Portret van Pompeo Batoni

De 100 beroemdste schilderijen van Pompeo Batoni, elk uniek

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 164 werken van Pompeo Batoni in onze catalogus

Kortom

Hercules at the Crossroads (detail) (1748) is het schilderij van Pompeo Batoni dat de meeste aandacht trekt; het origineel bevindt zich in het Liechtenstein Museum, Wenen. Daarna gaat de blik naar A Knight in Rome: Charles Cecil Roberts (1778) en Gaetano II Sforza Cesarini, Duke of Segni (1768). Van de 164 werken van Pompeo Batoni in onze catalogus zijn dit de 100 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.

1708 – 1787, Lucca Neoclassicism Meeste werken: Uppark
Hercules at the Crossroads (detail) (1748) door Pompeo Batoni1. Hercules at the Crossroads (detail) 1748 A Knight in Rome: Charles Cecil Roberts (1778) door Pompeo Batoni2. A Knight in Rome: Charles Cecil Roberts 1778 Gaetano II Sforza Cesarini, Duke of Segni (1768) door Pompeo Batoni3. Gaetano II Sforza Cesarini, Duke of Segni 1768

Top 10 schilderijen van Pompeo Batoni, door de ogen van de galerie

1
Hercules at the Crossroads (detail) (1748) door Pompeo Batoni

Hercules at the Crossroads (detail)

1748 · Oil On Canvas · Liechtenstein Museum, Wenen

To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from 1748, transcends mere portraiture or mythological illustration; it captures the very essence of decision-making—that fraught, beautiful space where potential futures diverge. The central figure, Hercules, is rendered not in the throes of battle, but in deep, almost agonizing contemplation. His posture, with…

Over dit origineel
2
A Knight in Rome: Charles Cecil Roberts (1778) door Pompeo Batoni

A Knight in Rome: Charles Cecil Roberts

1778 · Oil On Canvas · Museo del Prado, Madrid

Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere of refined grandeur and intellectual contemplation. Painted in 1778, this monumental canvas—measuring 221 x 157 cm—currently resides within the hallowed halls of the Museo del Prado in Madrid, Spain, ensuring its legacy continues to inspire awe and admiration.

Over dit origineel
3
Gaetano II Sforza Cesarini, Duke of Segni (1768) door Pompeo Batoni

Gaetano II Sforza Cesarini, Duke of Segni

1768 · Oil On Canvas · National Gallery of Victoria, Melbourne

The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant lineage, appearing as the second son to survive to adulthood of Giuseppe Sforza. His presence in the frame reflects the prominence he held as a Papal politician throughout the 1750s and 1760s. Every detail of his bearing suggests a man deeply embedded…

Het verhaal achter dit origineel
4
Time Unveiling Truth (1742) door Pompeo Batoni

Time Unveiling Truth

1742 · Oil · Art Institute of Chicago, Chicago

A Celestial Ascent of Allegory The air feels thick with the movement of a cosmic drama, a swirling ascent where the terrestrial and the divine collide. In this 1742 oil painting, figures rise through a luminous sky, their bodies caught in a rhythmic, upward surge that defies gravity. Drapery flows in heavy, silken waves, catching a light that seems to pour from the upper left, casting soft shadows across porcelain…

Bekijk dit werk van dichterbij
6
Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764) door Pompeo Batoni

Alexander Gordon, 4th Duke of Gordon (1743 - 1827)

1764 · Oil On Canvas · Scottish National Gallery, Edinburgh

Alexander Gordon, 4th Duke of Gordon, is presented in a formal grand manner portrait that emphasizes his status and connection to the natural world. He is positioned centrally within a landscape, his presence anchored by a large brown horse to his left and hunting dogs at his feet. The composition is vertical, drawing the eye from the upward gesture of his arm toward the sky. A saturated red frock coat…

Bekijk dit werk van dichterbij
7
John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761) door Pompeo Batoni

