Kortom
Goats (1911) is het schilderij van Wilhelm Morgner dat de meeste aandacht trekt. Daarna gaat de blik naar The Lumberjack (1911) en Soest Farmer (1912). Van de 39 werken van Wilhelm Morgner in onze catalogus zijn dit de 39 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
Top 10 schilderijen van Wilhelm Morgner, door de ogen van de galerie
De beroemde schilderijen van Wilhelm Morgner, nummer 11 tot 39
De musea waar de originele werken van Wilhelm Morgner worden bewaard
De 2 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Wilhelm Morgner | Schilderijen uit deze lijst |
|---|---|---|---|
| Dortmund | 1 | Entry of Christ into Jerusalem | |
| Frankfurt | 1 | Astrale Komposition VI |
Wilhelm Morgner door de jaren heen: de unieke originelen van elk werk
Tussen 1909 en 1913, in totaal 5 jaar, maakte Wilhelm Morgner elk gedateerd origineel dat hier wordt getoond: een korte periode, jaar na jaar gevolgd.
Werken per jaar
Selecteer een jaar om de originele werken te bekijken.
Schilderijen van Wilhelm Morgner: vragen voor de galerie
Wat is het bekendste werk van Wilhelm Morgner?Onthul het antwoord
Goats (1911). The Lumberjack (1911) en Soest Farmer (1912) volgen.
Op welke leeftijd creëerde Wilhelm Morgner Goats?Onthul het antwoord
20 jaar oud: Goats dateert uit 1911, en Wilhelm Morgner werd geboren in 1891.
Welke tien schilderijen van Wilhelm Morgner zijn het meest bekend?Onthul het antwoord
Goats, The Lumberjack, Soest Farmer, The Lumberjack with the Crucified, Self-Portrait XV, Mother with Child, Schulte Stands at Open Door, Man with Blue Car in Ornamental Landscape, Striding Woman in Landscape en The Porter. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Hoeveel werken van Wilhelm Morgner zijn er bekend?Onthul het antwoord
Onze catalogus bevat 39 werken van Wilhelm Morgner, daterend van 1909 tot 1913.
Waar kunnen de beroemdste originelen van Wilhelm Morgner worden bekeken?Onthul het antwoord
Voornamelijk in Museum Ostwall (Dortmund) en Städel Museum (Frankfurt). De bovenstaande museumtabel bevat een volledig overzicht.
In welke periode creëerde Wilhelm Morgner de bekendste schilderijen?Onthul het antwoord
In 1911: 15 van de 39 werken op deze pagina werden toen gemaakt, waaronder Goats.
Welk beroemd schilderij van Wilhelm Morgner is de vroegste, en welke de laatste?Onthul het antwoord
Op deze pagina is het vroegste Schulte Stands at Open Door (1909) en het laatste Ascension (1913).
Bij welke stroming behoort het werk van Wilhelm Morgner?Onthul het antwoord
Expressionism, te oordelen aan de originelen op deze pagina.
Waar kan ik een handgeschilderde Wilhelm Morgner reproductie bestellen?Onthul het antwoord
Ja, als reproductie: het origineel blijft in het museum, maar elk schilderij op deze pagina kan handmatig voor u worden geschilderd, op maat gemaakt, één voor één, via de eigen pagina van het schilderij.
Wilhelm Morgner: een portret van de kunstenaar
The Brief, Radiant Life of Wilhelm Morgner
In the fleeting dawn of the twentieth century, few voices resonated with as much raw, spiritual intensity as that of Wilhelm Morgner. Born on January 27, 1891, in the Westphalian town of Soest, Morgner’s life was a short but brilliant arc of creative evolution, cut tragically short by the ravages of war. His early years were marked by a profound tension between duty and desire; while his mother, an artistically inclined woman, envisioned a future for him in the pulpit as a Protestant minister, the young Morgner felt the irresistible pull of the canvas. This internal struggle between the structured expectations of his upbringing and the chaotic beauty of modern art would eventually fuel the expressive power of his work.
Morgner’s journey into the heart of the avant-garde began in 1908, when, guided by the wisdom of Otto Modersohn, he moved to the renowned artists' colony of Worpswede. It was here, under the mentorship of the Expressionist painter Georg Tappert, that Morgner’s artistic identity truly began to coalesce. Tappert did more than teach technique; he opened a window into the burgeoning world of modernism, introducing his pupil to the radical possibilities of en plein aire painting and the vibrant energy of contemporary movements. As Morgner matured, his early works—often characterized by a heavy, somber realism and dark moods—began to shed their weight, gradually transforming into something far more ethereal and luminous.
A Symphony of Color and Abstraction
As Morgner moved toward the great art centers like Berlin, his style underwent a breathtaking metamorphosis. The influence of Pointillism, Futurism, and the haunting emotional depth of Vincent van Gogh began to permeate his brushwork. He did not merely observe these movements; he assimilated them, distilling their essence into a personal language of pure color and spiritual inquiry. His fascination with the interplay of light and pigment led him away from the literal depiction of rural laborers and landscapes toward an increasingly abstract realm. For Morgner, color was not just a descriptive tool but a vessel for the divine, a means to convey profound spiritual truths that transcended the physical world.
This period of intense experimentation saw his work featured in some of the most prestigious and radical publications and exhibitions of the era, including:
- Der Sturm: The legendary magazine that served as a beacon for the international avant-garde.
- Die Aktion: A platform for the most provocative voices of German Expressionism.
- The Sonderbund Exhibition in Cologne: A monumental gathering of modern art that solidified his standing among his peers.
- The Blauer Reiter in Munich: Where his work caught the eye of masters like Franz Marc, who was reportedly deeply impressed by Morgner's vision.
A Legacy Forged in Fire and Memory
The trajectory of Morgner’s meteoric rise was violently interrupted by the onset of World War I. Conscripted into military service, he found himself thrust onto the battlefields of the Western and Eastern Fronts. The physical and psychological toll of the conflict stripped him of the ability to work in oils, yet even amidst the devastation of war, his creative spirit refused to be extinguished. He turned to the more portable mediums of watercolor and drawing, continuing to document the world through a lens of fragmented, expressive beauty. His service, which earned him the Iron Cross, ultimately led to his untimely death near Langemark, Belgium, in August 1917, at the age of only twenty-six.
Though his life was tragically brief, Wilhelm Morgner left behind a legacy that continues to captivate the modern soul. He remains a pivotal figure in the German Expressionist movement, representing a bridge between the heavy realism of the nineteenth century and the spiritual abstraction of the twentieth. His ability to find the sacred within the spectrum of color serves as a poignant reminder of the power of art to transcend even the darkest of human experiences. Today, his works stand as luminous fragments of a lost era, echoing with the vibrant, unfulfilled potential of a true visionary.





