Portret van László Mednyánszky

De 100 bekendste schilderijen van László Mednyánszky, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 367 werken van László Mednyánszky in onze catalogus

Kortom

Van alle originele werken die László Mednyánszky heeft nagelaten, is Man with a Beard (1880) het bekendst, in de collectie van het Slovak National Gallery, Bratislava. Direct daarna volgen Young Boy in a Hat (1875) en Coach in a Hat with an Ofina (1880). Onze catalogus bevat 367 werken van László Mednyánszky; de galerie heeft de 100 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1852 – 1919, Beckov Realism Meeste werken: Slovak National Gallery

De top 10 schilderijen van László Mednyánszky: de selectie van de galerie

1
Man with a Beard (1880) door László Mednyánszky

Man with a Beard

1880 · Oil On Canvas · Slovak National Gallery, Bratislava

A man emerges from a heavy, dark void. He wears a dark hat and a light-colored jacket, his presence anchored by a white collar that catches a sliver of light. His face is a landscape of shadow and substance, defined by a thick, dark beard and a mustache that merge into the surrounding gloom. The light falls upon his features with a quiet, frontal intensity, pulling his eyes into a…

3
Coach in a Hat with an Ofina (1880) door László Mednyánszky

Coach in a Hat with an Ofina

1880 · Oil On Canvas · Slovak National Gallery, Bratislava

A man is depicted from the chest up in a close-up bust view, positioned against a dark, indistinct background. He wears a dark bowler hat that casts a shadow over the upper portion of his face. His attire consists of a collared shirt and a tie. A mustache defines his upper lip. The man's gaze is directed forward, and his expression appears contemplative or weary. The lighting originates from the…

4
Young Man with a White Tie (1880) door László Mednyánszky

Young Man with a White Tie

1880 · Oil On Canvas · Slovak National Gallery, Bratislava

A young man sits in a quiet, suspended moment, his body angled slightly away while his eyes drift toward the right of the frame. He exists within a space defined by warmth and shadow, where the light catches the pale curve of his cheek and the sharp, clean line of a white tie. There is an immediate sense of presence in his features, rendered through thick, directional brushstrokes that trace…

5
Study of a Soldier's Head in Red (1905) door László Mednyánszky

Study of a Soldier's Head in Red

1905 · Oil · Slovak National Gallery, Bratislava

A young man stares out from the shadows, his blue eyes fixed on a point just beyond the viewer's shoulder. He wears a dark military uniform, the heavy fabric of which is punctuated by a sharp, startling red collar that draws the eye immediately to the base of his neck. His expression remains neutral, perhaps even somber, as if he is caught in a moment of quiet reflection amidst the…

6
Young Man in a White Hat (1880) door László Mednyánszky

Young Man in a White Hat

1880 · Oil · Slovak National Gallery, Bratislava

The portrait titled Young Man in a White Hat emerges from the shadows as a quiet study of a single moment. Created by the artist László Mednyánszky, this work captures a young man caught in a steady, side-on gaze. He is presented in profile, his features defined by a stillness that feels as though he has just paused mid-thought. The subject remains fixed in this position, offering a sense of…

7
Head of a Woman (1890) door László Mednyánszky

Head of a Woman

1890 · Oil · Slovak National Gallery, Bratislava

László Mednyánszky’s Head of a Woman presents a vertical bust-length portrait centered within a shallow perspective. The subject is positioned against a dark, indistinct background that lacks specific environmental detail. This void focuses the viewer entirely on the frontal view of the head and shoulders. The composition relies on a highly restricted color palette, dominated by deep blacks, dark browns, and shadowy grays.

