Portret van John Wollaston

De 32 bekendste schilderijen van John Wollaston, een selectie uit de galerie

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 32 werken van John Wollaston in onze catalogus

Kortom

Van alle originele werken die John Wollaston heeft nagelaten, is Alderman David Wharam, Mayor of Rochester (1744) (1740) het bekendst, in de collectie van het Guildhall Museum, Rochester. Direct daarna volgen Captain Jacob Elton (1712–1745), RN (1741) en Ryland Randolph (1756). Onze catalogus bevat 32 werken van John Wollaston; de galerie heeft de 32 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1742 – 1775 Rococo Meeste werken: Bodleian Libraries

De top 10 schilderijen van John Wollaston: de selectie van de galerie

1
Alderman David Wharam, Mayor of Rochester (1744) (1740) door John Wollaston

Alderman David Wharam, Mayor of Rochester (1744)

1740 · Oil · Guildhall Museum, Rochester

The subject is presented in a formal, centered composition, gazing directly at the viewer from a dark, indeterminate background. He wears a red coat accented with white trim, a garment that signals both status and official capacity. A black hat and a white shirt complete the attire of a gentleman of the mid-eighteenth century. His long hair and beard frame a face marked by age, suggesting a life of experience…

3
Ryland Randolph (1756) door John Wollaston

Ryland Randolph

1756 · Oil · Wilton House Museum, Richmond

The year is 1756, and the air in the room feels heavy with the quiet dignity of a bygone era. Ryland Randolph sits in a poised profile, his gaze directed outward with a serious, contemplative expression that demands immediate respect. He exists in a moment of stillness, a man of high-ranking status and military prestige caught in a permanent state of readiness. His midnight blue coat, deep and commanding, catches…

9
Joseph Reade (1749) door John Wollaston

Joseph Reade

1749 · Oil On Canvas · Metropolitan Museum of Art, New York

The gaze of Joseph Reade meets yours with an unwavering clarity, pulling you into a moment frozen in 1749. He sits with a quiet authority, his posture upright and composed, as if the weight of his political and social responsibilities in New York City rests lightly upon his shoulders. A deep crimson velvet backdrop wraps around him, its heavy texture providing a dark, dramatic stage that pushes his figure forward…

10
Portrait of General Staats Long Morris door John Wollaston

Portrait of General Staats Long Morris

Oil On Canvas · New Orleans Museum of Art, New Orleans

The portrait presents a man in formal military attire, his posture commanding and his arms outstretched to claim the space. He is positioned centrally, dominating the frame against a backdrop of soft foliage and a heavy, clouded sky. The lighting is deliberate, casting strong highlights across his face and upper body to define the sharp contours of his features. Every detail of his presence is rendered with meticulous precision, from…

De selectie van John Wollaston gaat verder, van 11 tot 32

De onderwerpen die de aandacht van John Wollaston troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van John Wollaston worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van John Wollaston Schilderijen uit deze lijst
Bodleian Libraries, OxfordBodleian Libraries Oxford 7 Sir Theodore Turquet de Mayerne (1573–1655), Walter Charleton (1619–1707), Thomas Willis (1621–1675)
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 5 Mrs. Cadwallader Colden, Joseph Reade, Cadwallader Colden
National Gallery of Art, WashingtonNational Gallery of Art Washington 4 John Stevens (?), A Gentleman of the Morris Family, Mary Walton Morris
National Portrait Gallery, LondenNational Portrait Gallery Londen 2 Thomas Britton, George Whitefield
Guildhall Museum, RochesterGuildhall Museum Rochester 1 Alderman David Wharam, Mayor of Rochester (1744)
National Trust, ClevedonNational Trust Clevedon 1 Captain Jacob Elton (1712–1745), RN
Wilton House Museum, RichmondWilton House Museum Richmond 1 Ryland Randolph
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Portrait of Lucy Parry, Wife of Admiral Parry

John Wollaston jaar voor jaar: de originelen die elk jaar definiëren

Van 1752 tot 1767 werkte John Wollaston 16 jaar lang: de selectie volgt deze lange carrière jaar voor jaar, via de mooiste originele werken.

Werken per jaar

Selecteer een jaar om de originele werken te bekijken.

Vragen van verzamelaars over de schilderijen van John Wollaston

Waar is John Wollaston het meest bekend om?Onthul het antwoord

Alderman David Wharam, Mayor of Rochester (1744) (1740), Guildhall Museum, Rochester. Captain Jacob Elton (1712–1745), RN (1741) en Ryland Randolph (1756) volgen.

Wat zijn de tien beroemdste schilderijen van John Wollaston?Onthul het antwoord

Alderman David Wharam, Mayor of Rochester (1744), Captain Jacob Elton (1712–1745), RN, Ryland Randolph, Mrs. Cadwallader Colden, John Stevens (?), Joseph Reade, A Gentleman of the Morris Family, Portrait of Lucy Parry, Wife of Admiral Parry, Joseph Reade en Portrait of General Staats Long Morris. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft John Wollaston nagelaten?Onthul het antwoord

Onze catalogus bevat 32 werken van John Wollaston, daterend van 1752 tot 1767.

In welke musea hangen de meesterwerken van John Wollaston?Onthul het antwoord

Voornamelijk in Bodleian Libraries (Oxford), Metropolitan Museum of Art (New York) en National Gallery of Art (Washington). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde John Wollaston de beroemdste werken?Onthul het antwoord

In 1752: 4 van de 32 werken op deze pagina werden toen gemaakt, waaronder John Stevens (?).

