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The Singer’s Contest on the Wartburg (1846) is het schilderij van Moritz Von Schwind dat de meeste aandacht trekt; het origineel bevindt zich in het Städel Museum, Frankfurt. Daarna gaat de blik naar Gnomes at the Toe of Bavaria (1850) en The Virgin (1863). Van de 85 werken van Moritz Von Schwind in onze catalogus zijn dit de 85 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
The Singer’s Contest on the Wartburg is a significant oil painting by Moritz von Schwind. Completed in 1846, the work captures a moment of musical tension. It depicts a gathering centered on the theme of Musik. The scene unfolds within the stone walls of the Wartburg in Eisenach, Germany.
Deep within a vaulted stone chamber, a cluster of gnomes huddles in the dim light. They are crowded together, their bodies overlapping in a tight, restless knot of movement. The air feels heavy with the scent of damp earth and old parchment. A single piece of white paper catches the light, acting as a bright focal point amidst the surrounding gloom. This small, pale object draws the eye toward the…
A single figure sits atop a high, rocky pedestal, rising above the world. She is draped in heavy, voluminous robes of peach, terracotta, and gold, the fabric cascading down the stone like slow-moving lava. Her gaze is fixed on a distant, unseen horizon, her expression one of profound tranquility and majesty. A crown rests upon her head, catching the light that spills from the upper left. Below her, a dark…
In this work, we find ourselves suspended within the soaring, vertical reaches of a Gothic cathedral. The composition draws the eye upward, following the rhythmic lines of the vaulted ceilings and the slender columns that define this sacred space. Two winged figures, appearing as celestial beings or perhaps manifestations of a dream, float in the middle ground. One is draped in flowing, rose-colored robes, while the other is clad in…
In this work, titled Legend of the Bishop and the Devil, Moritz von Schwind explores a narrative of supernatural confrontation. Painted in 1854, the scene captures a moment of tension between the earthly and the demonic. A muscular, demonic figure occupies the lower left, engaged in labor, while a bishop stands poised at the threshold of a stone ruin. This encounter is set against a rugged, mountainous landscape that provides…
Moritz von Schwind’s Hero and Leander, painted about 1863, translates a tragic mythological scene into a dramatic and melancholic Romantic-style oil painting. The work centers on the fatal separation of the two lovers, rendered with the emotional intensity characteristic of the 19th-century academic Romantic tradition.
This work, titled Elf Dance in the Alder Grove, is an oil painting executed on oak wood. It was created by the artist Moritz von Schwind, who was born in Vienna, Austria, in 1804. The piece reflects the specific technical approach of Schwind, utilizing the natural grain and stability of the wooden support to ground its ethereal subject matter.
The Captive Princess is an oil painting by Moritz von Schwind. This work emerged around 1861, a period when the artist was active within the German Romantic tradition. The canvas captures a moment of heavy stillness, a pause in a narrative of shadow and light.
King Krokus and the wood Nymph is a painting by Moritz von Schwind. The work captures a quiet encounter within a shaded woodland setting. It measures 78.7 x 45.5cm. The canvas holds a moment of stillness between a male figure and a female nymph.
Water Nymphs Watering a Stag is an oil on canvas work by the Austrian-born German painter Moritz von Schwind. Known in its original German context as Wassernymphen tränken einen Hirsch, the piece belongs to the Romantic movement. The artist's hand is evident in the lyrical treatment of the mythological subject matter, a hallmark of his approach to folklore and legend.