John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile

1761 · Oil On Canvas · Scottish National Portrait Gallery, Edinburgh

The Duke of Roxburghe occupies the center of the frame, a figure of quiet authority amidst a setting of classical grandeur. He sits with an upright, stately posture, his presence commanding the space through a combination of velvet and light. A heavy crimson cloak, deep and saturated, drapes around him, its texture suggesting the weight of fine velvet. The ermine fur at his collar provides a sharp, creamy contrast to…

Het verhaal achter dit origineel
8
Portrait of John Woodyeare (1750) door Pompeo Batoni

Portrait of John Woodyeare

1750 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in the heavy, luxurious textures of the mid-eighteenth century, where deep forest green and crimson red collide against a dark, atmospheric background. Light falls across his features with a dramatic chiaroscuro effect, catching the soft sheen of his silk attire and the delicate,…

Bekijk dit werk van dichterbij
9
Peter Beckford (1740-1811), godsejer, Dorset. (1766) door Pompeo Batoni

Peter Beckford (1740-1811), godsejer, Dorset.

1766 · Oil On Canvas · Statens Museum for Kunst, Kopenhagen

A full-length figure of Peter Beckford occupies the center-right of this vertical composition. He is depicted standing in a landscape, wearing a red frock coat with silver applications, paired with breeches and stockings. His pose is elegant, with one hand holding a paper and the other a walking stick. At his feet sits a small dog. To the left, a large stone pedestal provides a vertical counterweight to the subject.…

Bekijk dit werk van dichterbij
10
The Rotterdam tobacco trader Pieter Caarten (1778) door Pompeo Batoni

The Rotterdam tobacco trader Pieter Caarten

1778 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

Pieter Caarten, a thirty-seven-year-old tobacco merchant from Rotterdam, sits for this formal portrait in Rome in 1778. Captured in a three-quarter view, the subject gazes directly at the viewer with a reserved, serious expression. He is presented from the chest up, a composition that emphasizes his dignified posture and the material markers of his success. A powdered white wig frames a face rendered with smooth, precise transitions, while a subtle…

