Portret van Edward Lear

De 100 beroemdste schilderijen van Edward Lear, elk uniek

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 419 werken van Edward Lear in onze catalogus

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Cogoleto, Italy is het schilderij van Edward Lear dat de meeste aandacht trekt. Daarna gaat de blik naar Crescenza en Blue And Yellow Macaw. Van de 419 werken van Edward Lear in onze catalogus zijn dit de 100 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.

1812 – 1888, Highgate Romanticism Meeste werken: Yale Center for British Art

Top 10 schilderijen van Edward Lear, door de ogen van de galerie

1
Cogoleto, Italy door Edward Lear

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

7
The Temple of Apollo at Bassae (1855) door Edward Lear

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

De beroemde schilderijen van Edward Lear, nummer 11 tot 100

11A Great Green Macaw door Edward LearA Great Green Macaw 12Great Sulphur Cockatoo (Plyctolophus Sulphureus) door Edward LearGreat Sulphur Cockatoo (Plyctolophus Sulphureus) 13Diano, South Of France door Edward LearDiano, South Of France 14Philae, Egypt (1863) door Edward LearPhilae, Egypt1863 · Yale Center for British Art 15The Plains of Lombardy from Monte Generoso (1880) door Edward LearThe Plains of Lombardy from Monte Generoso1880 · The Ashmolean Museum of Art and Archaeology 16Between Olavano and Civitella (1842) door Edward LearBetween Olavano and Civitella1842 · Yale Center for British Art 17Civita Castellana (1839) door Edward LearCivita Castellana1839 18De Bergen van Thermopylae (1852) door Edward LearDe Bergen van Thermopylae1852 · Bristol Museum - Art Gallery 19A Study of Ferns, Civitella (1842) door Edward LearA Study of Ferns, Civitella1842 · Yale Center for British Art 20Landscape with Goatherd (1842) door Edward LearLandscape with Goatherd1842 · Yale Center for British Art 21Temple of Venus and Roma, Rome (1840) door Edward LearTemple of Venus and Roma, Rome1840 · Yale Center for British Art 22Rome, a View of the Forum from a Terrace (1841) door Edward LearRome, a View of the Forum from a Terrace1841 23Rome, a View of the Forum with the Temple of Venus (1841) door Edward LearRome, a View of the Forum with the Temple of Venus1841 24A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) door Edward LearA View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 25A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) door Edward LearA View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 26Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) door Edward LearStudy of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 27Venosa (1852) door Edward LearVenosa1852 · Toledo Museum of Art 28Corfu from near the Village of Virós (1858) door Edward LearCorfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 29Jerusalem from the Mount of Olives (1858) door Edward LearJerusalem from the Mount of Olives1858 · Israël Museum 30Corfu from Ascension (1860) door Edward LearCorfu from Ascension1860 · Yale Center for British Art 31Corfu from Ascension (1862) door Edward LearCorfu from Ascension1862 · Yale Center for British Art 32Corfu from Santa Decca (1862) door Edward LearCorfu from Santa Decca1862 · Yale Center for British Art 33Butrinto, Albania (1861) door Edward LearButrinto, Albania1861 · Yale Center for British Art 34Zagori, Greece (1860) door Edward LearZagori, Greece1860 · Yale Center for British Art 35Masada on the Dead Sea (1858) door Edward LearMasada on the Dead Sea1858 · Fine Arts Museums of San Francisco 36View of the Ducal Palace, Massa, Northern Italy (1858) door Edward LearView of the Ducal Palace, Massa, Northern Italy1858 37View in the Campagna, Rome (with a River) (1861) door Edward LearView in the Campagna, Rome (with a River)1861 38View in the Campagna, Rome (with Ruins) (1861) door Edward LearView in the Campagna, Rome (with Ruins)1861 39View of Florence from Villa San Firenze (1862) door Edward LearView of Florence from Villa San Firenze1862 · Government Art Collection 40Corfu (1863) door Edward LearCorfu1863 41The Forest of Valdoniello, Corsica (1869) door Edward LearThe Forest of Valdoniello, Corsica1869 · Yale Center for British Art 42Denderah on the Nile (1867) door Edward LearDenderah on the Nile1867 43Feluccas on the Nile near Abu-Simbel (1867) door Edward LearFeluccas on the Nile near Abu-Simbel1867 44A Distant View of Nice from the Hills (1864) door Edward LearA Distant View of Nice from the Hills1864 45Thermopylae (1872) door Edward LearThermopylae1872 · The Ashmolean Museum of Art and Archaeology 46Kinchinjunga (1877) door Edward LearKinchinjunga1877 · Yale Center for British Art 47Campagna di Roma (1878) door Edward LearCampagna di Roma1878 48Buon Ricovero, in the Roman Campagna (1878) door Edward LearBuon Ricovero, in the Roman Campagna1878 49Kangchenjunga from Darjeeling (1879) door Edward LearKangchenjunga from Darjeeling1879 · Yale Center for British Art 50The Marble Rocks - Nerbudda Jubbolpore (1882) door Edward LearThe Marble Rocks - Nerbudda Jubbolpore1882 · Yale Center for British Art 51Argos from Mycene (1884) door Edward LearArgos from Mycene1884 52A View of Adam's Peak, Ceylon (1882) door Edward LearA View of Adam's Peak, Ceylon1882 · Government Art Collection 53Snowy Owl door Edward LearSnowy Owl 54Villa Borghese, Rome door Edward LearVilla Borghese, Rome 55Studies Of Sheep And Herdsmen door Edward LearStudies Of Sheep And Herdsmen 56Views In Rome And Its Environs 2 door Edward LearViews In Rome And Its Environs 2 57Opposite Calvi door Edward LearOpposite Calvi 58Arabs Approaching Mount Sinai door Edward LearArabs Approaching Mount Sinai 59Bocche Di Cattaro, Montenegro door Edward LearBocche Di Cattaro, Montenegro 60Palaiukhora, Crete door Edward LearPalaiukhora, Crete 61Naples, Italy door Edward LearNaples, Italy 62Katholikó Akrotiri, Crete door Edward LearKatholikó Akrotiri, Crete 63Damascus 3 door Edward LearDamascus 3 64View Of Sermoneta, Italy door Edward LearView Of Sermoneta, Italy 65Arkodyllus, Corfu door Edward LearArkodyllus, Corfu 66View Of Jerusalem 1 door Edward LearView Of Jerusalem 1 67The Monastery Of Baarlam, Meteora door Edward LearThe Monastery Of Baarlam, Meteora 68Windermere From Lowwood, Cumbria door Edward LearWindermere From Lowwood, Cumbria 69View Of Philae door Edward LearView Of Philae 70Musta, Malta door Edward LearMusta, Malta 71Modica, Sicily door Edward LearModica, Sicily 72A View Of Sorrento, Italy door Edward LearA View Of Sorrento, Italy 73Parnassus door Edward LearParnassus 74Isola Pescatore, Lake Maggiore, Italy door Edward LearIsola Pescatore, Lake Maggiore, Italy 75A View Of Santa Maura, Levkas, Ionian Islands door Edward LearA View Of Santa Maura, Levkas, Ionian Islands 76Corfu From The Hill Of Gastouri door Edward LearCorfu From The Hill Of Gastouri 77Pompey's Pillar door Edward LearPompey's Pillar 78Figures On The Shore Near Edfu door Edward LearFigures On The Shore Near Edfu 79Joannina, Epirus, Albania door Edward LearJoannina, Epirus, Albania 80Travellers On A Road, Subiaco, Italy door Edward LearTravellers On A Road, Subiaco, Italy 81The Pyramids Road door Edward LearThe Pyramids Road 82View Of Eze, Côte D'azur, France 1 door Edward LearView Of Eze, Côte D'azur, France 1 83An Arab Encampment In Wadi Feiran, Egypt door Edward LearAn Arab Encampment In Wadi Feiran, Egypt 84The Claudian Aqueduct On The Via Appia Near Rome door Edward LearThe Claudian Aqueduct On The Via Appia Near Rome 85A Distant View Of Mdina, Malta door Edward LearA Distant View Of Mdina, Malta 86Galata, Constantinople door Edward LearGalata, Constantinople 87Benares On The Ganges door Edward LearBenares On The Ganges 88Sunrise At Erment, Egypt door Edward LearSunrise At Erment, Egypt 89Porto Maurizio, Italy door Edward LearPorto Maurizio, Italy 90The Nile Above Aswan door Edward LearThe Nile Above Aswan 91A View Of Pauna, In The Ionian Islands door Edward LearA View Of Pauna, In The Ionian Islands 92View Of Ratnapura, Ceylon door Edward LearView Of Ratnapura, Ceylon 93Stairs Leading To S. Pietro In Vincoli door Edward LearStairs Leading To S. Pietro In Vincoli 94Mount Oeta And Thermopylae From Near Lamia door Edward LearMount Oeta And Thermopylae From Near Lamia 95Damascus door Edward LearDamascus 96Arabs At Mount Sinai, Egypt door Edward LearArabs At Mount Sinai, Egypt 97View Of Cythera, Greece door Edward LearView Of Cythera, Greece 98The Upper Nile, Toske, Egypt door Edward LearThe Upper Nile, Toske, Egypt 99Saffron-Coloured Aracari And Golden-Green Aracari door Edward LearSaffron-Coloured Aracari And Golden-Green Aracari 100Prince Of Wales Road, Malta door Edward LearPrince Of Wales Road, Malta

De onderwerpen die de aandacht van Edward Lear troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Edward Lear worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Edward Lear Schilderijen uit deze lijst
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondenGovernment Art Collection Londen 5 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
The Ashmolean Museum of Art and Archaeology, OxfordThe Ashmolean Museum of Art and Archaeology Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Israël Museum, JeruzalemIsraël Museum Jeruzalem 2 View of Bethlehem, Jerusalem from the Mount of Olives
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 De Bergen van Thermopylae
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Venosa
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

Edward Lear door de decennia heen: elk een uniek origineel

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Edward Lear: vragen voor de galerie

Wat is het bekendste werk van Edward Lear?Onthul het antwoord

Cogoleto, Italy. Crescenza en Blue And Yellow Macaw volgen.

