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De 1 bekendste schilderijen van Wilhelm Haller, een selectie uit de galerie
Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 1 werken van Wilhelm Haller in onze catalogus
Kortom
Van alle originele werken die Wilhelm Haller heeft nagelaten, is Mother with Child (1913) het bekendst, in de collectie van het Augustiner Museum, Freiburg. Onze catalogus bevat 1 werken van Wilhelm Haller; de galerie heeft de 1 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
1873 – 1950, Freiburg im Breisgau
Meeste werken: Augustiner Museum
De top 10 schilderijen van Wilhelm Haller: de selectie van de galerie
De musea waar de originele werken van Wilhelm Haller worden bewaard
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Wilhelm Haller | Schilderijen uit deze lijst |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Mother with Child |
Wilhelm Haller jaar voor jaar: de originelen die elk jaar definiëren
1913 is het jaar van elk gedateerd werk van Wilhelm Haller in deze selectie: hier zijn ze, gerangschikt op bekendheid.
Werken per jaar
Selecteer een jaar om de originele werken te bekijken.
Vragen van verzamelaars over de schilderijen van Wilhelm Haller
Waar is Wilhelm Haller het meest bekend om?Onthul het antwoord
Mother with Child (1913)
Hoe oud was Wilhelm Haller toen Mother with Child werd gemaakt?Onthul het antwoord
40 jaar oud: Mother with Child dateert uit 1913, en Wilhelm Haller werd geboren in 1873.
Hoeveel schilderijen heeft Wilhelm Haller nagelaten?Onthul het antwoord
Onze catalogus bevat 1 werken van Wilhelm Haller.
In welke musea hangen de meesterwerken van Wilhelm Haller?Onthul het antwoord
Voornamelijk in Augustiner Museum (Freiburg). De bovenstaande museumtabel bevat een volledig overzicht.
Wilhelm Haller: leven en werk
Early Life and Education in Freiburg
Born on May 28, 1873, in Freiburg im Breisgau, Germany, Wilhelm Haller entered a world where the brush was already a familiar presence. He was the son of Konrad Haller, a man who earned his living as a decorative painter. This early exposure to the craft meant that the language of color and form was part of the household atmosphere from his earliest years. Even as a child and throughout his youth, he found himself deeply preoccupied with the act of painting, a passion that seemed to reside within him long before he sought formal training.
His path through the educational institutions of Freiburg was steady. He attended the local Volksschule before moving on to the Berthold-Gymnasium. It was there, in 1892, that he completed his Abitur. While his academic training suggested a different trajectory, the pull of the visual arts remained a constant, quiet influence on his developing mind.
Following his graduation, Wilhelm Haller enrolled at the University of Freiburg. He initially turned his attention toward the study of political science, pursuing the complexities of statecraft and social structures. However, the academic rigor of the university could not entirely suppress his innate inclination toward art. By 1897, he made the definitive choice to abandon his studies of political science to devote himself entirely to the life of a painter.
Notable Works and Subjects
The artist’s hand often turned toward the intimate and the domestic, capturing the quiet presence of life in a way that felt deeply personal. In 1909, he painted a portrait of a small boy accompanied by a monkey, a work that shows his early engagement with character and companionship. This interest in the human form extended to more tender subjects, such as his 1919 composition titled Mother and Child. Through these studies, he explored the subtle connections between people and the animals that shared their world.
Beyond the human figure, the landscapes of his home region frequently occupied his thoughts. He sought to translate the ruggedness of the terrain onto his supports, whether using oil or tempera. In 1923, he rendered a river landscape featuring a castle perched upon limestone rocks. This fascination with the natural architecture of the land continued into his later years; by 1944, he had produced a view of the Black Forest, capturing the essence of the wooded hills that defined the landscape of his life.