Het verhaal achter dit origineel

De beroemde schilderijen van Pompeo Batoni, nummer 11 tot 100

11Hercules at the Crossroads (1748) door Pompeo BatoniHercules at the Crossroads1748 · Liechtenstein Museum 12Hercules at the Crossroads (1742) door Pompeo BatoniHercules at the Crossroads1742 · Palazzo Pitti 13Hercules at the Crossroads (1765) door Pompeo BatoniHercules at the Crossroads1765 · Hermitage Museum 14Sir Sampson Gideon and an unidentified companion (1767) door Pompeo BatoniSir Sampson Gideon and an unidentified companion1767 · National Gallery of Victoria 15Peace and War (1776) door Pompeo BatoniPeace and War1776 · Art Institute of Chicago 16Portrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831) (1780) door Pompeo BatoniPortrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831)1780 · Nationaal Museum in Krakau 17James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) (1753) door Pompeo BatoniJames Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont)1753 · Yale Center for British Art 18Peace and Justice (1745) door Pompeo BatoniPeace and Justice1745 · Montreal Museum of Fine Arts 19The infant Hercules strangling serpents in his cradle (1743) door Pompeo BatoniThe infant Hercules strangling serpents in his cradle1743 · Palazzo Pitti 20Samson and Delilah (1766) door Pompeo BatoniSamson and Delilah1766 · Detroit Institute of Arts 21Atis and Galathea (1761) door Pompeo BatoniAtis and Galathea1761 · Nationalmuseum 22Philip Metcalfe (1766) door Pompeo BatoniPhilip Metcalfe1766 · National Portrait Gallery 23Portrait of John Rolle Walter, MP and landowner, Exeter (1753) door Pompeo BatoniPortrait of John Rolle Walter, MP and landowner, Exeter1753 · Statens Museum for Kunst 24Saint Andrew (1741) door Pompeo BatoniSaint Andrew1741 · Art Institute of Chicago 25Portrait of Duchess Sforza Cesarini (d.1765) (1768) door Pompeo BatoniPortrait of Duchess Sforza Cesarini (d.1765)1768 · Birmingham Museum and Art Gallery 26Portrait of Prince B. Kurakin (1782) door Pompeo BatoniPortrait of Prince B. Kurakin1782 · Hermitage Museum 27Allegory of the Arts (1740) door Pompeo BatoniAllegory of the Arts1740 · Städel Museum 28Portrait of Cardinal Prospero Colonna di Sciarra (1750) door Pompeo BatoniPortrait of Cardinal Prospero Colonna di Sciarra1750 · Walters Art Museum 29Portrait of Cardinal Jean-François Joseph de Rochechouart (1762) door Pompeo BatoniPortrait of Cardinal Jean-François Joseph de Rochechouart1762 · Saint Louis Art Museum 30Portrait of Joseph Henry of Straffan (1750) door Pompeo BatoniPortrait of Joseph Henry of Straffan1750 · Walters Art Museum 31Venus Presenting Aeneas with Armour Forged by Vulcan (1748) door Pompeo BatoniVenus Presenting Aeneas with Armour Forged by Vulcan1748 · Liechtenstein Museum 32James Bruce of Kinnaird, 1730 - 1794. African explorer (1762) door Pompeo BatoniJames Bruce of Kinnaird, 1730 - 1794. African explorer1762 · Scottish National Portrait Gallery 33George Legge, Viscount Lewisham (1778) door Pompeo BatoniGeorge Legge, Viscount Lewisham1778 · Museo del Prado 34Thomas William Coke (1773) door Pompeo BatoniThomas William Coke1773 · Holkham Hall 35Portrait of John Talbot, later 1st Earl Talbot (1773) door Pompeo BatoniPortrait of John Talbot, later 1st Earl Talbot1773 · J. Paul Getty Museum 36Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736) door Pompeo BatoniChrist in Glory with Saints Celsus, Julian, Marcionilla and Basilissa1736 · J. Paul Getty Museum 37Portrait of a man (1733) door Pompeo BatoniPortrait of a man1733 38Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783) (1744) door Pompeo BatoniPortrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783)1744 · National Gallery of Ireland 39Time Revealing Truth (1742) door Pompeo BatoniTime Revealing Truth1742 · Rhode Island School of Design Museum of Art 40Christ Appearing to St. Ampelius (1742) door Pompeo BatoniChrist Appearing to St. Ampelius1742 · Rhode Island School of Design Museum of Art 41Saint John the Evangelist (1741) door Pompeo BatoniSaint John the Evangelist1741 · Basildon Park 42Saint Paul (1741) door Pompeo BatoniSaint Paul1741 · Basildon Park 43God the Father and the Holy Spirit (1741) door Pompeo BatoniGod the Father and the Holy Spirit1741 · Basildon Park 44Saint James the Less (1741) door Pompeo BatoniSaint James the Less1741 · Basildon Park 45Saint Matthew (1741) door Pompeo BatoniSaint Matthew1741 · Basildon Park 46Saint Philip (1741) door Pompeo BatoniSaint Philip1741 · Basildon Park 47Saint Peter (1741) door Pompeo BatoniSaint Peter1741 · Basildon Park 48Saint Thomas (1741) door Pompeo BatoniSaint Thomas1741 · Basildon Park 49Maddalena penitente (1742) door Pompeo BatoniMaddalena penitente1742 · Staatliche Kunstsammlungen Dresden 50Apollo, Euterpe and Urania (1741) door Pompeo BatoniApollo, Euterpe and Urania1741 · Muzeum Palacu Króla Jana Iii w Wilanowie 51The Virgin of the Annunciation (1741) door Pompeo BatoniThe Virgin of the Annunciation1741 52Apollon, Euterpe and Urania (1741) door Pompeo BatoniApollon, Euterpe and Urania1741 53The Ecstasy of St Catherine of Siena (1743) door Pompeo BatoniThe Ecstasy of St Catherine of Siena1743 · Museo Nazionale di Villa Guinigi 54Elector Carl Theodor of the Palatinate (1747) door Pompeo BatoniElector Carl Theodor of the Palatinate1747 · Bayerische Staatsgemäldesammlungen 55Pope Pius VI (1747) door Pompeo BatoniPope Pius VI1747 · Bayerische Staatsgemäldesammlungen 56A Lady of the Leeson Family as a Shepherdess (1751) door Pompeo BatoniA Lady of the Leeson Family as a Shepherdess1751 · National Gallery of Ireland 57Presumed