Kortom
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972) is het schilderij van Mingering Mike dat de meeste aandacht trekt. Daarna gaat de blik naar THE FREEDOM STOMPERS (1969) en 3 FOOTSTEPS away from the altar, mingering mike the big D (1969). Van de 151 werken van Mingering Mike in onze catalogus zijn dit de 100 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
Top 10 schilderijen van Mingering Mike, door de ogen van de galerie
De beroemde schilderijen van Mingering Mike, nummer 11 tot 100
De beroemde schilderijen van Mingering Mike, periode voor periode
Late Period
1969 – 1972 · 5 werken in deze lijstContemporary
1968 – 1972 · 5 werken in deze lijstDe onderwerpen die de aandacht van Mingering Mike troffen
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
Social commentary 8 werken
Music memorabilia 4 werken
Vintage vinyl 4 werken
Mingering Mike door de jaren heen: de unieke originelen van elk werk
De gedateerde originele werken van Mingering Mike die hier worden getoond, beslaan een periode van ongeveer tien jaar, van 1968 tot 1975: het oog volgt ze jaar voor jaar.
Werken per jaar
Selecteer een jaar om de originele werken te bekijken.
A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS
Meer van 1970
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON
Meer van 1972
Schilderijen van Mingering Mike: vragen voor de galerie
Wat is het bekendste werk van Mingering Mike?Onthul het antwoord
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). THE FREEDOM STOMPERS (1969) en 3 FOOTSTEPS away from the altar, mingering mike the big D (1969) volgen.
Op welke leeftijd creëerde Mingering Mike GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON?Onthul het antwoord
22 jaar oud: GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON dateert uit 1972, en Mingering Mike werd geboren in 1950.
Welke tien schilderijen van Mingering Mike zijn het meest bekend?Onthul het antwoord
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON, THE FREEDOM STOMPERS, 3 FOOTSTEPS away from the altar, mingering mike the big D, THE MINGERING MIKE SHOW LIVE FROM THE HOWARD THEATER, 3 FOOT STEPS DUET CLOSE, EAT MYSELF SILLY (M. MIKE), Gold Pot Records LIVE, FROM PARIS, MINGERING MIKE REVUE (C), PIANOMAN, MINGERING MIKE, MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS, A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS en DON'T TRY AND TAKE IT ALL IN (MINGERING MIKE) MIKE THE MONITORS LOVE COMES AND GOES (JUST LIKE A RAINBOW) M. MIKE Y, RIGHT OF WAY MINGERING MIKE. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Hoeveel werken van Mingering Mike zijn er bekend?Onthul het antwoord
Onze catalogus bevat 151 werken van Mingering Mike, daterend van 1968 tot 1975.
In welke periode creëerde Mingering Mike de bekendste schilderijen?Onthul het antwoord
In 1972: 45 van de 100 werken op deze pagina werden toen gemaakt, waaronder GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON.
Welk beroemd schilderij van Mingering Mike is de vroegste, en welke de laatste?Onthul het antwoord
Op deze pagina is het vroegste MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC (1968) en het laatste MERCY LET THE MUSIC TAKE YOUR MIND (1975).
Welke onderwerpen had Mingering Mike de voorkeur?Onthul het antwoord
Social commentary (8), Music memorabilia (4) en Vintage vinyl (4), verspreid over de 100 werken op deze pagina.
Bij welke stroming behoort het werk van Mingering Mike?Onthul het antwoord
Pop art en Contemporary realism, te oordelen aan de originelen op deze pagina.
Mingering Mike: een portret van de kunstenaar
The Genesis of a Dream: Mingering Mike’s Constructed Reality
Mingering Mike, born in Washington, D.C., in 1950, wasn't simply an artist; he was the architect of his own elaborate and entirely self-contained universe. From roughly 1968 to 1977, this young man meticulously crafted a career as a soul singer and songwriter, producing over fifty “albums” – each a painstakingly assembled cardboard record complete with intricate gatefolds, handwritten liner notes, and simulated vinyl grooves. This wasn’t mere performance art; it was the embodiment of a teenage fantasy, a deeply personal project born from the vibrant, often turbulent, landscape of his youth.
The genesis of this singular endeavor lies in a potent blend of influences – the burgeoning soul music scene of the era, fueled by artists like Aretha Franklin and Otis Redding; the social unrest simmering within American cities during the Civil Rights Movement; and perhaps most crucially, the imaginative world of a young man seeking an outlet for his emotions and aspirations. Mingering Mike’s work wasn't about replicating reality; it was about constructing an idealized version of it, one where he held the microphone, commanded sold-out stadiums, and expressed profound truths through carefully crafted lyrics and soulful melodies.
The Art of the Constructed Album
What distinguishes Mingering Mike’s work is not just its scale – over fifty albums! – but the sheer dedication to detail in each piece. He didn't simply draw album covers; he built entire worlds within them, meticulously crafting cardboard records that resembled authentic vinyl releases. The liner notes were handwritten, often filled with biographical details about his “band,” tour dates, and personal reflections on the songs. This level of commitment transformed a simple artistic project into a fully realized, immersive experience.
The albums themselves are remarkable feats of miniature engineering. They’re layered constructions, incorporating elements like simulated album jackets, meticulously drawn grooves on the “vinyl,” and even tiny photographs depicting concert scenes. The process involved an obsessive attention to detail, reflecting a deep understanding of the music industry and a desire to replicate it with painstaking accuracy. This wasn't about creating art; it was about recreating a career – a career entirely within his own imagination.
Rediscovery and Recognition
For decades, Mingering Mike’s work remained largely unknown outside a small circle of collectors. It wasn’t until 2003 that the world began to take notice when record collectors Dori Hadar and Frank Beylotte stumbled upon his collection at a flea market in Washington, D.C. This serendipitous discovery sparked an intense interest in Mingering Mike's unique project, leading to exhibitions, publications, and widespread recognition within the art world.
The Smithsonian American Art Museum acquired his entire collection in 2015, solidifying his place as a significant figure in contemporary art. The museum’s exhibition, “Mingering Mike’s Supersonic Greatest Hits,” offered visitors a rare glimpse into this extraordinary artist's constructed reality – a testament to the power of imagination and the enduring appeal of a dream realized.
Themes and Legacy
While seemingly fantastical, Mingering Mike’s work resonates with profound themes. It explores ideas of identity, ambition, performance, and the construction of self. His albums often touch upon social issues – civil rights, political upheaval, and personal struggles – reflecting the realities of his youth while simultaneously offering a utopian vision of success and fulfillment.
Mingering Mike’s legacy lies not just in his unique artistic practice but also in challenging our understanding of art itself. He demonstrated that an artwork doesn't need to be “real” to be meaningful, and that the act of creation can be as important as the final product. His work continues to fascinate and inspire artists and collectors alike, reminding us of the boundless possibilities of the human imagination.