A Symphony1852 · Neue Pinakothek
12
Abduction of Aschenbrödel by the Fairy1854 · Bayerische Staatsgemäldesammlungen
13
The Dream of Erwin von Steinbach1822 · Staatliche Graphische Sammlung
14
Abigail before David1830 · Bayerische Staatsgemäldesammlungen
15
The Erlking1830
16
The Bread Slicer1823
17
The Moon Fairy (Appearance in the Forest)1829
18
Luna and Endymion1829
19
Scene of a fairy - tale1829
20
Sketch for a monument1829
21
"Rübezahl"1829
22
Female fairy-tale figure at rock1829
23
Therese Hönig, née von Puffer1836 · Bayerische Staatsgemäldesammlungen
24
Fairy Dance in the Alder Grove1844 · Städel Museum
25
The Prisoner's Dream1836 · Bayerische Staatsgemäldesammlungen
26
Landscape with Wanderer1835 · Graphische Sammlung Albertina
27
A Player with a Hermit1846 · Neue Pinakothek
28
Saint Cecilia at the Organ1845
29
Scene from the Huguenots (Stage Decoration ?)1845
30
Scene from Spontini's Vestalis, Stage Decoration1845
31
Jessonda. Two Girls with Jugs1845
32
Minstrel with a Hermit1846 · Staatliche Kunsthalle Karlsruhe
33
portrait of a young man1845
34
2 nude riders gallopping to night1845
35
Hermit in a Rock Grotto1863 · Bayerische Staatsgemäldesammlungen
36
Brother-in-law Kronos1855 · Bayerische Staatsgemäldesammlungen
37
Symphony1852 · Bayerische Staatsgemäldesammlungen
38
The Fairy Tale of Aschenbrödel1854 · Bayerische Staatsgemäldesammlungen
39
The Forest Chapel1855 · Bayerische Staatsgemäldesammlungen
40
The Boatwoman (Baroness Marie Spaun at Lake Gmunden)1851
41
Rübezahl1851
42
The Fairy Tale Cinderella, Picture Wall with 19 Pictures1853
43
Portrait of Stallmeister Wilhelm Sachs1855 · Staatliche Kunsthalle Karlsruhe
44
Wieland the forger and the Princess1850 · Museum Georg Schäfer
45
Cinderella, to go on the prom1852 · Alte Nationalgalerie
46
Apparition in the Forest1858 · Bayerische Staatsgemäldesammlungen
47
The Four Times of Day: The Evening1860 · Bayerische Staatsgemäldesammlungen
48
The Four Times of Day: Noon1860 · Bayerische Staatsgemäldesammlungen
49
The Four Times of Day: The Morning1860 · Bayerische Staatsgemäldesammlungen
50
The Danube with its Tributaries1860 · Bayerische Staatsgemäldesammlungen
51
Anna Schwind, the Daughter of the Artist1860
52
Emperor Maximilian I in the Martinswand1860
53
Knight on a Nighttime Boat Trip1865 · Bayerische Staatsgemäldesammlungen
54
Family of Tritons1866 · Bayerische Staatsgemäldesammlungen
55
Father Rhine, the Fideles Playing the Fiddle1865 · Bayerische Staatsgemäldesammlungen
56
Helios with the Chariot of Horses1869 · Bayerische Staatsgemäldesammlungen
57
In the Forest (Des Knaben Wunderhorn)1848 · Bayerische Staatsgemäldesammlungen
58
The Beautiful Melusine (The Daughters of the Rhine)1869
59
The Erlking1860 · Bayerische Staatsgemäldesammlungen
60
Wieland the Smith1850 · Bayerische Staatsgemäldesammlungen
61
The Knight's Dream1859 · Staatliche Kunsthalle Karlsruhe
62
A Hermit Leads Horses to the Watering Hole1850 · Bayerische Staatsgemäldesammlungen
63
Nightly Duel at a Garden Gate1850 · Bayerische Staatsgemäldesammlungen
64
Farewell at Dawn1859 · Nationalgalerie
65
Karl August von HeigelLenbachhaus
66
The Minstrel Contest at the Wartburg1837 · Staatliche Kunsthalle Karlsruhe
67
Design for the Fairy Tale of "Aschenbrödel"1853 · Staatliche Kunsthalle Karlsruhe
68
On the Wanderlust1860 · Schackgalerie
69
Apparition in the Woods1858 · Schackgalerie
70
Early Morning1858 · Sammlung Schack
71
The Cat Symphony1868 · Staatliche Kunsthalle Karlsruhe
72
The Ride Through the ForestBayerische Staatsgemäldesammlungen
73
Game of Society
74
Allegory of the Four Estates and Homage to Grand Duke Leopold von BadenStaatliche Kunsthalle Karlsruhe
75
Apparition in the Forest (from Sleeping Beauty)Städel Museum
76
RübezahlBayerische Staatsgemäldesammlungen
77
the VisitBayerische Staatsgemäldesammlungen
78
Portrait of Frau Mosthaff
79
HoneymoonBayerische Staatsgemäldesammlungen
80
The Rose, or the Artist's JourneyAlte Nationalgalerie
81