Portrait of the Marchesa Caterina Gabrielli as Diana (1751) door Pompeo BatoniPresumed Portrait of the Marchesa Caterina Gabrielli as Diana1751 · National Gallery of Ireland 58Joseph Leeson, later 2nd Earl of Milltown (1730-1801) (1751) door Pompeo BatoniJoseph Leeson, later 2nd Earl of Milltown (1730-1801)1751 · National Gallery of Ireland 59Study for "Antiochus and Stratonice" (1746) door Pompeo BatoniStudy for "Antiochus and Stratonice"1746 · Cleveland Museum of Art 60Vulcan at his Forge (1750) door Pompeo BatoniVulcan at his Forge1750 · National Gallery of Canada 61Purity of Heart (1752) door Pompeo BatoniPurity of Heart1752 · Uppark 62Meekness (1752) door Pompeo BatoniMeekness1752 · Uppark 63Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear (1751) door Pompeo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear1751 · Uppark 64Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn (1751) door Pompeo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn1751 · Uppark 65Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana (1751) door Pompeo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana1751 · Uppark 66Benjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears (1752) door Pompeo BatoniBenjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears1752 · Uppark 67Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear (1751) door Pompeo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear1751 · Uppark 68Katherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora (1751) door Pompeo BatoniKatherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora1751 · Uppark 69The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo (1751) door Pompeo BatoniThe Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo1751 · Uppark 70Lascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses (1751) door Pompeo BatoniLascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses1751 · Uppark 71Francis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall) (1747) door Pompeo BatoniFrancis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall)1747 · Hatchlands Park 72Portrait of Charles Eugene, Duke of Württemberg (1728-1793) (1755) door Pompeo BatoniPortrait of Charles Eugene, Duke of Württemberg (1728-1793)1755 · Landesmuseum Württemberg 73Hercules at the Crossroads (1753) door Pompeo BatoniHercules at the Crossroads1753 · Galleria Sabauda 74Vulcan in his Forge (1750) door Pompeo BatoniVulcan in his Forge1750 75Aeneas fleeing from Troy (1750) door Pompeo BatoniAeneas fleeing from Troy1750 · Galleria Sabauda 76Truth and Mercy (1745) door Pompeo BatoniTruth and Mercy1745 · Montreal Museum of Fine Arts 77Portrait of a Gentleman (1762) door Pompeo BatoniPortrait of a Gentleman1762 · Rhode Island School of Design Museum of Art 78Portrait of William Legge, Second Earl of Dartmouth (1756) door Pompeo BatoniPortrait of William Legge, Second Earl of Dartmouth1756 · Hood Museum of Art 79Sir Robert Davers, 5th Bt (1729-1763), aged 21 (1756) door Pompeo BatoniSir Robert Davers, 5th Bt (1729-1763), aged 211756 · Ickworth 80George Lucy (1714 – 1786) (1758) door Pompeo BatoniGeorge Lucy (1714 – 1786)1758 · Charlecote Park 81Self portrait (1765) door Pompeo BatoniSelf portrait1765 · Bayerische Staatsgemäldesammlungen 82William Fermor (1758) door Pompeo BatoniWilliam Fermor1758 · Museum of Fine Arts, Houston 83Edward, Duke of York (1739-67) (1764) door Pompeo BatoniEdward, Duke of York (1739-67)1764 · Royal Collection 84Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul (1757) door Pompeo BatoniPope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul1757 · Minneapolis Institute of Art 85The Crucifixion (1762) door Pompeo BatoniThe Crucifixion1762 · Museum of Fine Arts 86Luigi Boccherini (1764) door Pompeo BatoniLuigi Boccherini1764 · National Gallery of Victoria 87Portrait of Prince Abbondio Rezzonico as Senator of Rome (1765) door Pompeo BatoniPortrait of Prince Abbondio Rezzonico as Senator of Rome1765 · Walters Art Museum 88portrait of a cardinal (1758) door Pompeo Batoniportrait of a cardinal1758 89Academic Nude (1765) door Pompeo BatoniAcademic Nude1765 90Elector Karl Theodor of the Palatinate (1775) door Pompeo BatoniElector Karl Theodor of the Palatinate1775 · Bayerische Staatsgemäldesammlungen 91Portrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799) (1775) door Pompeo BatoniPortrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799)1775 · National Gallery of Ireland 92Edward Howard (1744–1767) (1766) door Pompeo BatoniEdward Howard (1744–1767)1766 · Victoria and Albert Museum 93Bust-length portrait of Pope Clement XIII (1772) door Pompeo BatoniBust-length portrait of Pope Clement XIII1772 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 94Alexander Stewart of Ards (1746-1791) (1773) door Pompeo BatoniAlexander Stewart of Ards (1746-1791)1773 · Mount Stewart 95Self-portrait (1770) door Pompeo BatoniSelf-portrait1770 96Robert Throckmorton (1750-1779) (1772) door Pompeo BatoniRobert Throckmorton (1750-1779)1772 · Coughton Court 97The Right Hon. Sir John Parnell, 2nd Bt (1744–1801) (1769) door Pompeo BatoniThe Right Hon. Sir John Parnell, 2nd Bt (1744–1801)1769 · Castle Ward 98Study for the Portrait of Emperor Joseph II. (1769) door Pompeo BatoniStudy for the Portrait of Emperor Joseph II.1769 · Slovak National Gallery 99Portrait of John Corbet of Sundorne Castle, Shrewsbury (1773) door Pompeo BatoniPortrait of John Corbet of Sundorne Castle, Shrewsbury1773 · Worcester Art Museum 100Portrait of Thomas Fortescue (1767) door Pompeo BatoniPortrait of Thomas Fortescue1767