8
Village Boy with Moustaches (1880) door László Mednyánszky

Village Boy with Moustaches

1880 · Oil On Canvas · Slovak National Gallery, Bratislava

In this 1880 portrait, the viewer encounters a quiet moment frozen in time. The work, titled Village Boy with Moustaches, presents a young man captured in profile. He gazes outward, his presence defined by a small, neatly trimmed mustache that adds a touch of maturity to his youthful features. This painting, also known by the name A village boy with a mustache, offers an intimate look at a figure from…

9
Landschap Spiš in de Winter door László Mednyánszky

Landschap Spiš in de Winter

Olieverf · Slovak National Gallery, Bratislava

Een Melancholische Visie op het Tatra Landschap Ladislav Mednyánszky stond voor een bijzondere tijd in de kunstgeschiedenis van Slovakije en Hongarije – een periode waarin Impressionisme en Symbolisme elkaar kruisten, waardoor een stijl ontstond die zowel prachtige natuurlijke kleuren als onderliggende emotionele lagen verkende. Zijn werk, vaak gekenmerkt door een rijke impasto en een gedetailleerde aandacht voor licht en atmosfeer, biedt een unieke kijk op het Tatra gebergte tijdens de…

10
Villager in Costume (1880) door László Mednyánszky

Villager in Costume

1880 · Oil On Canvas · Slovak National Gallery, Bratislava

The gaze of the subject in Villager in Costume meets the viewer from across the years, a quiet presence captured by the hand of László Mednyánszky. This portrait, dating to 1880, finds its home within the collection of the Slovak National Gallery. The man's steady, melancholic expression remains fixed, holding a moment of contemplation that feels as though it is happening right now, just beyond the surface of the canvas.