The painter joseph binder's adventureAlte Nationalgalerie
82
Sabina of SteinbachAlte Nationalgalerie
83
Farewell from the Valley1846 · Bayerische Staatsgemäldesammlungen
84
The Return of Count von Gleichen1864 · Bayerische Staatsgemäldesammlungen
85
Returning Knight1846 · Bayerische Staatsgemäldesammlungen
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 8 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Moritz Von Schwind | Schilderijen uit deze lijst |
|---|---|---|---|
 Bayerische Staatsgemäldesammlungen |
München | 38 | The Virgin, The Dream of Erwin von Steinbach, Legend of the Bishop and the Devil |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 7 | Minstrel with a Hermit, Portrait of Stallmeister Wilhelm Sachs, The Knight's Dream |
 Alte Nationalgalerie |
Berlijn | 4 | Cinderella, to go on the prom, The Rose, or the Artist's Journey, The painter joseph binder's adventure |
 Städel Museum |
Frankfurt | 3 | The Singer’s Contest on the Wartburg, Fairy Dance in the Alder Grove, Apparition in the Forest (from Sleeping Beauty) |
 Lenbachhaus |
München | 2 | Gnomes at the Toe of Bavaria, Karl August von Heigel |
 Neue Pinakothek |
München | 2 | A Symphony, A Player with a Hermit |
 Schackgalerie |
München | 2 | On the Wanderlust, Apparition in the Woods |
 Staatliche Graphische Sammlung |
München | 1 | The Dream of Erwin von Steinbach |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
The Singer’s Contest on the Wartburg is a significant oil painting by Moritz von Schwind. Completed in 1846, the work captures a moment of musical tension. It depicts a gathering centered on the theme of Musik. The scene unfolds within the stone walls of the Wartburg in Eisenach, Germany.
Deep within a vaulted stone chamber, a cluster of gnomes huddles in the dim light. They are crowded together, their bodies overlapping in a tight, restless knot of movement. The air feels heavy with the scent of damp earth and old parchment. A single piece of white paper catches the light, acting as a bright focal point amidst the surrounding gloom. This small, pale object draws the eye toward the…
A single figure sits atop a high, rocky pedestal, rising above the world. She is draped in heavy, voluminous robes of peach, terracotta, and gold, the fabric cascading down the stone like slow-moving lava. Her gaze is fixed on a distant, unseen horizon, her expression one of profound tranquility and majesty. A crown rests upon her head, catching the light that spills from the upper left. Below her, a dark…
The Singer’s Contest on the Wartburg (1846), Städel Museum, Frankfurt. Gnomes at the Toe of Bavaria (1850) en The Virgin (1863) volgen.
42 jaar oud: The Singer’s Contest on the Wartburg dateert uit 1846, en Moritz Von Schwind werd geboren in 1804.
The Singer’s Contest on the Wartburg, Gnomes at the Toe of Bavaria, The Virgin, The Dream of Erwin von Steinbach, Legend of the Bishop and the Devil, Hero and Leander, Elf Dance in the Alder Grove, The Captive Princess, King Krokus and the wood Nymph en Water Nymphs Watering a Stag. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 85 werken van Moritz Von Schwind, daterend van 1822 tot 1869.
Voornamelijk in Bayerische Staatsgemäldesammlungen (München), Staatliche Kunsthalle Karlsruhe (Karlsruhe) en Alte Nationalgalerie (Berlijn). De bovenstaande museumtabel bevat een volledig overzicht.
In 1850s: 24 van de 85 werken op deze pagina werden toen gemaakt, waaronder Gnomes at the Toe of Bavaria.
Op deze pagina is het vroegste The Dream of Erwin von Steinbach (1822) en het laatste Helios with the Chariot of Horses (1869).
Trees (10), Forest (10) en Woman (7), verspreid over de 85 werken op deze pagina.
Oil, voor 13 van de 85 werken op deze pagina.
Romanticism, te oordelen aan de originelen op deze pagina.
The Virgin, The Dream of Erwin von Steinbach en Legend of the Bishop and the Devil: het Bayerische Staatsgemäldesammlungen, München herbergt 38 van de werken op deze pagina.