De beroemde schilderijen van Pompeo Batoni, periode voor periode

Early Period

1733 – 1745 · 5 werken in deze lijst
The infant Hercules strangling serpents in his cradle (1743), Pompeo Batoni #19 The infant Hercules strangling serpents in his cradle 1743 · Palazzo Pitti Saint Andrew (1741), Pompeo Batoni #24 Saint Andrew 1741 · Art Institute of Chicago Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736), Pompeo Batoni #36 Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa 1736 · J. Paul Getty Museum Portrait of a man (1733), Pompeo Batoni #37 Portrait of a man 1733 Truth and Mercy (1745), Pompeo Batoni #76 Truth and Mercy 1745 · Montreal Museum of Fine Arts

Mature Period

1740 – 1782 · 93 werken in deze lijst
Hercules at the Crossroads (detail) (1748), Pompeo Batoni #1 Hercules at the Crossroads (detail) 1748 · Liechtenstein Museum A Knight in Rome: Charles Cecil Roberts (1778), Pompeo Batoni #2 A Knight in Rome: Charles Cecil Roberts 1778 · Museo del Prado Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompeo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · National Gallery of Victoria Time Unveiling Truth (1742), Pompeo Batoni #4 Time Unveiling Truth 1742 · Art Institute of Chicago Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompeo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery

De onderwerpen die de aandacht van Pompeo Batoni troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

Man 77 werken

Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompeo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · National Gallery of Victoria Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompeo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761), Pompeo Batoni #7 John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile 1761 · Scottish National Portrait Gallery Portrait of John Woodyeare (1750), Pompeo Batoni #8 Portrait of John Woodyeare 1750 · Minneapolis Institute of Art

Woman 28 werken

Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785), Pompeo Batoni #5 Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley 1785 · Yale Center for British Art Hercules at the Crossroads (1748), Pompeo Batoni #11 Hercules at the Crossroads 1748 · Liechtenstein Museum Hercules at the Crossroads (1742), Pompeo Batoni #12 Hercules at the Crossroads 1742 · Palazzo Pitti Hercules at the Crossroads (1765), Pompeo Batoni #13 Hercules at the Crossroads 1765 · Hermitage Museum

