Bedroom (La Chambre à Coucher) |
 Musée d'Orsay |
Paris | 2 | The Dessert |
 Wallraf-Richartz-Museum |
Köln | 2 | Fountain in the Tuileries |
 Walker Art Gallery |
Liverpool | 2 | L'île Madre Clair de Lune |
 Musée de la Chartreuse |
Duffel | 1 | Sunday |
Velg et tiår for å se originalverket som definerer det.
In The Orphan Walk, Berck, Henri Le Sidaner organizes a horizontal landscape centered on a group of women in traditional regional French folk costume. These figures are distributed across the middle ground, their movement along a sandy coastal path or dunes guiding the viewer's eye through the terrain. The perspective is set at eye level, establishing an intimate connection with the subjects as they navigate the dunes. Depth is achieved…
A Moment of Tranquility: Henri Le Sidaner's "Sunday" Henri Le Sidaner’s “Sunday,” painted in 1898, is more than just a depiction of women gathered in a park; it’s an invitation to pause and absorb the quiet beauty of a fleeting moment. The canvas breathes with a soft, diffused light that suggests either dawn or dusk, bathing the scene in an ethereal glow. This isn't a bustling social gathering captured mid-conversation,…
A Beauvais Square by Moonlight1900 is a painting that captures a serene street scene under the soft glow of a moonlit atmosphere. The composition focuses on a grand building characterized by a large archway that serves as an entrance to a courtyard. The facade of this structure is detailed with numerous windows and doors, contributing to its imposing presence.
We are looking at La Piazatta, an oil on canvas painted by Henri Le Sidaner in 1914. This work captures a specific moment in the artist's career, rendered during his travels through Venice. It offers a view from inside St Mark's Square, looking out toward the architectural grandeur of the city. The scene is anchored by the presence of the Doge's Palace on the left and the Campanile of San…
A terrace waits in the soft light of 1927. Two plates sit upon the table, one toward the left and one toward the right, as if the diners have only just stepped away. Three wine glasses are positioned around the setting, catching the fading light. A single bowl rests near the center, a silent witness to the meal that was or is about to be. In the background, the silhouettes…
A Beauvais Square by Moonlight (1900). Deretter følger Sunday (1898) og La Piazatta (1914).
38 år gammel: A Beauvais Square by Moonlight er fra 1900, og Henri Le Sidaner ble født i 1862.
A Beauvais Square by Moonlight, Sunday, La Piazatta, Table on the Terrace, The House in Summer, Canal in Bruges, The Quay in Twilight, Little place by the river, The Orphan Walk, Berck og Full Moon. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 223 verk av Henri Le Sidaner, datert fra 1888 til 1927.
Hovedsakelig i Petit Palais (Paris), Groeningemuseum (Brugge) og Musée des Beaux-Arts de Dunkerque (Dunkirk). Museumslisten ovenfor viser alle.
I 1900s: 54 av de 100 verkene på denne siden ble laget da, A Beauvais Square by Moonlight av dem.
På denne siden er det eldste The Orphan Walk, Berck (1888) og det nyeste Table on the Terrace (1927).
Buildings (14), Sky (6) og Winter (6), fordelt på 100 verk på denne siden.
Oil On Canvas, for 7 av de 100 verkene på denne siden.
Impressionism, basert på originalene på denne siden.
Blue River, Montreuil-Bellay, The Stained Glass, Chartres og The Bridge of Sighs: Petit Palais, Paris har 4 av verkene på denne siden.
Henri Le Sidaner, a name synonymous with evocative domestic scenes and tranquil landscapes, was born on August 7th, 1862, in the vibrant port city of Port Louis, Mauritius. His origins were deeply rooted in Breton heritage – his father, Jean Marie Le Sidaner, worked as a ship inspector for Lloyd’s, a position that brought the family back to France in 1872. This relocation marked a significant shift, leading them to settle in Dunkerque, a bustling coastal town in northern France. From an early age, Henri displayed a keen interest in art, nurtured by his parents' support and a burgeoning artistic talent.