De selectie van László Mednyánszky gaat verder, van 11 tot 100

11Lady with a Fan (1860) door László MednyánszkyLady with a Fan1860 · Slovak National Gallery 12Pig Herder (1865) door László MednyánszkyPig Herder1865 · Slovak National Gallery 13Resting Lady (1870) door László MednyánszkyResting Lady1870 · Slovak National Gallery 14Bohemian (1870) door László MednyánszkyBohemian1870 · Slovak National Gallery 15Ploughing under the Tatras (1870) door László MednyánszkyPloughing under the Tatras1870 · Slovak National Gallery 16Portrait of a Man (1870) door László MednyánszkyPortrait of a Man1870 · Slovak National Gallery 17Head of a Man with a Brimmed Hat (1870) door László MednyánszkyHead of a Man with a Brimmed Hat1870 · Slovak National Gallery 18Man in Profile (1875) door László MednyánszkyMan in Profile1875 · Slovak National Gallery 19Autumn in the Orchard (1873) door László MednyánszkyAutumn in the Orchard1873 · Slovak National Gallery 20Young Boy in Profile (1875) door László MednyánszkyYoung Boy in Profile1875 · Slovak National Gallery 21Head Study of a Groom with a Pipe (1877) door László MednyánszkyHead Study of a Groom with a Pipe1877 · Slovak National Gallery 22Man in a Fur (1877) door László MednyánszkyMan in a Fur1877 · Slovak National Gallery 23Groom in a Fur Cap (1875) door László MednyánszkyGroom in a Fur Cap1875 · Slovak National Gallery 24Dandy in Fur Cap with Pipe (1877) door László MednyánszkyDandy in Fur Cap with Pipe1877 · Slovak National Gallery 25Shepherd in Fur (1877) door László MednyánszkyShepherd in Fur1877 · Slovak National Gallery 26Seated Peasant (1877) door László MednyánszkySeated Peasant1877 · Slovak National Gallery 27Over the Grave (1878) door László MednyánszkyOver the Grave1878 · Slovak National Gallery 28Study of a Seated Nude of a Young Man (1875) door László MednyánszkyStudy of a Seated Nude of a Young Man1875 · Slovak National Gallery 29View of the Ruins of Súľov (1875) door László MednyánszkyView of the Ruins of Súľov1875 · Slovak National Gallery 30Portrait of a Man (1878) door László MednyánszkyPortrait of a Man1878 · Slovak National Gallery 31Portrait of an Older Villager (1880) door László MednyánszkyPortrait of an Older Villager1880 · Slovak National Gallery 32Man in Festive (1885) door László MednyánszkyMan in Festive1885 · Slovak National Gallery 33Švihák in a Yellow Hat (1880) door László MednyánszkyŠvihák in a Yellow Hat1880 · Slovak National Gallery 34Young Villager in Brown (1880) door László MednyánszkyYoung Villager in Brown1880 · Slovak National Gallery 35Young Man in a Hat (1880) door László MednyánszkyYoung Man in a Hat1880 · Slovak National Gallery 36Portrait of a Man with a Moustache (1880) door László MednyánszkyPortrait of a Man with a Moustache1880 · Slovak National Gallery 37Portrait of a Man with Moustaches (1880) door László MednyánszkyPortrait of a Man with Moustaches1880 · Slovak National Gallery 38Soldiers in a Train (1880) door László MednyánszkySoldiers in a Train1880 · Slovak National Gallery 39Portrait of a Straight-Haired Boy (1880) door László MednyánszkyPortrait of a Straight-Haired Boy1880 · Slovak National Gallery 40Portrait of a Man (1880) door László MednyánszkyPortrait of a Man1880 · Slovak National Gallery 41Older Man with a Small Beard in Profile (1880) door László MednyánszkyOlder Man with a Small Beard in Profile1880 · Slovak National Gallery 42Likeness of a Dead Girl (1880) door László MednyánszkyLikeness of a Dead Girl1880 · Slovak National Gallery 43Gravedigger (1885) door László MednyánszkyGravedigger1885 · Slovak National Gallery 44Young Boy in a Cap (1880) door László MednyánszkyYoung Boy in a Cap1880 · Slovak National Gallery 45Man in Semi-profile (1880) door László MednyánszkyMan in Semi-profile1880 · Slovak National Gallery 46Štefan Czóbel, Artist's Brother-in-law (1880) door László MednyánszkyŠtefan Czóbel, Artist's Brother-in-law1880 · Slovak National Gallery 47Friend in Profile. Zsigmund Justh (1880) door László MednyánszkyFriend in Profile. Zsigmund Justh1880 · Slovak National Gallery 48Portrait of a Young Man (1885) door László MednyánszkyPortrait of a Young Man1885 · Slovak National Gallery 49Christ (1880) door László MednyánszkyChrist1880 · Slovak National Gallery 50Old Man with Sideburns (1880) door László MednyánszkyOld Man with Sideburns1880 · Slovak National Gallery 51Dreamy Boy (1885) door László MednyánszkyDreamy Boy1885 · Slovak National Gallery 52Study of a White-Haired Old Man with a Beard (1880) door László MednyánszkyStudy of a White-Haired Old Man with a Beard1880 · Slovak National Gallery 53Young Herdsman (1880) door László MednyánszkyYoung Herdsman1880 · Slovak National Gallery 54Study of a Farmer in a Hat (1880) door László MednyánszkyStudy of a Farmer in a Hat1880 · Slovak National Gallery 55Villager with a Cane (1880) door László MednyánszkyVillager with a Cane1880 · Slovak National Gallery 56Study of a Seated Male Figure (1885) door László MednyánszkyStudy of a Seated Male Figure1885 · Slovak National Gallery 57Study for