Dark background 16 werken

The infant Hercules strangling serpents in his cradle (1743), Pompeo Batoni #19 The infant Hercules strangling serpents in his cradle 1743 · Palazzo Pitti Portrait of Joseph Henry of Straffan (1750), Pompeo Batoni #30 Portrait of Joseph Henry of Straffan 1750 · Walters Art Museum Saint John the Evangelist (1741), Pompeo Batoni #41 Saint John the Evangelist 1741 · Basildon Park The Virgin of the Annunciation (1741), Pompeo Batoni #51 The Virgin of the Annunciation 1741

Landscape 15 werken

Peter Beckford (1740-1811), godsejer, Dorset. (1766), Pompeo Batoni #9 Peter Beckford (1740-1811), godsejer, Dorset. 1766 · Statens Museum for Kunst Philip Metcalfe (1766), Pompeo Batoni #22 Philip Metcalfe 1766 · National Portrait Gallery Portrait of John Talbot, later 1st Earl Talbot (1773), Pompeo Batoni #35 Portrait of John Talbot, later 1st Earl Talbot 1773 · J. Paul Getty Museum Maddalena penitente (1742), Pompeo Batoni #49 Maddalena penitente 1742 · Staatliche Kunstsammlungen Dresden

De musea waar de originele werken van Pompeo Batoni worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Pompeo Batoni Schilderijen uit deze lijst
UpparkUppark 11 Purity of Heart, Meekness, Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear
Basildon ParkBasildon Park 9 Saint John the Evangelist, Saint Paul, God the Father and the Holy Spirit
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 5 Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783), A Lady of the Leeson Family as a Shepherdess, Presumed Portrait of the Marchesa Caterina Gabrielli as Diana
Bayerische Staatsgemäldesammlungen, MünchenBayerische Staatsgemäldesammlungen München 4 Elector Carl Theodor of the Palatinate, Pope Pius VI, Self portrait
Liechtenstein Museum, WenenLiechtenstein Museum Wenen 4 Hercules at the Crossroads (detail), Hercules at the Crossroads, Venus Presenting Aeneas with Armour Forged by Vulcan
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 Time Unveiling Truth, Peace and War, Saint Andrew
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 3 Gaetano II Sforza Cesarini, Duke of Segni, Sir Sampson Gideon and an unidentified companion, Luigi Boccherini
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 3 Portrait of Cardinal Prospero Colonna di Sciarra, Portrait of Joseph Henry of Straffan, Portrait of Prince Abbondio Rezzonico as Senator of Rome

Pompeo Batoni door de decennia heen: elk een uniek origineel

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Pompeo Batoni: vragen voor de galerie

Wat is het bekendste werk van Pompeo Batoni?Onthul het antwoord

Hercules at the Crossroads (detail) (1748), Liechtenstein Museum, Wenen. A Knight in Rome: Charles Cecil Roberts (1778) en Gaetano II Sforza Cesarini, Duke of Segni (1768) volgen.

Op welke leeftijd creëerde Pompeo Batoni Hercules at the Crossroads (detail)?Onthul het antwoord

40 jaar oud: Hercules at the Crossroads (detail) dateert uit 1748, en Pompeo Batoni werd geboren in 1708.

Welke tien schilderijen van Pompeo Batoni zijn het meest bekend?Onthul het antwoord

Hercules at the Crossroads (detail), A Knight in Rome: Charles Cecil Roberts, Gaetano II Sforza Cesarini, Duke of Segni, Time Unveiling Truth, Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley, Alexander Gordon, 4th Duke of Gordon (1743 - 1827), John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile, Portrait of John Woodyeare, Peter Beckford (1740-1811), godsejer, Dorset. en The Rotterdam tobacco trader Pieter Caarten. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken van Pompeo Batoni zijn er bekend?Onthul het antwoord

Onze catalogus bevat 164 werken van Pompeo Batoni, daterend van 1733 tot 1785.

