Portret van Max Kurzweil

De 21 bekendste schilderijen van Max Kurzweil, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 22 werken van Max Kurzweil in onze catalogus

Kortom

Van alle originele werken die Max Kurzweil heeft nagelaten, is Lady in Yellow Dress (1899) de bekendste. Direct daarna volgen Bettina Bauer (1908) en A Dear Visit (1894). Onze catalogus bevat 22 werken van Max Kurzweil; de galerie heeft de 21 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1867 – 1916, Bzenec Expressionism Meeste werken: Los Angeles County Museum of Art

De top 10 schilderijen van Max Kurzweil: de selectie van de galerie

1
Lady in Yellow Dress (1899) door Max Kurzweil

Lady in Yellow Dress

1899 · Oil On Canvas

The painting titled Lady in Yellow Dress was created by Max Kurzweil in 1899. This work exists as an oil on canvas, a medium that holds the light within its textured layers. The pigment settles into the weave of the fabric to form a singular, quiet presence.

2
Bettina Bauer (1908) door Max Kurzweil

Bettina Bauer

1908 · Oil On Canvas

In this 1908 oil on canvas, Max Kurzweil captures a quiet moment with Bettina Bauer. She sits before us, a young woman whose presence fills the frame with a sense of stillness. There is a certain weight to her gaze as she looks directly toward the viewer, her hands held together near her chest in a gesture of composed elegance. The light settles upon her features, highlighting the delicate details…

3
A Dear Visit (1894) door Max Kurzweil

A Dear Visit

1894 · Oil

The oil painting titled A Dear Visit was executed by the artist Max Kurzweil in 1894. This work emerged during a period when Kurzweil was establishing his presence within the European art scene, following his studies at the Academy of Fine Arts Vienna and his time at the Académie Julian in Paris.

5
The Farrier (1900) door Max Kurzweil

The Farrier

1900 · Watercolor

In "The Farrier" by Max Kurzweil, a rustic scene of rural life unfolds within the shadowed confines of a stable and blacksmith's workshop. The composition is crowded, packed with the heavy presence of manual labor. Figures move through the space, engaged in the rhythmic demands of horse care and blacksmithing. This density creates a sense of constant activity, a lived-in realism that captures a vanishing way of life. The air…

6
The fisherman (1900) door Max Kurzweil

The fisherman

1900 · Oil On Canvas

In this 1900 oil painting, we find ourselves observing a solitary figure adrift in a small wooden boat. The scene is one of profound stillness, where the water meets a distant, muted shoreline under a soft, diffused light. There is a certain weight to the atmosphere, a sense of calm that borders on the somber. The fisherman sits amidst the ripples, his presence defined by the meticulous rendering of his…

7
Christ (1915) door Max Kurzweil

Christ

1915 · Oil On Canvas

In the portrait titled Christ by Max Kurzweil, the figure of Jesus is presented from the chest up against a dark, textured background. The subject is positioned looking upward, his gaze directed toward a point above the frame with an expression of divine longing or transcendence. A brilliant golden-yellow halo radiates from behind the head, serving as the primary source of light within the composition. This illumination casts a glow…

De selectie van Max Kurzweil gaat verder, van 11 tot 21

De onderwerpen die de aandacht van Max Kurzweil troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Max Kurzweil worden bewaard

De 2 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Max Kurzweil Schilderijen uit deze lijst
Los Angeles County Museum of Art, Los AngelesLos Angeles County Museum of Art Los Angeles 1 Seated nude facing right and meditating
Secession, WenenSecession Wenen 1 Withdrawal letter from Max Kurzweil, June 15, 1905

Max Kurzweil decennium voor decennium: het origineel dat elk tijdperk definieert

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Vragen van verzamelaars over de schilderijen van Max Kurzweil

Waar is Max Kurzweil het meest bekend om?Onthul het antwoord

Lady in Yellow Dress (1899). Bettina Bauer (1908) en A Dear Visit (1894) volgen.

Hoe oud was Max Kurzweil toen Lady in Yellow Dress werd gemaakt?Onthul het antwoord

32 jaar oud: Lady in Yellow Dress dateert uit 1899, en Max Kurzweil werd geboren in 1867.