a Portrait of a Young Man (1885) door László MednyánszkyStudy for a Portrait of a Young Man1885 · Slovak National Gallery 58Study of a Standing Man in Folk Costume (1885) door László MednyánszkyStudy of a Standing Man in Folk Costume1885 · Slovak National Gallery 59Study of a Village Youth's Head (1880) door László MednyánszkyStudy of a Village Youth's Head1880 · Slovak National Gallery 60Head of a Thinker (1880) door László MednyánszkyHead of a Thinker1880 · Slovak National Gallery 61Study of a Standing Gypsy (1885) door László MednyánszkyStudy of a Standing Gypsy1885 · Slovak National Gallery 62Head of a Man (1880) door László MednyánszkyHead of a Man1880 · Slovak National Gallery 63Portrait of a Man with a Tie (1880) door László MednyánszkyPortrait of a Man with a Tie1880 · Slovak National Gallery 64Portrait of Evelin Czóbel (1880) door László MednyánszkyPortrait of Evelin Czóbel1880 · Slovak National Gallery 65Study of Female Head from Profile (1880) door László MednyánszkyStudy of Female Head from Profile1880 · Slovak National Gallery 66Tragedy (1882) door László MednyánszkyTragedy1882 · Slovak National Gallery 67Study of a Rider on a Horse (1880) door László MednyánszkyStudy of a Rider on a Horse1880 · Slovak National Gallery 68Study of a Seated Peasant Girl (1880) door László MednyánszkyStudy of a Seated Peasant Girl1880 · Slovak National Gallery 69Study of a Standing Lad in the Boots (1880) door László MednyánszkyStudy of a Standing Lad in the Boots1880 · Slovak National Gallery 70Study of Walking Priest (1880) door László MednyánszkyStudy of Walking Priest1880 · Slovak National Gallery 71Head of Emaciated Boy (1880) door László MednyánszkyHead of Emaciated Boy1880 · Slovak National Gallery 72Half-Figure of a Young Man from Profile (1880) door László MednyánszkyHalf-Figure of a Young Man from Profile1880 · Slovak National Gallery 73Study of a Young Man in a Dark Vest (1880) door László MednyánszkyStudy of a Young Man in a Dark Vest1880 · Slovak National Gallery 74Character Head Study of a Man (1880) door László MednyánszkyCharacter Head Study of a Man1880 · Slovak National Gallery 75Head of a Gypsy Boy (1880) door László MednyánszkyHead of a Gypsy Boy1880 · Slovak National Gallery 76Head Study of a Boy in a Pink Shirt (1880) door László MednyánszkyHead Study of a Boy in a Pink Shirt1880 · Slovak National Gallery 77Head of a Man in a Black Fur Hat (1880) door László MednyánszkyHead of a Man in a Black Fur Hat1880 · Slovak National Gallery 78Study of a Bearded Man in a Black Suit (1880) door László MednyánszkyStudy of a Bearded Man in a Black Suit1880 · Slovak National Gallery 79Spiš Peasant in a Hat (1880) door László MednyánszkySpiš Peasant in a Hat1880 · Slovak National Gallery 80Study of a Seated Man (1880) door László MednyánszkyStudy of a Seated Man1880 · Slovak National Gallery 81Nude (1880) door László MednyánszkyNude1880 · Slovak National Gallery 82Girl in a Farmyard (1880) door László MednyánszkyGirl in a Farmyard1880 · Slovak National Gallery 83Tramp with a Pipe (1880) door László MednyánszkyTramp with a Pipe1880 · Slovak National Gallery 84Study of Unhappy Man (1880) door László MednyánszkyStudy of Unhappy Man1880 · Slovak National Gallery 85Man in Blue Smoking (1880) door László MednyánszkyMan in Blue Smoking1880 · Slovak National Gallery 86Fragment of a Head Study of a Gypsy (1880) door László MednyánszkyFragment of a Head Study of a Gypsy1880 · Slovak National Gallery 87Study of an Old Man's Head (1880) door László MednyánszkyStudy of an Old Man's Head1880 · Slovak National Gallery 88Study of an Old Woman (1881) door László MednyánszkyStudy of an Old Woman1881 · Slovak National Gallery 89Study of a Seated Man with a Dog (1880) door László MednyánszkyStudy of a Seated Man with a Dog1880 · Slovak National Gallery 90Study of a Man in a Fur Hat (1880) door László MednyánszkyStudy of a Man in a Fur Hat1880 · Slovak National Gallery 91Lad with a Large Ear and a Small Hat (1880) door László MednyánszkyLad with a Large Ear and a Small Hat1880 · Slovak National Gallery 92Sketch of a Head of a Smoking Young Man (1880) door László MednyánszkySketch of a Head of a Smoking Young Man1880 · Slovak National Gallery 93Head Study of an Old Man (1880) door László MednyánszkyHead Study of an Old Man1880 · Slovak National Gallery 94Vagabond Walking at Night (1885) door László MednyánszkyVagabond Walking at Night1885 95Dying Fisherman (1887) door László MednyánszkyDying Fisherman1887 · Východoslovenské Galéria 96Red-Faced Boy (1890) door László MednyánszkyRed-Faced Boy1890 · Slovak National Gallery 97Head of a Wanderer (1890) door László MednyánszkyHead of a Wanderer1890 · Slovak National Gallery 98Lonely in a Birch Grove (1890) door László MednyánszkyLonely in a Birch Grove1890 · Slovak National Gallery 99Study of a Craftsman's Head (1890) door László MednyánszkyStudy of a Craftsman's Head1890 · Slovak National Gallery 100Zsigmond Justh in the park (1889) door László MednyánszkyZsigmond Justh in the park1889 · Slovak National Gallery

