Portret van Felix Nussbaum

Schilderijen van Felix Nussbaum: De 49 bekendste, door de ogen van een galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 49 werken van Felix Nussbaum in onze catalogus

Kortom

Volgens de visie van de galerie is het beroemdste schilderij van Felix Nussbaum Fish Market (1936), waarvan het origineel in het Kulturgeschichtliche Museum Osnabrück in Osnabrück hangt. Fishing Boats with Island (1933) en Loneliness (1942) maken het trio compleet dat elk oog herkent. Van de 49 werken van Felix Nussbaum in onze catalogus presenteert de galerie hieronder de 49 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1904 – 1944, Osnabrück Surrealist expressionism Meeste werken: Kulturgeschichtliche Museum Osnabrück

De top 10 schilderijen van Felix Nussbaum in de galerie

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Fishing Boats with Island (1933) door Felix Nussbaum

Fishing Boats with Island

1933 · Gouache

The water holds the light in a pale, steady grip. In this 1933 gouache on paper, the sea is a surface of calm, interrupted only by the presence of two boats. One vessel rests near the left edge, while another sits further back, drifting toward the right. Between them, two figures stand close together on the shore. They are small against the expanse, mere silhouettes of companionship amidst the blue…

5
Memory of Norderney (1929) door Felix Nussbaum

Memory of Norderney

1929 · Oil On Canvas · Kulturgeschichtliche Museum Osnabrück, Osnabrück

In the hauntingly beautiful oil on canvas, Memory of Norderney, Felix Nussbaum invites us into a world that feels simultaneously vibrant and ghostly. Painted in 1929, this large-scale masterpiece captures a moment of serene leisure, yet it is imbued with a profound sense of nostalgia that transcends its literal subject matter. The scene unfolds before a stately building, perhaps a grand hotel or a coastal mansion, characterized by its classical…

6
Entombment (also known as Organ Grinders at the Roman Forum) (1933) door Felix Nussbaum

Entombment (also known as Organ Grinders at the Roman Forum)

1933 · Oil On Canvas · Kulturgeschichtliche Museum Osnabrück, Osnabrück

This oil on canvas painting depicts the entombment of Jesus Christ. The central figure of Jesus lies at the heart of the scene, surrounded by a group of individuals. Some figures stand in close proximity to the body, while others are positioned at a distance. In the background, two men are engaged in playing musical instruments. To the left of the main group, a horse is visible, its form contributing…

