Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 35 werken van William Henry Davis in onze catalogus
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Van alle originele werken die William Henry Davis heeft nagelaten, is Prize Sheep (1838) de bekendste. Direct daarna volgen Three South Down Sheep (1800) en The Metropolitan Cattle Market, Copenhagen Fields, London (1855). Onze catalogus bevat 35 werken van William Henry Davis; de galerie heeft de 27 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
The scene unfolds through William Henry Davis's Prize Sheep, an oil on canvas that captures a quiet moment of agricultural pride. Created about 1838, the work presents a specific slice of rural life from the early 19th century. This painting resides within the collection of the Museum of Lincolnshire Life, where it remains a tangible link to the era of selective breeding and the dedication of the farmers who shaped…
In this quiet composition titled Three South Down Sheep, we encounter the hand of William Henry Davis. The work is dated 1800. It presents a scene of pastoral stillness, focusing on a small group of animals within a natural setting. The artist, William Henry Davis, was known for his ability to capture the essence of the English countryside through a lens of tranquility and detail.
The Metropolitan Cattle Market, Copenhagen Fields, London is a large-scale oil painting on canvas created by William Henry Davis. Dating to 1855, this work captures a specific moment of urban commerce and animal husbandry during the mid-Victorian era. The piece offers a detailed look at the bustling activity within the market, focusing on the intersection of human industry and livestock.
The painting depicts a greyhound standing amidst a field of grass. The scene is set on a sunny day, with the dog positioned as if looking toward something located off-camera. The background consists of a sky filled with clouds, creating an outdoor setting.
In this large oil on canvas, we find ourselves witnessing a fleeting moment of industry and movement. The scene depicts the changing of horses for the Exeter to London Mail, a vital artery of communication and travel. Sir Henry Paton, Bt, is seen leading a horse through the activity, a figure that grounds the composition in a specific social and historical reality. There is a palpable sense of purpose here;…
The artwork, titled 'Waterloo Spot' November 5 1816, the Property of Major W. T. Drake, RHG, presents a medium-sized dog standing within an outdoor setting. The composition focuses on the central figure of the dog, positioned against a backdrop that includes a weathered shed, distant foliage, and a hazy landscape. The scene is rendered with a subdued color palette, leaning heavily towards browns, grays, and ochres, with a subtle hint…
This 1830 painting depicts Sir Henry William Paget, 1st Marquess of Anglesey, engaged in a hunting excursion. He is portrayed riding a horse while shooting a blackcock with his gun. The scene is set in Cannock Chase and features his dog, 'Nep', positioned towards the lower left side of the composition. The horse is equipped with a visible saddle.
This traditional oil painting on canvas presents a realistic depiction of a single cow, which serves as the central focus of the composition. The animal is positioned in the foreground, dominating the view as it stands within a rural landscape. The terrain consists of a gently sloping field that leads the eye toward a background of distant hills and trees.
A Prize Grey Shorthorn Bull by a Pond is an oil painting by William Henry Davis, dated 1830. The work presents a large, imposing bull positioned within a rural landscape. This specific subject reflects the artist's focus on the physical presence of livestock and the pastoral environments of the early 19th century.
In Horse, William Henry Davis centers the composition on a chestnut horse that dominates the foreground. The animal's physical presence is defined by precise lines that trace its musculature and anatomical form. This focus on the animal's anatomy emphasizes the strength and power inherent in the subject within its natural environment. Organic shapes characterize the composition, seen in the contours of the horse's body, the rolling landforms, and the drifting…
Three Greyhounds1835
12
A Longhorn Cow in a Landscape, the Property of John Henry Whitmore Jones of Chastleton1840
13
Black Bull1841
14
Stallion1846 · Suffolk Punch Heavy Horse Museum
15
Hereford Bull1851 · Attingham Park
16
A Pair of Horses1852 · Attingham Park
17
Fairhead Boxer 4051851
18
Fairhead Boxer 4051851 · Suffolk Punch Heavy Horse Museum
19
Hereford Cow1859 · Attingham Park
20
Hereford Bull1856 · Attingham Park
21
Prize Cow and Calf1856 · Attingham Park
22
Hereford Bull ‘Walford'1859 · Attingham Park
23
Sir Henry Paget (1797–1869), Earl of Uxbridge, Later 2nd Marquess of Anglesey
24
A Grey Shorthorn Cow1831
25
Hereford Cow1859
26
Hereford Cow near Cronkhill Farmhouse, 1858Attingham Park
27
Five Leicester Sheep
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 5 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van William Henry Davis | Schilderijen uit deze lijst |
|---|---|---|---|
 Attingham Park |
7 | Hereford Bull, A Pair of Horses, Hereford Cow | |
 National Trust |
Derby | 3 | Changing Horses, the Exeter to London Mail Sir Henry Paton, Bt, Leading the Horse, A Grey Shorthorn Cow, A Prize Grey Shorthorn Bull by a Pond |
 Suffolk Punch Heavy Horse Museum |
Woodbridge | 2 | Stallion, Fairhead Boxer 405 |
 Guildhall Art Gallery |
Londen | 1 | The Metropolitan Cattle Market, Copenhagen Fields, London |
 Government Art Collection |
Londen | 1 | Greyhound |
Van 1841 tot 1859 werkte William Henry Davis 19 jaar lang: de selectie volgt deze lange carrière jaar voor jaar, via de mooiste originele werken.