De beroemde schilderijen van László Mednyánszky, periode voor periode

De onderwerpen die de aandacht van László Mednyánszky troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van László Mednyánszky worden bewaard

De 2 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van László Mednyánszky Schilderijen uit deze lijst
Slovak National Gallery, BratislavaSlovak National Gallery Bratislava 301 Man with a Beard, Young Boy in a Hat, Coach in a Hat with an Ofina
Východoslovenské Galéria, KošiceVýchodoslovenské Galéria Košice 10 Dying Fisherman

László Mednyánszky decennium voor decennium: het origineel dat elk tijdperk definieert

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Vragen van verzamelaars over de schilderijen van László Mednyánszky

Waar is László Mednyánszky het meest bekend om?Onthul het antwoord

Man with a Beard (1880), Slovak National Gallery, Bratislava. Young Boy in a Hat (1875) en Coach in a Hat with an Ofina (1880) volgen.

Hoe oud was László Mednyánszky toen Man with a Beard werd gemaakt?Onthul het antwoord

28 jaar oud: Man with a Beard dateert uit 1880, en László Mednyánszky werd geboren in 1852.

Wat zijn de tien beroemdste schilderijen van László Mednyánszky?Onthul het antwoord

Man with a Beard, Young Boy in a Hat, Coach in a Hat with an Ofina, Young Man with a White Tie, Study of a Soldier's Head in Red, Young Man in a White Hat, Head of a Woman, Village Boy with Moustaches, Landschap Spiš in de Winter en Villager in Costume. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft László Mednyánszky nagelaten?Onthul het antwoord

Onze catalogus bevat 367 werken van László Mednyánszky, daterend van 1860 tot 1905.

In welke musea hangen de meesterwerken van László Mednyánszky?Onthul het antwoord

Voornamelijk in Slovak National Gallery (Bratislava) en Východoslovenské Galéria (Košice). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde László Mednyánszky de beroemdste werken?Onthul het antwoord

In 1880s: 72 van de 100 werken op deze pagina werden toen gemaakt, waaronder Man with a Beard.

Wat zijn de eerste en de laatste beroemde originelen van László Mednyánszky?Onthul het antwoord

Op deze pagina is het vroegste Lady with a Fan (1860) en het laatste Study of a Soldier's Head in Red (1905).

Welke onderwerpen koos László Mednyánszky het vaakst?Onthul het antwoord

Man (75), Portrait (34) en Face (32), verspreid over de 100 werken op deze pagina.

Welke techniek gebruikte László Mednyánszky het meest?Onthul het antwoord

Oil On Canvas, voor 60 van de 100 werken op deze pagina.

Bij welke kunststroming behoort László Mednyánszky?Onthul het antwoord

Realism, te oordelen aan de originelen op deze pagina.

Welke werken van László Mednyánszky hangen in het Slovak National Gallery?Onthul het antwoord

Man with a Beard, Young Boy in a Hat en Coach in a Hat with an Ofina: het Slovak National Gallery, Bratislava herbergt 98 van de werken op deze pagina.

László Mednyánszky: leven en werk

A Life Bridging Worlds: The Enigmatic Baron László Mednyánszky

Baron László Mednyánszky, a figure shrouded in intriguing mystery and profound artistic sensitivity, emerged from the fading grandeur of the Austro-Hungarian Empire in 1852. He wasn’t merely a painter; he was a philosopher translating his observations into brushstrokes, an explorer charting the emotional landscapes of both nobility and peasantry, Hungary and Slovakia – a man perpetually caught between tradition and the burgeoning currents of modernity. His life unfolded against a backdrop of shifting political realities and artistic movements, marked by privilege intertwined with deep introspection, ultimately leaving behind a body of work that continues to resonate with its poignant beauty and philosophical depth. From his birth in a modest village within what is now Slovakia, Mednyánszky’s early years were shaped by exposure to both aristocratic life and the rugged landscapes of his homeland, experiences that would profoundly influence his artistic vision.