Schilderijen van Felix Nussbaum, gerangschikt van 11 tot 49

11Self-Portrait in a Shroud (Group picture) (1942) door Felix NussbaumSelf-Portrait in a Shroud (Group picture)1942 · Berlinische Galerie 12Self-Portrait with Jewish Identity Card (1943) door Felix NussbaumSelf-Portrait with Jewish Identity Card1943 13Man with Flower (1939) door Felix NussbaumMan with Flower1939 14Evening (unfinished) (also known as Self Portrait with Felka Platek) (1942) door Felix NussbaumEvening (unfinished) (also known as Self Portrait with Felka Platek)1942 · Kulturgeschichtliche Museum Osnabrück 15Jaqui in the Street (1944) door Felix NussbaumJaqui in the Street1944 · Kulturgeschichtliche Museum Osnabrück 16Drawbridge across a Moorland Ditch (1927) door Felix NussbaumDrawbridge across a Moorland Ditch1927 · Kulturgeschichtliche Museum Osnabrück 17Gypsy Woman (1927) door Felix NussbaumGypsy Woman1927 · Kulturgeschichtliche Museum Osnabrück 18The Hakenhof in Kommenderiestrasse in Onasbrück (1927) door Felix NussbaumThe Hakenhof in Kommenderiestrasse in Onasbrück1927 19Men Mending Nets in a Street in Ostend (1928) door Felix NussbaumMen Mending Nets in a Street in Ostend1928 20Fairground (1925) door Felix NussbaumFairground1925 21Group Portrait (1930) door Felix NussbaumGroup Portrait1930 22Gallows (also known as Funeral) (1930) door Felix NussbaumGallows (also known as Funeral)1930 · Berlinische Galerie 23Fisherman's House (1933) door Felix NussbaumFisherman's House1933 · Kulturgeschichtliche Museum Osnabrück 24The Hurdy Gurdy Man (1931) door Felix NussbaumThe Hurdy Gurdy Man1931 · Berlinische Galerie 25Narcussus (1932) door Felix NussbaumNarcussus1932 · Kulturgeschichtliche Museum Osnabrück 26Harbor Scene (1935) door Felix NussbaumHarbor Scene1935 · Kulturgeschichtliche Museum Osnabrück 27Interior with Still Life (1935) door Felix NussbaumInterior with Still Life1935 28Landscape (also known as Tree Behind a Wall) (1935) door Felix NussbaumLandscape (also known as Tree Behind a Wall)1935 29Locomotive (1936) door Felix NussbaumLocomotive1936 · Kulturgeschichtliche Museum Osnabrück 30Man behind the Window (also known as Self Portrait after Adriaen van Ostade) (1937) door Felix NussbaumMan behind the Window (also known as Self Portrait after Adriaen van Ostade)1937 · Kulturgeschichtliche Museum Osnabrück 31Don Quixote and the Windmills (1938) door Felix NussbaumDon Quixote and the Windmills1938 · Kulturgeschichtliche Museum Osnabrück 32Dover Ferry (1935) door Felix NussbaumDover Ferry1935 · Kulturgeschichtliche Museum Osnabrück 33Nightly view from the workshop with dishcloth. (1940) door Felix NussbaumNightly view from the workshop with dishcloth.1940 34The Refugee (1939) door Felix NussbaumThe Refugee1939 35The Kitchen in Hiding (1943) door Felix NussbaumThe Kitchen in Hiding1943 · Kulturgeschichtliche Museum Osnabrück 36Man with Withered Leaf (1941) door Felix NussbaumMan with Withered Leaf1941 37Stillleben mit Schachteln (Still life with boxes) (1941) door Felix NussbaumStillleben mit Schachteln (Still life with boxes)1941 38Hurdy Gurdy Man in a Surreal Landscape (1939) door Felix NussbaumHurdy Gurdy Man in a Surreal Landscape1939 · Kulturgeschichtliche Museum Osnabrück 39Jew by the Window (1943) door Felix NussbaumJew by the Window1943 · Niedersächsisches Landesmuseum Für Kunst Und Kulturgeschichte Oldenburg 40Manikins (1943) door Felix NussbaumManikins1943 · Kulturgeschichtliche Museum Osnabrück 41Group of Three (1944) door Felix NussbaumGroup of Three1944 42Felka Platek Painting (1935) door Felix NussbaumFelka Platek Painting1935 · Jüdisches Museum Rendsburg 43In the camp (1940) door Felix NussbaumIn the camp1940 · Deutsches Historisches Museum 44Gypsy (1928) door Felix NussbaumGypsy1928 · Kulturgeschichtliche Museum Osnabrück 45Mijn moeder (1926) door Felix NussbaumMijn moeder1926 · Kulturgeschichtliche Museum Osnabrück 46Untitled (AQQJ26) door Felix NussbaumUntitled (AQQJ26) 47Masquerade (1927) door Felix NussbaumMasquerade1927 48Death Triumphant (1944) door Felix NussbaumDeath Triumphant1944 49Self-Portrait in the Camp (1940) door Felix NussbaumSelf-Portrait in the Camp1940 · Neue Galerie New York

De beroemde schilderijen van Felix Nussbaum, periode voor periode

De onderwerpen die de aandacht van Felix Nussbaum troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Felix Nussbaum worden bewaard

