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Kortom
Van alle originele werken die Émile Bernard heeft nagelaten, is Iron Bridges at Asnières (1887) het bekendst, in de collectie van het MoMA - Museum of Modern Art, New York City. Direct daarna volgen Portrait of Marie Lemasson (1892) en Self-Portrait 1918 (1919). Onze catalogus bevat 201 werken van Émile Bernard; de galerie heeft de 100 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
Portrait du père Tanguy1887 · Kunstmuseum Basel
12
Victorine Lelopin1891 · Ackland Art Museum
13
The Wave1892 · Ackland Art Museum
14
The Salon1890 · Dallas Museum of Art
15
Confirmand's Procession1891 · Davis Museum and Cultural Center
16
The Breton wrestlers1889
17
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
18
Breton Girl with a Red Umbrella1888 · Museum of Fine Arts, Houston
19
Self-Portrait as a Troubadour1892 · National Museum of Western Art
20
The Annunciation1890 · Thyssen-Bornemisza Museum
21
Inside a Shop in Pont-Aven1887 · Thyssen-Bornemisza Museum
22
The Artist's Grandmother1887 · Museum of Fine Arts
23
Woman Sitting in a Field: Brittany1890 · Van Gogh Museum
24
Symbolic Self-Portrait1891 · Musée d'Orsay
25
Portrait of my sister Madeleine1888 · Musée Toulouse-Lautrec
26
Gaulish apple pickers1892
27
Portrait de Madame Lemasson1891
28
Death of the Knight (La Mort du cavalier)1892
29
Woman in Profile1895
30
Three Women on the Banks of a River1895
31
Fellah Women at the Bath1900 · Musée des Beaux-Arts
32
Bathing Men1904 · Musée d'Unterlinden
33
Breton Women in a Ferry Boat1900 · Museum of Art
34
Toilet of Venus1911 · Musée des Beaux-Arts
35
Woman's Head1920 · Harvard Art Museums
36
Melancholy1935 · Musée d'Art Moderne de la Ville de Paris
37
Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · Van Gogh Museum
38
Breton Women1940 · Musée d'Art Moderne de la Ville de Paris
39
Self-Portrait1888 · Barnes Foundation
40
Board decorated with tendrils and flowers1906 · Van Gogh Museum
41
Landscape at Pont-Aven with Poplars1888 · Musée de Pont-Aven
42
Still life with flowers in a jug1904 · Van Gogh Museum
43
The Adoration of the Shepherds1889 · Musée de Pont-Aven
44
Study for The Buckwheat Harvesters1888 · Musée de Pont-Aven
45
Breton Women with SeaweedIndianapolis Museum of Art
46
Funeral palls 11885 · Musée des Beaux-Arts de Quimper
47
Funeral palls 21885 · Musée des Beaux-Arts de Quimper
48
Houses in Pont-Aven1890 · Wallraf-Richartz-Museum
49
Landscape, Saint-Briac1888 · Kelvingrove Art Gallery and Museum
50
Still Life with Fruit, Cup and Pitcher1888 · Des Moines Art Center
51
Two Breton women in a meadow1886 · Van Gogh Museum
52
Boy sitting in the grass1886 · Van Gogh Museum
53
Woman Walking on the Banks of the Aven1890 · Museum of Fine Arts, Houston
54
The Cliffs at Le Pouldu1887 · Thyssen-Bornemisza Museum
55
Still Life with Fruit1890 · Art Institute of Chicago
56
House Among Trees: Pont-Aven1888 · Van Gogh Museum
57
Vase with Flowers and Cup1887 · Van Gogh Museum
58
Landscape at Pont-Aven1889 · Van Gogh Museum
59
Still Life with Flowers1887 · Norton Simon Museum
60
Brittany Landscape1888 · Norton Simon Museum
61
Still Life with Jug1890 · Gothenburg Museum of Art
62
Still Life with Teapot, Apples and Dishes1892
63
Still Life with Pears on a White Tablecloth1891
64
Catalogue for the Van Gogh Exhibition at Le Barc de Boutteville and Lottery Ticket1891
65
Springtime1892
66
Woman at Saint-Briac1886
67
Landscape, Saint Briac1889
68
Orchard at Pont Aven1886 · Musée des Beaux-Arts de Quimper
69
Still Life with Fruit and Pitcher1896
70
Still Life with Grapes1893
71
Spanish street musician and his family1897
72
Landscape, Aix-les-Bains1904 · Hood Museum of Art
73
View of Castle in Semur1905 · Tokyo Fuji Art Museum
74
Jeune Fille Sur La Colline1904 · Fine Arts Museums of San Francisco
75
Parisian WomanNational Museum of Western Art
76
2 men .... sitting in a cellar
77
Woman standing
78
On the boulevard
79
Working bretones
80
Mercury and Two Women
81
Apple picking
82
Bretons with umbrellas
83
Annunciation
84
Woman Sewing
85
Bearing apple
86
Death
87
Banquet Scene
88
Breton Peasant Women in a field
89
Street Scene
90
La Dame au Manchon (Woman with a Muff)
91
Sleep
92
Madeleine at the tree of lovePortland Museum of Art
93
Study of bretons
94
Au bord de la Marne
95
Portrait of Paul Sérusier
96
The Archer
97
Christ Carrying the Cross with Saint Veronica near him
98
Bridge at Pont-AvenDallas Museum of Art
99
Portrait of a painter in a red robe
100
Nude with a plate of cherries
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 8 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Émile Bernard | Schilderijen uit deze lijst |
|---|---|---|---|
 Van Gogh Museum |
Amsterdam | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Hastenparck | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Thyssen-Bornemisza Museum |
Madrid | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartz-Museum |
Köln | 3 | Loving Couple, Houses in Pont-Aven |
 Dallas Museum of Art |
Dallas | 3 | The Salon, Bridge at Pont-Aven |
 Musée des Beaux-Arts |
Reims | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Iron Bridges at Asnières (1887), MoMA - Museum of Modern Art, New York City. Portrait of Marie Lemasson (1892) en Self-Portrait 1918 (1919) volgen.
19 jaar oud: Iron Bridges at Asnières dateert uit 1887, en Émile Bernard werd geboren in 1868.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple en The Harvest at Saint-Briac. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 201 werken van Émile Bernard, daterend van 1885 tot 1940.
Voornamelijk in Van Gogh Museum (Amsterdam), Musée de Pont-Aven (Hastenparck) en Thyssen-Bornemisza Museum (Madrid). De bovenstaande museumtabel bevat een volledig overzicht.
In 1880s: 29 van de 100 werken op deze pagina werden toen gemaakt, waaronder Iron Bridges at Asnières.
Op deze pagina is het vroegste Funeral palls 1 (1885) en het laatste Breton Women (1940).
Women (10), People (6) en Woman (4), verspreid over de 100 werken op deze pagina.
Oil On Canvas, voor 6 van de 100 werken op deze pagina.
Post-impressionisme, te oordelen aan de originelen op deze pagina.
Self-Portrait 1918, Woman Sitting in a Field: Brittany en Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941): het Van Gogh Museum, Amsterdam herbergt 10 van de werken op deze pagina.
Ja, als reproductie: het origineel blijft in het museum, maar elk schilderij op deze pagina kan handmatig voor u worden geschilderd, op maat gemaakt, één voor één, via de eigen pagina van het schilderij.