Wat zijn de eerste en de laatste beroemde originelen van John Wollaston?Onthul het antwoord

Op deze pagina is het vroegste John Stevens (?) (1752) en het laatste Judith Smith (Mrs. James Ladson) (1767).

Welke onderwerpen koos John Wollaston het vaakst?Onthul het antwoord

Portraiture (7), Portrait (6) en 18th century (6), verspreid over de 32 werken op deze pagina.

Welke techniek gebruikte John Wollaston het meest?Onthul het antwoord

Oil On Canvas, voor 3 van de 32 werken op deze pagina.

Bij welke kunststroming behoort John Wollaston?Onthul het antwoord

Rococo, te oordelen aan de originelen op deze pagina.

Welke werken van John Wollaston hangen in het Bodleian Libraries?Onthul het antwoord

Sir Theodore Turquet de Mayerne (1573–1655), Walter Charleton (1619–1707) en Thomas Willis (1621–1675): het Bodleian Libraries, Oxford herbergt 7 van de werken op deze pagina.

Kan ik een reproductie van een schilderij van John Wollaston in opdracht laten maken?Onthul het antwoord

Ja, als reproductie: het origineel blijft in het museum, maar elk schilderij op deze pagina kan handmatig voor u worden geschilderd, op maat gemaakt, één voor één, via de eigen pagina van het schilderij.

John Wollaston: leven en werk

The Elegance of the Atlantic: The Life and Legacy of John Wollaston

In the mid-eighteenth century, as the American colonies began to stir with a burgeoning sense of identity, a sophisticated breeze from London arrived on their shores, carried by the brush of John Wollaston. A painter of profound grace and technical finesse, Wollaston stands as a singular figure in the annals of American art history—a British master who irrevocably shaped the aesthetic landscape of the colonies. While later giants like Benjamin West and Gilbert Stuart would command the spotlight of American portraiture, Wollaston’s true contribution lies in his role as a pioneer, introducing the delicate elegance and shimmering sophistication of the Rococo style to North America. He was more than a mere chronicler of faces; he was an ambassador of European refinement, marking one of the first instances where a truly continental artistic movement flourished across the Atlantic.

The early life of Wollaston remains shrouded in the soft mists of history, leaving much to the imagination of scholars. Born in London, he was likely the scion of a painter, though the records of his lineage are famously contested. Some accounts identify his father as John Wollaston, while others, drawing from the witty anecdotes of Horace Walpole, suggest the name was originally Woolston—a change made to mirror the era's aristocratic trend of adopting more prestigious titles. While his formal training is not documented in detail, the evidence of his skill is undeniable. The letters of Charles Willson Peale hint that Wollaston studied the intricate art of drapery with a London master, a specialty that would become his hallmark. Whether he was mentored by his father or influenced by the celebrated drapery painter Joseph van Aken, Wollaston emerged with a command over fabric and light that mirrored the finest talents of the British Rococo tradition.

A Vision of Rococo Splendor

Wollaston’s artistic identity was deeply rooted in the English Rococo, a style characterized by its lightness, grace, and an almost tactile obsession with texture. His work bears an unmistakable resemblance to the portraits of Thomas Hudson and Allan Ramsay, capturing not just the likeness of his subjects but the very essence of their social standing. He possessed a remarkable ability to render the heavy sheen of silk, the delicate lace of a collar, and the complex folds of velvet, creating a visual language of luxury that captivated the colonial elite. This mastery of drapery was not merely decorative; it served to imbue his subjects with a sense of movement and vitality, making the static medium of portraiture feel alive and breathing.

His journey across the Atlantic in 1749 marked a transformative chapter for both the artist and the colonies. Settling initially in New York City, Wollaston began a nomadic period of intense creativity, traveling along the Atlantic seaboard to bring the latest London fashions to American patrons. His presence fostered a burgeoning artistic dialogue between Britain and its colonies, establishing a precedent for stylistic experimentation that would resonate through subsequent generations. Despite his travels, Wollaston remained profoundly connected to his English roots. This steadfast identity is poignantly captured in the inscription on the back of his portrait of William Smith, Jr., where he identified himself as "Johnannes Wollaston Londoniensis," a proud declaration of his London origins amidst the American wilderness.

Historical Significance and Lasting Impact

Though his life was tragically short, ending in 1775, the impact of John Wollaston’s career remains etched in the history of early American art. He provided the colonial upper class with a visual mirror that reflected their aspirations toward European sophistication. His ability to translate the high fashion of London into the colonial context allowed for a shared cultural vocabulary between the Old and New Worlds. The following elements define his enduring historical footprint:

  • Introduction of Rococo: He was instrumental in transplanting the light, ornamental, and fabric-rich Rococo style from Europe to the American colonies.
  • Technical Mastery: His specialized skill in rendering drapery set a new standard for portraiture in North America, influencing the way texture and light were perceived by future generations of painters.
  • Cultural Bridge: Through his travels from New York through the southern colonies, he acted as a vital link in the transmission of European aesthetic values to the burgeoning American landscape.
  • Foundational Influence: By establishing a precedent for high-style portraiture, he paved the way for the later development of a distinctively American school of painting.

Today, when we look upon the works attributed to Wollaston, we see more than just portraits of the colonial past; we see the arrival of an era of elegance. His brush captured a moment in time when the colonies were beginning to dream of grandeur, and through his art, that dream was rendered in silk, lace, and light.

Alle 32 werken van John Wollaston →