De 7 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Felix Nussbaum Schilderijen uit deze lijst
Kulturgeschichtliche Museum Osnabrück, OsnabrückKulturgeschichtliche Museum Osnabrück Osnabrück 21 Fish Market, Fear (also known as Self Portrait with His Niece Marianna), Memory of Norderney
Berlinische Galerie, BerlijnBerlinische Galerie Berlijn 4 The mad square, Self-Portrait in a Shroud (Group picture), Gallows (also known as Funeral)
Joods Museum Berlijn, BerlijnJoods Museum Berlijn Berlijn 2 Loneliness, Self-Portrait With Painters Cloth
Niedersächsisches Landesmuseum Für Kunst Und Kulturgeschichte Oldenburg, OldenburgNiedersächsisches Landesmuseum Für Kunst Und Kulturgeschichte Oldenburg Oldenburg 1 Jew by the Window
Jüdisches Museum Rendsburg, RendsburgJüdisches Museum Rendsburg Rendsburg 1 Felka Platek Painting
Deutsches Historisches Museum, BerlijnDeutsches Historisches Museum Berlijn 1 In the camp
Neue Galerie New York, New YorkNeue Galerie New York New York 1 Self-Portrait in the Camp

Felix Nussbaum, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Felix Nussbaum: de galerie geeft antwoord

Welk schilderij van Felix Nussbaum is het beroemdste van allemaal?Onthul het antwoord

Fish Market (1936), Kulturgeschichtliche Museum Osnabrück, Osnabrück. Fishing Boats with Island (1933) en Loneliness (1942) volgen.

Hoe oud was Felix Nussbaum bij de voltooiing van Fish Market?Onthul het antwoord

32 jaar oud: Fish Market dateert uit 1936, en Felix Nussbaum werd geboren in 1904.

Wat zijn de top 10 schilderijen van Felix Nussbaum?Onthul het antwoord

Fish Market, Fishing Boats with Island, Loneliness, Fear (also known as Self Portrait with His Niece Marianna), Memory of Norderney, Entombment (also known as Organ Grinders at the Roman Forum), Lovers, The mad square, Self-Portrait With Painters Cloth en Masks and Cat. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Felix Nussbaum gemaakt?Onthul het antwoord

Onze catalogus bevat 49 werken van Felix Nussbaum, daterend van 1925 tot 1944.

Waar hangen de beroemdste originele werken van Felix Nussbaum?Onthul het antwoord

Voornamelijk in Kulturgeschichtliche Museum Osnabrück (Osnabrück), Berlinische Galerie (Berlijn) en Joods Museum Berlijn (Berlijn). De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Felix Nussbaum de beroemdste schilderijen?Onthul het antwoord

In 1930s: 22 van de 49 werken op deze pagina werden toen gemaakt, waaronder Fish Market.

Wat zijn de vroegste en laatste beroemde werken van Felix Nussbaum?Onthul het antwoord

Op deze pagina is het vroegste Fairground (1925) en het laatste Jaqui in the Street (1944).

Welke onderwerpen keerde Felix Nussbaum het vaakst naar terug?Onthul het antwoord

People (5), Men (5) en Woman (4), verspreid over de 49 werken op deze pagina.

In welk medium werkte Felix Nussbaum het meest?Onthul het antwoord

Oil On Canvas, voor 4 van de 49 werken op deze pagina.

Bij welke stroming wordt Felix Nussbaum gerekend?Onthul het antwoord

Surrealist expressionism en New objectivity, te oordelen aan de originelen op deze pagina.

Welke originelen van Felix Nussbaum zijn in de collectie van het Kulturgeschichtliche Museum Osnabrück?Onthul het antwoord

Fish Market, Fear (also known as Self Portrait with His Niece Marianna) en Memory of Norderney: het Kulturgeschichtliche Museum Osnabrück, Osnabrück herbergt 21 van de werken op deze pagina.