Selecteer een jaar om de originele werken te bekijken.
In this 1841 oil painting, titled Black Bull, the artist William Henry Davis captures a singular, powerful presence within a quiet field. The subject is a large black cow, its dark form commanding the center of the frame. It stands amidst a serene landscape, its head turned toward the left as if momentarily interrupted by a sound or a scent carried on the breeze. The animal occupies much of the…
In Stallion, William Henry Davis presents a majestic brown horse positioned within a pastoral field. Created about 1846, the work focuses on the animal as its central figure. The horse's body is oriented toward the right side of the frame, though its head is turned slightly to the left, creating a sense of quiet alertness. The subject's mane and tail are rendered with significant detail, suggesting a subtle vitality within…
This large oil on canvas features a Hereford bull positioned within a lush green field. The bull, characterized by its horns, is depicted looking toward something situated off-camera. The landscape includes trees in the background and provides an environment suitable for grazing. In addition to the primary bull, the composition includes two smaller cows: one located to the left of the main subject and another positioned further back on the…
Meer van 1851
The artwork, titled A Pair of Horses, depicts two horses positioned close together in a pastoral landscape. The composition is centered on the two animals, which are facing one another. The background features a rolling green field, a distant building, and a cloudy sky.
The Metropolitan Cattle Market, Copenhagen Fields, London is a large-scale oil painting on canvas created by William Henry Davis. Dating to 1855, this work captures a specific moment of urban commerce and animal husbandry during the mid-Victorian era. The piece offers a detailed look at the bustling activity within the market, focusing on the intersection of human industry and livestock.
The artwork Hereford Bull is a realistic oil painting on canvas that presents a portrait-style depiction of a single, large brown and white cow. Positioned centrally within the frame, the animal occupies most of the composition, standing in a grassy field. The scene is captured from a frontal view, offering a straightforward perspective of the bovine subject.
Meer van 1856
The painting depicts a large brown cow standing in the middle of a grassy field. The cow is positioned towards the left side of the frame, with its body taking up most of the space from the center to the right edge of the image. The background features a sky and some trees, creating a serene atmosphere for the scene.
Meer van 1859
Prize Sheep (1838). Three South Down Sheep (1800) en The Metropolitan Cattle Market, Copenhagen Fields, London (1855) volgen.
Prize Sheep, Three South Down Sheep, The Metropolitan Cattle Market, Copenhagen Fields, London, Greyhound, Changing Horses, the Exeter to London Mail Sir Henry Paton, Bt, Leading the Horse, 'Waterloo Spot' November 5 1816, the Property of Major W. T. Drake, RHG, Sir Henry William Paget, 1st Marquess of Anglesey Shooting Blackcock on Cannock Chase, with His Dog 'Nep', A Grey Shorthorn Cow, A Prize Grey Shorthorn Bull by a Pond en Horse. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 35 werken van William Henry Davis, daterend van 1841 tot 1859.
Voornamelijk in Attingham Park, National Trust (Derby) en Suffolk Punch Heavy Horse Museum (Woodbridge). De bovenstaande museumtabel bevat een volledig overzicht.
In 1851: 3 van de 27 werken op deze pagina werden toen gemaakt, waaronder Hereford Bull.
Op deze pagina is het vroegste Black Bull (1841) en het laatste Hereford Cow (1859).
Grass (9), Sky (7) en Landscape (7), verspreid over de 27 werken op deze pagina.
Oil On Canvas, voor 13 van de 27 werken op deze pagina.
Romanticism, te oordelen aan de originelen op deze pagina.
Hereford Bull, A Pair of Horses en Hereford Cow: het Attingham Park herbergt 7 van de werken op deze pagina.