Welke tien schilderijen van Edward Lear zijn het meest bekend?Onthul het antwoord

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy en Ithaca, Ionian Islands. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken van Edward Lear zijn er bekend?Onthul het antwoord

Onze catalogus bevat 419 werken van Edward Lear, daterend van 1839 tot 1884.

Waar kunnen de beroemdste originelen van Edward Lear worden bekeken?Onthul het antwoord

Voornamelijk in Yale Center for British Art (New Haven), Government Art Collection (Londen) en The Ashmolean Museum of Art and Archaeology (Oxford). De bovenstaande museumtabel bevat een volledig overzicht.

In welke periode creëerde Edward Lear de bekendste schilderijen?Onthul het antwoord

In 1860s: 14 van de 100 werken op deze pagina werden toen gemaakt, waaronder Philae, Egypt.

Welk beroemd schilderij van Edward Lear is de vroegste, en welke de laatste?Onthul het antwoord

Op deze pagina is het vroegste Civita Castellana (1839) en het laatste Argos from Mycene (1884).

Welke onderwerpen had Edward Lear de voorkeur?Onthul het antwoord

Landscape (11), Scenes (11) en Italy (11), verspreid over de 100 werken op deze pagina.

Met welke materialen schilderde Edward Lear het meest?Onthul het antwoord

Watercolor, voor 2 van de 100 werken op deze pagina.

Bij welke stroming behoort het werk van Edward Lear?Onthul het antwoord

Romanticism, te oordelen aan de originelen op deze pagina.

Welke originele werken van Edward Lear kan ik zien in het Yale Center for British Art?Onthul het antwoord

Philae, Egypt, Between Olavano and Civitella en A Study of Ferns, Civitella: het Yale Center for British Art, New Haven herbergt 14 van de werken op deze pagina.

Waar kan ik een handgeschilderde Edward Lear reproductie bestellen?Onthul het antwoord

Ja, als reproductie: het origineel blijft in het museum, maar elk schilderij op deze pagina kan handmatig voor u worden geschilderd, op maat gemaakt, één voor één, via de eigen pagina van het schilderij.

Edward Lear: een portret van de kunstenaar

A Life Painted in Nonsense and Light

Edward Lear, a name inextricably linked to whimsical verse and delightfully peculiar illustrations, was far more than simply the creator of limericks and fantastical creatures. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a chaotic yet vibrant microcosm of Victorian life – his early years were marked by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, surprisingly, ignited a lifelong passion that would propel him across continents, capturing the world in vibrant hues and playful lines. The shadow of familial difficulty – compounded by early health challenges including epilepsy and bouts of melancholia he himself termed “the Morbids” – instilled within Lear a gentle solitude and an inclination towards imaginative escape, qualities that profoundly shaped his art and writing.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic journey began with a remarkable level of precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating an extraordinary eye for detail and anatomical accuracy. This early work wasn’t merely technical; it was imbued with a deep respect for the natural world – a fascination that would become central to his later landscape paintings. His illustrations were meticulously rendered, capturing the subtle nuances of plumage and form with astonishing realism. This dedication brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures residing within his private menagerie at Knowsley Hall near Liverpool. These years spent amongst lions, tigers, and parrots weren’t just a job; they fostered a profound connection with the animal kingdom – a connection that would inform his later artistic vision. However, failing eyesight and increasingly debilitating respiratory issues eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond, seeking respite for his health and inspiration for his art. Italy became a particular haven – not just for its beauty but also for its perceived healing qualities. His landscapes, characterized by delicate watercolors and an atmospheric sensitivity, often depicted the subtle shifts of light and shadow, revealing a remarkable understanding of color and composition.

The Poet of Nonsense: A World Unbound

While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. *The Owl and the Pussy-Cat*, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery. He wasn’t simply writing jokes; he was exploring themes of loneliness, longing, and the inherent absurdity of existence – all wrapped in a veneer of whimsicality. His work challenged established poetic conventions, prioritizing playful experimentation over rigid structure.

Influences and Artistic Development

Lear's artistic development was shaped by a complex interplay of influences:
  • Early Influences: Lear’s initial training focused on scientific illustration, demanding precision and observation. This foundation instilled in him a meticulous attention to detail, which he carried through his later work.
  • Travel & Landscape Painting: His extensive travels throughout Europe and Asia profoundly influenced his landscape style. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive approach characterized by atmospheric perspective and delicate brushwork.
  • Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
  • Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

A Legacy of Innovation and Enduring Charm

Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

Alle 419 werken van Edward Lear →