Kortom
In het oog van de galerie is het beroemdste schilderij van William Roberts The Boxing Match (1890). The First German Gas Attack at Ypres (1918) en The Cinema (1920) maken het trio compleet dat elk oog herkent. Van de 59 werken van William Roberts in onze catalogus presenteert de galerie hieronder de 59 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
De top 10 schilderijen van William Roberts in de galerie
Schilderijen van William Roberts, gerangschikt van 11 tot 59
De onderwerpen die de aandacht van William Roberts troffen
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
British art 3 werken
Victorian 2 werken
Crowd 2 werken
De musea waar de originele werken van William Roberts worden bewaard
De 8 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van William Roberts | Schilderijen uit deze lijst |
|---|---|---|---|
| London | 3 | The Garden of Eden, The Artist's Son Playing the Recorder, The Rhododendron | |
| Nottingham | 2 | The Return of Ulysses, Professor Janko Lavrin (1885–1986) | |
| Greater Manchester | 2 | The Control Room, Munitions Factory | |
| Londen | 2 | The Demolition Squad, Sidney James Barton (1909–1986), Chairman of London County Council (1959–1960) | |
| Ottawa | 1 | The First German Gas Attack at Ypres | |
| Wolverhampton | 1 | Kit (Katie Bissett Smith née Knewstub, 1907–2008) | |
| Oxford | 1 | The Crucifixion | |
| Londen | 1 | The Stockbroker's Clerk |
William Roberts, één iconisch schilderij per decennium
Werken per decennium
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
Study for Kites
William Roberts is a British painter of figure compositions and portraits. He was a pioneer of abstract art before the First World War. Roberts worked outside the mainstream. Later in his career he would describe himself as an English Cubist. In 1914 Roberts joined the short-lived art movement the Vorticists, founded by the artist and writer Wyndam Lewis. The Vorticists believed that British art at this time was in a…
Schilderijen van William Roberts: de galerie geeft antwoord
Welk schilderij van William Roberts is het beroemdste van allemaal?Onthul het antwoord
The Boxing Match (1890). The First German Gas Attack at Ypres (1918) en The Cinema (1920) volgen.
Wat zijn de top 10 schilderijen van William Roberts?Onthul het antwoord
The Boxing Match, The First German Gas Attack at Ypres, The Cinema, The Garden of Eden, John Maynard Keynes, Baron Keynes Lydia Lopokova, Kit (Katie Bissett Smith née Knewstub, 1907–2008), The Port of London, The Return of Ulysses, The Red Turban en Portrait of a Young Woman. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Hoeveel werken heeft William Roberts gemaakt?Onthul het antwoord
Onze catalogus bevat 59 werken van William Roberts, daterend van 1913 tot 1966.
Waar hangen de beroemdste originele werken van William Roberts?Onthul het antwoord
Voornamelijk in The Ingram Collection of Modern British And Contemporary Art (London), Nottingham Castle Museum And Art Gallery (Nottingham) en Salford Museum - Art Gallery (Greater Manchester). De bovenstaande museumtabel bevat een volledig overzicht.
Wanneer creëerde William Roberts de beroemdste schilderijen?Onthul het antwoord
In 1920s: 21 van de 59 werken op deze pagina werden toen gemaakt, waaronder The Cinema.
Wat zijn de vroegste en laatste beroemde werken van William Roberts?Onthul het antwoord
Op deze pagina is het vroegste The Return of Ulysses (1913) en het laatste Study for Kites (1966).
Welke onderwerpen keerde William Roberts het vaakst naar terug?Onthul het antwoord
British art (3), Victorian (2) en Crowd (2), verspreid over de 59 werken op deze pagina.
Bij welke stroming wordt William Roberts gerekend?Onthul het antwoord
Cubism, te oordelen aan de originelen op deze pagina.
Welke originelen van William Roberts zijn in de collectie van het The Ingram Collection of Modern British And Contemporary Art?Onthul het antwoord
The Garden of Eden, The Artist's Son Playing the Recorder en The Rhododendron: het The Ingram Collection of Modern British And Contemporary Art, London herbergt 3 van de werken op deze pagina.
William Roberts: de kunstenaar
The Architect of Fragmented Reality: The Life of William Patrick Roberts
In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.
Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.
A Vision of Modernity and War
The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.
Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.
Legacy and Artistic Significance
The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.
Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.