Wat zijn de tien beroemdste schilderijen van Max Kurzweil?Onthul het antwoord

Lady in Yellow Dress, Bettina Bauer, A Dear Visit, Seated nude facing right and meditating, The Farrier, The fisherman, Christ, A walk in the garden, The Pond (Concarneau) en Blue Seascape in Moonlight. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Max Kurzweil nagelaten?Onthul het antwoord

Onze catalogus bevat 22 werken van Max Kurzweil, daterend van 1894 tot 1915.

In welke musea hangen de meesterwerken van Max Kurzweil?Onthul het antwoord

Voornamelijk in Los Angeles County Museum of Art (Los Angeles) en Secession (Wenen). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Max Kurzweil de beroemdste werken?Onthul het antwoord

In 1900s: 12 van de 21 werken op deze pagina werden toen gemaakt, waaronder Bettina Bauer.

Wat zijn de eerste en de laatste beroemde originelen van Max Kurzweil?Onthul het antwoord

Op deze pagina is het vroegste A Dear Visit (1894) en het laatste Christ (1915).

Welke onderwerpen koos Max Kurzweil het vaakst?Onthul het antwoord

Woman (2), Couch (2) en Man (2), verspreid over de 21 werken op deze pagina.

Welke techniek gebruikte Max Kurzweil het meest?Onthul het antwoord

Oil On Canvas, voor 4 van de 21 werken op deze pagina.

Bij welke kunststroming behoort Max Kurzweil?Onthul het antwoord

Expressionism en Art nouveau, te oordelen aan de originelen op deze pagina.

Max Kurzweil: leven en werk

The Bohemian Roots of a Viennese Visionary

Born amidst the evocative landscapes of Bisenz, Bohemia, Maximilian Franz Viktor Zdenko Marie Kurzweil carried the romantic sensibilities of his youth into the heart of the Austro-Hungarian Empire. His relocation to Vienna in 1879 marked the beginning of a transformative era for both the artist and the city itself, as he moved from the quietude of his Czech origins toward the vibrant, pulsing energy of a burgeoning metropolis. Under the rigorous academic guidance of masters such as Christian Griepenkerl and Leopold Carl Müller at the Academy of Fine Arts Vienna, Kurzweil mastered the classical foundations of his craft. Yet, it was his immersion in the light-drenched ateliers of Paris, particularly the Académie Julian, that truly ignited his creative spirit. Here, the rigid boundaries of academic tradition began to dissolve, replaced by a burgeoning fascination with the fleeting impressions of light and the profound, often unsettling, depths of human emotion.

A Revolutionary Spirit in the Vienna Secession

As the nineteenth century drew to a close, Kurzweil emerged not merely as a painter, but as a pivotal architect of the modern Viennese aesthetic. In 1897, he stood alongside luminaries such as Gustav Klimt and Emil Nolde to co-found the Vienna Secession, a movement dedicated to shattering the stifling constraints of conservative academicism. Through his influential role as an editor and illustrator for the magazine Ver Sacrum, he helped weave a new visual language that married the textured, expressive palettes of Impressionism with the haunting, dreamlike motifs of Symbolism. His artistic evolution was marked by a deepening psychological intensity, drawing profound inspiration from the raw emotionality of Edvard Munch and the structural elegance of Ferdinand Hodlen. Whether capturing the contemplative stillness in "Seated nude facing right and meditating" or the atmospheric textures found in "The Fisherman," his work became a vessel for the complex tensions of a world caught between tradition and modernity.

A Legacy of Melancholy and Mastery

The trajectory of Kurzweil’s life was as profound as it was tragic. While he achieved significant professional milestones—including being awarded the prestigious Villa Romana prize in 1905 and serving as a respected professor at the Frauenkunstschule—his personal existence was often shadowed by an innate sense of melancholy. This internal struggle reached its devastating conclusion in 1916, when he ended his life alongside his student and lover, Helene Heger. Despite this somber end, his contribution to the Viennese Secessionist movement remains indelible. His ability to bridge the gap between Bohemian Romanticism and the avant-garde future ensures that his name continues to resonate within the annals of European art history, serving as a testament to a soul that sought to capture the ephemeral beauty of a vanishing era.