An Artistic Journey Forged in Observation

Mednyánszky's artistic development wasn’t a conventional progression through established schools; instead, he cultivated a unique style largely independent of rigid doctrines. He absorbed influences—Impressionism’s handling of light and atmosphere, the grounded realism of observation—but remained fundamentally his own artist. Crucially, his extensive travels weren’t simply geographical shifts but intellectual and emotional voyages that reshaped his perspective. The landscapes surrounding his family estate at Strážky became more than just picturesque scenery; they transformed into symbolic representations of belonging, loss, and the enduring connection to a specific place. Yet, equally compelling were his encounters with those on the margins – peasants laboring in the fields, individuals etched by hardship, figures often overlooked by mainstream society. This empathetic gaze, coupled with an innate philosophical curiosity, fueled his desire to capture not just appearances but the very essence of his subjects—their place within the grand tapestry of existence. He sought to reveal the underlying truths of their lives, the quiet dignity found even in suffering, and the melancholic beauty inherent in the human condition. His formal training included lessons from Thomas Ender, a renowned landscape painter, and he later attended the Academy of Fine Arts in Munich and the École des Beaux-Arts in Paris, though his independent spirit led him to eventually break away from the Parisian institution after the death of his professor.

Themes and Techniques: A Palette of Emotion

The art of Baron László Mednyánszky is characterized by a distinctive blend of styles and subject matter. Landscapes, portraits, and scenes drawn from Upper Hungarian/Slovak folklore form the core of his oeuvre. He possessed an exceptional ability to convey intense emotion through color and composition—as vividly demonstrated in *Flaming Landscape*, where fiery hues seem to mirror inner turmoil. Yet, even within moments of dramatic intensity, a sense of restraint prevails; his paintings rarely boast bombast but instead favor subtle nuances and atmospheric effects. His brushwork is expressive, sometimes loose and gestural, at other times meticulously detailed, reflecting the emotional weight of his subject matter. He frequently employed muted color palettes—dominated by grays, browns, and ochres—creating a mood of quiet contemplation. *The River Poprad at Strážky* exemplifies his landscape work, capturing not just the physical beauty of his homeland but also a sense of tranquility tinged with nostalgia. Perhaps most poignantly, works like *End of Life. Elderly Couple at Night* offer deeply moving depictions of human vulnerability and mortality, rendered with remarkable sensitivity and compassion. The recurring motif of the elderly couple, often depicted in moments of quiet reflection or shared sorrow, speaks to a universal theme of aging, loss, and the enduring power of love.

Notable Works

  • The River Poprad at Strážky: A quintessential example of his landscape painting, capturing the serene beauty and tranquility of his homeland.
  • Flaming Landscape: Demonstrates Mednyánszky’s ability to convey intense emotion through vibrant color and dynamic composition.
  • End of Life. Elderly Couple at Night: A poignant and deeply moving depiction of human vulnerability, mortality, and the quiet dignity of aging.
  • Winter Night. Figure on the Bridge: Evokes a sense of solitude and contemplation through its atmospheric rendering of a winter landscape.
  • Landscape with a Castle before a Storm: A dramatic portrayal of nature’s power, rendered in a Romantic and Symbolist style with rich impasto.

Legacy and Rediscovery: An Artist for His Time and Ours

Though not widely celebrated during his lifetime—a consequence perhaps of his unconventional lifestyle and refusal to conform to artistic norms—Baron László Mednyánszky is now recognized as one of the most significant figures in Hungarian art history. His unique vision, blending philosophical depth with artistic skill, set him apart from his contemporaries. He challenged conventional expectations by focusing on the lives of ordinary people and confronting difficult social issues. His work provides invaluable insights into the cultural and societal landscape of late 19th-century Hungary and Slovakia—a period marked by profound change and uncertainty. His paintings resonate with audiences today because they speak to universal human experiences – love, loss, suffering, and the search for meaning in a chaotic world. He remains an enigmatic figure, whose art invites contemplation and reflection, prompting us to look beyond the surface of things and consider the deeper truths that lie within. His legacy continues to grow as more scholars and art enthusiasts discover the power and beauty of his work, ensuring that this remarkable artist will be remembered for generations to come.