His formative years were spent at the Collège et Lycée Notre Dame des Dunes in Dunkerque, where he honed his academic skills while simultaneously cultivating his passion for painting. A fortunate opportunity presented itself through a scholarship awarded by the city council – a key moment that enabled him to pursue his artistic ambitions in Paris, the heart of French art and culture. This move was pivotal, opening doors to prestigious institutions like the École nationale supérieure des beaux-arts, where he would encounter influential figures and refine his burgeoning style.
The École des Beaux-Arts proved to be a crucible for Le Sidaner’s artistic development. While under the tutelage of Alexandre Cabanel, a celebrated master known for his academic realism, he eventually found himself at odds with the school's rigid approach. This divergence led him to seek inspiration elsewhere, drawing heavily from the revolutionary techniques and philosophies of Impressionism and Pointillism. The works of Édouard Manet, with his bold brushstrokes and exploration of modern life, and Claude Monet, whose masterful use of light and color captured fleeting moments in time, profoundly influenced Le Sidaner’s artistic vision.
Seeking further refinement and a collaborative environment, he joined the Colonie artistique d'Étaples – a collective of artists dedicated to shared practice and mutual growth. This association provided invaluable experience and fostered a deeper understanding of artistic principles. The Pointillists, with their innovative use of small, distinct dots of color, also left an indelible mark on Le Sidaner’s technique, shaping his approach to creating atmosphere and depth.
Le Sidaner's distinctive style is immediately recognizable – a delicate balance between Impressionism and Symbolism. He eschewed the bright, saturated colors often associated with Impressionism, instead favoring a subdued palette of greys, opals, and muted tones. His brushstrokes were deliberately uneven and dappled, creating a sense of atmospheric depth and subtle movement. This technique wasn’t merely decorative; it was a deliberate choice to evoke mood and emotion, capturing the quiet beauty of everyday life.
He became particularly renowned for his nocturnes – paintings of twilight scenes that captured the ethereal quality of light and shadow. These works were not simply depictions of darkness but rather explorations of atmosphere, mystery, and introspection. Over time, Le Sidaner’s style evolved, moving away from purely academic influences towards a more personal expression rooted in his own observations and experiences. After establishing himself at Gerberoy in the Picardy countryside for over thirty years, he created a series of captivating gardens within the ruins of a medieval fortress – scenes bathed in dappled sunlight and adorned with roses, solidifying his reputation as a master of light and atmosphere.
Le Sidaner’s artistic output spanned decades, resulting in a substantial body of work that continues to be celebrated today. Notable paintings include “Still Life and a Window, Gisors,” a masterful study of domestic tranquility, and "A Beauvais Square by Moonlight," which perfectly captures the evocative beauty of twilight. His works have been exhibited at prestigious venues such as the Musée des Beaux-Arts Tournai in Belgium, showcasing his enduring appeal to art enthusiasts.
Throughout his career, Le Sidaner received numerous accolades, including a bronze medal at the Universal Exposition in Paris in 1891 and, later, the rank of Chevalier of the Legion of Honor in 1913 – a testament to his contributions to French art. His Venice paintings, exhibited with great acclaim in London and Paris in 1905, further cemented his international recognition.
Henri Le Sidaner is often considered a pivotal figure bridging the gap between Impressionism and Post-Impressionism. While he embraced many of the techniques associated with both movements, he developed a uniquely personal style that set him apart from his contemporaries. His paintings capture not just visual reality but also the emotional resonance of everyday life – the quiet intimacy of domestic interiors, the serene beauty of gardens, and the subtle poetry of twilight.
Le Sidaner’s legacy continues to inspire artists and art lovers alike. His works are readily available for viewing and appreciation, demonstrating his enduring artistic merit and solidifying his place as a significant figure in French art history. The availability of his paintings on platforms like OriginalUniqueArt.com ensures that his evocative visions continue to reach a wider audience.