Waar kunnen de beroemdste originelen van Pompeo Batoni worden bekeken?Onthul het antwoord

Voornamelijk in Uppark, Basildon Park en National Gallery of Ireland (Dublin). De bovenstaande museumtabel bevat een volledig overzicht.

In welke periode creëerde Pompeo Batoni de bekendste schilderijen?Onthul het antwoord

In 1740s: 30 van de 100 werken op deze pagina werden toen gemaakt, waaronder Hercules at the Crossroads (detail).

Welk beroemd schilderij van Pompeo Batoni is de vroegste, en welke de laatste?Onthul het antwoord

Op deze pagina is het vroegste Portrait of a man (1733) en het laatste Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785).

Welke onderwerpen had Pompeo Batoni de voorkeur?Onthul het antwoord

Man (77), Woman (28) en Dark background (16), verspreid over de 100 werken op deze pagina.

Met welke materialen schilderde Pompeo Batoni het meest?Onthul het antwoord

Oil On Canvas, voor 76 van de 100 werken op deze pagina.

Bij welke stroming behoort het werk van Pompeo Batoni?Onthul het antwoord

Neoclassicism, te oordelen aan de originelen op deze pagina.

Welke originele werken van Pompeo Batoni kan ik zien in het Uppark?Onthul het antwoord

Purity of Heart, Meekness en Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear: het Uppark herbergt 10 van de werken op deze pagina.

Pompeo Batoni: een portret van de kunstenaar

Vroege Leven en Opleiding

  • Geboren: Lucca, Italië (1708)
  • Overleden: 1787
  • Pompeo Batoni verhuisde in 1727 naar Rome.
  • Hij volgde een meesterproef bij Agostino Masucci, Sebastiano Conca en/of Francesco Imperiali.
  • Zijn eerste onafhankelijke opdracht kwam voort uit de regenval die Rome trof in april 1732.
  • Het schilderij "De Extase van Sint Catharina van Siena" illustreert zijn academische verfijning van de laat-barokke stijl.

Artistieke Stijl en Invloeden

  • Batoni's stijl putte inspiratie uit de klassieke oudheid, de Franse Rococo, het Bolognese Classicisme en kunstenaars zoals Nicolas Poussin, Claude Lorrain en in het bijzonder Rafaël.
  • Hij wordt beschouwd als een voorloper van het Neoclassicisme.
  • Zijn werk is te vinden in diverse musea, waaronder de Pinacoteca di Brera in Milaan, Italië.

Beroemde Werken en Opdrachten

    Maagd en Kind met Heiligen
  • Een Ridder in Rome: Charles Cecil Roberts – Een gevierd portret van een Britse reiziger tegen de achtergrond van Romeinse ruïnes.
  • De Triomf van Venetië
  • Talrijke altaarstukken voor kerken in Italië, zoals het Museum Duomo in Siena.
  • Hij was zeer gewild voor portretten, met name bij Britse reizigers op de Grand Tour, die portretten lieten maken in antieke decors.

Ontwikkeling en Historisch Belang

  • Batoni werd een zeer modieuze schilder in Rome nadat zijn rivaal, Anton Raphael Mengs, in 1761 naar Spanje vertrok.
  • Hij sloot vriendschap met Winckelmann en streefde naar een meer ingetogen classicisme in zijn schilderkunst.
  • Zijn portretten legden de geest van het Grand Tour-tijdperk vast, wat de fascinatie voor de klassieke oudheid onder de Europese elite weerspiegelde.
  • Batoni's vermogen om barokke technieken te versmelten met opkomende neoclassicistische idealen positioneerde hem als een overgangsfiguur in de Italiaanse kunstgeschiedenis.

Nalatenschap

  • Pompeo Batoni overleed op 4 februari 1787 in Rome.
  • Hij liet een nalatenschap na als een van de meest gerenommeerde Italiaanse schilders van zijn tijd.
  • Zijn werk blijft worden bewonderd om de technische vaardigheid, elegante composities en diepgaande portrettering van individuen binnen hun historische context.
Alle 164 werken van Pompeo Batoni →