Felix Nussbaum: de kunstenaar

A Life Etched in Exile: The Haunting Vision of Felix Nussbaum

Felix Nussbaum’s story is a stark and profoundly moving testament to the power of art born from unimaginable suffering. Born in Osnabrück, Germany, in 1904, his life unfolded against the backdrop of rising nationalism and escalating persecution, culminating in the horrors of the Holocaust. He wasn't simply a victim *of* history; he was an artist who meticulously documented its impact on his soul, creating a body of work that stands as both a personal lament and a universal warning. Nussbaum’s paintings offer a rare, unflinching glimpse into the psychological landscape of displacement, fear, and ultimately, annihilation – a perspective often absent from broader historical narratives. His father, Philipp Nussbaum, a World War I veteran with an early passion for painting himself, recognized and nurtured his son's talent, providing encouragement that would prove vital in the darkening years to come. This initial support fostered a lifelong dedication to art, even as political realities increasingly constricted his path.

Formative Years and Artistic Influences

Nussbaum’s artistic journey began with formal studies in Hamburg and Berlin in 1920, continuing for as long as circumstances allowed. His early work reveals a clear debt to the Post-Impressionist masters, particularly Vincent van Gogh and Henri Rousseau. The vibrant colors and expressive brushwork of these artists provided a foundation upon which Nussbaum would later build his unique style. However, he wasn’t content with mere imitation. He actively sought out new influences, drawn to the unsettling dreamscapes of Giorgio de Chirico and Carlo Carrà, pioneers of the *pittura metafisica* movement. The careful attention to color demonstrated by Carl Hofer's expressionist paintings also left a lasting impression on Nussbaum’s approach. These diverse inspirations coalesced into what would become known as his “New Objectivity” style – a blend of realism and surrealism, characterized by precise detail, unsettling compositions, and a pervasive sense of alienation. This period was marked by experimentation and growth, but the looming shadow of Nazi ideology soon threatened to extinguish his artistic promise.

The Rise of Fascism and Artistic Displacement

The ascent of the Nazis in 1933 irrevocably altered Nussbaum’s life. Studying on a scholarship in Rome at the Berlin Academy of the Arts, he witnessed firsthand the chilling pronouncements of Hitler's propaganda minister, outlining the tenets of Nazi art – glorification of heroism and the Aryan race. It became painfully clear that as a Jew, his place within the German artistic establishment was untenable. This realization forced him into exile, first to Paris and then to Belgium, where he married Felka Platek in 1937. The following decade was defined by fear and isolation. Despite finding some measure of safety, Nussbaum lived under constant threat, haunted by the knowledge of his parents’ perilous situation back in Germany. They had initially resisted his pleas to join them in exile, clinging to a misguided hope that things would improve, but ultimately returned home only to face the full force of Nazi persecution. This loss – the severing of his spiritual and financial support – deeply impacted Nussbaum's work, infusing it with an increasingly desperate and melancholic tone. He continued to paint prolifically during this period, finding solace and purpose in his art even as his world crumbled around him.

A Surrealist Vision Amidst Darkness

Nussbaum’s artistic style evolved throughout his exile, reflecting the anxieties of the era and deepening his engagement with Surrealism. Influenced by artists like René Magritte and Max Ernst, he explored themes of identity, loss, and psychological trauma—often portraying figures fragmented and distorted, mirroring the disintegration of self under oppressive conditions. His meticulous technique—characterized by layered brushstrokes and a masterful use of color—served as a conduit for conveying profound emotional depth. Works such as *Self Portrait with Jewish Identity Card* (1943) are particularly poignant, capturing the dehumanizing gaze of Nazi ideology and embodying Nussbaum’s unwavering commitment to confronting uncomfortable truths.

Legacy and Remembrance

Despite facing unimaginable hardship and ultimately succumbing to persecution in 1944—his parents murdered at Auschwitz—Felix Nussbaum's artistic legacy endures as a testament to human resilience and a chilling reminder of the horrors inflicted by totalitarian regimes. His paintings continue to inspire contemplation on themes of exile, trauma, and the importance of preserving memory. The Felix Nussbaum Haus in Osnabrück serves as a vital repository for his oeuvre, ensuring that his powerful vision—a haunting portrayal of suffering and defiance—remains accessible to future generations.