Portrett av Bartolommeo Bulgarini

De 7 mest kjente Bartolommeo Bulgarini-maleriene, hvert og ett unikt

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 7 verk av Bartolommeo Bulgarini i vår katalog

Kort fortalt

The Virgin of the Assumption with St Thomas Receiving the Girdle (1360) er maleriet av Bartolommeo Bulgarini som vekker mest oppmerksomhet; originalen befinner seg i Pinacoteca Nazionale, Siena. Deretter går blikket til Calvary og Madonna of Humility. Blant de 7 verkene til Bartolommeo Bulgarini i vår katalog, er disse 7 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1305 – 1378, Siena Flest verk: Pinacoteca Nazionale

Topp 10 malerier av Bartolommeo Bulgarini, sett gjennom galleriets øyne

Motivene som fanget Bartolommeo Bulgarinis blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Bartolommeo Bulgarinis originalverk

De 2 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Bartolommeo Bulgarini Malerier fra denne listen
Pinacoteca Nazionale, SienaPinacoteca Nazionale Siena 1 The Virgin of the Assumption with St Thomas Receiving the Girdle
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Madonna of Humility

Bartolommeo Bulgarini gjennom årene: de unike originalene fra hvert verk

Alle de daterte originalene av Bartolommeo Bulgarini som vises her, tilhører ett enkelt år, 1360: de er oppført i rekkefølge etter berømmelse.

Verk per år

Velg et år for å se originalverkene.

Bartolommeo Bulgarinis malerier: spørsmål til galleriet

Hva er det mest kjente verket til Bartolommeo Bulgarini?Avslør svaret

The Virgin of the Assumption with St Thomas Receiving the Girdle (1360), Pinacoteca Nazionale, Siena. Deretter følger Calvary og Madonna of Humility.

Hvor gammel var Bartolommeo Bulgarini da The Virgin of the Assumption with St Thomas Receiving the Girdle ble skapt?Avslør svaret

55 år gammel: The Virgin of the Assumption with St Thomas Receiving the Girdle er fra 1360, og Bartolommeo Bulgarini ble født i 1305.

Hvor mange verk av Bartolommeo Bulgarini er kjent?Avslør svaret

Vår katalog inneholder 7 verk av Bartolommeo Bulgarini.

Hvor kan de mest kjente originalverkene til Bartolommeo Bulgarini ses?Avslør svaret

Hovedsakelig i Pinacoteca Nazionale (Siena) og Rijksmuseum (Amsterdam). Museumslisten ovenfor viser alle.

Hvilke motiver foretrakk Bartolommeo Bulgarini?Avslør svaret

Virgin mary (3) og Children (2), fordelt på 7 verk på denne siden.

Bartolommeo Bulgarini: et portrett av kunstneren

The Sienese Master of Light and Line

Bartolommeo Bulgarini, known variously as Bulgarino or Bologhini, emerged from the vibrant artistic ferment of fourteenth-century Siena to become one of the most profound voices of the Trecento. Born around 1300, his life was inextricably linked to the golden age of Sienese painting, a period defined by a unique tension between the celestial and the terrestrial. His formative years were shaped by the rigorous training of an apprenticeship under the legendary Pietro Lorenzetti, a connection that would anchor his style in the prestigious lineage of Sienese masters. Unlike many of his contemporaries who sought fame in distant courts, Bulgarini remained deeply rooted in his home city, dedicating his life to the altarpieces and devotional panels that would grace the chapels and cathedrals of Siena, weaving his personal legacy into the very fabric of the city's religious identity.

A Synthesis of Tradition and Innovation

The true brilliance of Bulgarini lies in his ability to act as a bridge between two worlds. He possessed a rare, intuitive grasp of how to marry the ancient, ethereal majesty of Byzantine iconography with the burgeoning humanism and spatial curiosity emerging from Florence. His technique was characterized by a meticulous attention to detail and a luminous use of color that seemed to radiate from within the gold-grounded panels. Through the careful application of tempera, he achieved a sense of weight and presence in his figures that moved beyond mere symbolism toward a more tangible reality. In his mature works, one observes a deliberate consideration for spatial depth and a sophisticated interplay of light. This stylistic evolution is perhaps most evident in his ability to balance:
  • The Byzantine influence, which provided the sacred, unmoving grandeur of the divine.
  • The Florentine innovation, which introduced a nascent naturalism and anatomical grace.
  • A luminous palette that utilized gold and rich pigments to evoke a sense of heavenly splendor.
This duality allowed his art to remain deeply devotional while simultaneously participating in the progressive movement toward the Renaissance.

Enduring Devotion and Historical Legacy

Bulgarini’s career was not merely a period of artistic growth but a testament to resilience. He remained an active and influential force in the Sienese school even as the devastating Black Death of 1348 reshaped the social and cultural landscape of Italy. His monumental achievements, such as the St. Victor Altarpiece, stand as enduring landmarks of his mastery, showcasing a complex theological narrative executed with unparalleled craftsmanship. Whether through the intimate grace of his Madonna and Child compositions or the solemnity of his depictions of saints, Bulgarini’s work captures the spiritual heartbeat of an era. Today, as art historians rediscover the profound impact of his hand, his name continues to resonate as a master who successfully captured the intersection of the eternal and the earthly, leaving behind a corpus of work that remains a cornerstone of Italian medieval art.