Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 36 werken van Constant Permeke in onze catalogus
Kortom
Van alle originele werken die Constant Permeke heeft nagelaten, is Maternité ('Femme Ostendaise') (1913) het bekendst, in de collectie van het Museum Boijmans Van Beuningen, Rotterdam. Direct daarna volgen The Stationer (1922) en Fisherman's Wife (1920). Onze catalogus bevat 36 werken van Constant Permeke; de galerie heeft de 32 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
In Maternité ('Femme Ostendaise'), Constant Permeke centers the gaze upon a singular, intimate encounter. The composition is a tight close-up, pulling the viewer into the immediate space shared by a mother and her child. This shallow depth of field strips away the distractions of the surrounding world, leaving only the physical weight of the two figures. The mother cradles the infant, a gesture that anchors the work in the quiet…
The air in the room feels heavy, thick with the scent of damp earth and old wood. A solitary figure sits anchored at a table, caught in a moment of profound stillness. This is not a scene of movement, but one of weight. The subject, a stationer, exists within a compressed space where the boundaries between the person and their surroundings seem to blur. A large, dark pot and a…
In the painting Fisherman's Wife by Constant Permeke, the composition is dominated by a single seated woman. Positioned slightly off-center, the figure occupies much of the frame. She is dressed in dark, heavy clothing that creates a solid, weighty presence within the maritime setting. Resting in her lap is a large, light-colored basket, which provides a point of tonal contrast against the darker fabric of her garments. The subject is…
In "Pastry Stall" by Constant Permeke, a sense of density and claustrophobia settles over the scene, pulling the viewer into a crowded, intimate space. In the upper left, a man sits quietly in a chair, wearing a dark bowler hat and white clothing. His face is rendered with minimal, almost mask-like features, offering little hint of his internal thoughts as he occupies the corner of the frame. To the right,…
In the crowded, dimly lit atmosphere of Fair, a sense of heavy, communal existence takes hold. Created about 1921, this work by the Belgian painter and sculptor Constant Permeke captures a scene that feels thick with the weight of human presence. The composition pulls the viewer into a dense, claustrophobic space where figures layer upon one another, their forms rendered with a ruggedness that suggests the very grit of the…
The Man with the Jacket is a work by the Belgian artist Constant Permeke. This piece was created about 1928. The physical object is part of the permanent collection at the Royal Museum of Fine Arts Antwerp in Belgium.
In this 1925 oil painting, we find ourselves in an intimate, almost claustrophobic proximity to a solitary figure. The subject is hunched, caught in a moment of profound contemplation or prayer that feels heavy with the gravity of existence. There is a stillness here, but it is not peaceful; it is a grounded, somber stillness that commands the space. The composition is dominated by this single, central form, emerging from…
In Coffee Drinkers, Constant Permeke presents a quiet, heavy moment between two figures. The composition is tightly cropped, drawing our attention to the upper bodies of the two individuals as they sit close together. One figure is positioned with their back to us, draped in heavy, substantial fabric that anchors the left side of the frame. Facing forward is the second figure, whose features are rendered with a simplified, mask-like…
In this somber, expressive oil portrait, Saint Francis of Assisi emerges from a dark, nebulous void. The composition centers entirely on the man's face, which dominates the frame with an intense, heavy presence. Constant Permeke pulls the viewer into a direct and intimate encounter, stripping away the distractions of a background to focus solely on the psychological weight of the subject. The head occupies the space so completely that the…
Recumbent Nude is an oil painting by the Belgian artist Constant Permeke. The work was created about 1938. It depicts a single human figure in a state of repose, positioned horizontally across the composition. The subject is rendered with a focus on the sculptural volume of the body, utilizing thick, dark strokes to define the contours of the limbs and torso.
Winter Landscape1912 · Koninklijk Museum voor Schone Kunsten Antwerpen
12
Dunes1914 · Museum voor Schone Kunsten Gent
13
Ostend Harbour1913 · Museum voor Schone Kunsten Gent
14
Seascape1913 · Koninklijk Museum voor Schone Kunsten Antwerpen
15
Mer brumeuse1924
16
Woman Weeding1923 · Museum voor Schone Kunsten Gent
17
Farmhouse1928 · Museum voor Schone Kunsten Gent
18
Hay Harvest in Jabbeke1929 · Groeningemuseum
19
Summer1932
20
Landscape1931 · Koninklijk Museum voor Schone Kunsten Antwerpen
21
Village Archery1935 · Museum voor Schone Kunsten Gent
22
The Peasant1934 · Koninklijk Museum voor Schone Kunsten Antwerpen
23
Landscape1940
24
Golden Clouds1940 · Koninklijk Museum voor Schone Kunsten Antwerpen
25
Bathers1946 · Museum voor Schone Kunsten Gent
26
Young Girl1948 · Koninklijk Museum voor Schone Kunsten Antwerpen
27
Landscape in FlandersKoninklijk Museum voor Schone Kunsten Antwerpen
28
Large Blonde NudeKoninklijk Museum voor Schone Kunsten Antwerpen
29
Large LandscapeKoninklijk Museum voor Schone Kunsten Antwerpen
30
Mari lu
31
Niobe, (1951)
32
Vespers1927 · Koninklijk Museum voor Schone Kunsten Antwerpen
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 4 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Constant Permeke | Schilderijen uit deze lijst |
|---|---|---|---|
 Koninklijk Museum voor Schone Kunsten Antwerpen |
Antwerpen | 16 | Fisherman's Wife, Pastry Stall, Fair |
 Museum voor Schone Kunsten Gent |
Gent | 8 | Saint Francis of Assisi, Recumbent Nude, Dunes |
 Groeningemuseum |
Brugge | 2 | The Stationer, Hay Harvest in Jabbeke |
 Museum Boijmans Van Beuningen |
Rotterdam | 1 | Maternité ('Femme Ostendaise') |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
In Maternité ('Femme Ostendaise'), Constant Permeke centers the gaze upon a singular, intimate encounter. The composition is a tight close-up, pulling the viewer into the immediate space shared by a mother and her child. This shallow depth of field strips away the distractions of the surrounding world, leaving only the physical weight of the two figures. The mother cradles the infant, a gesture that anchors the work in the quiet…
The air in the room feels heavy, thick with the scent of damp earth and old wood. A solitary figure sits anchored at a table, caught in a moment of profound stillness. This is not a scene of movement, but one of weight. The subject, a stationer, exists within a compressed space where the boundaries between the person and their surroundings seem to blur. A large, dark pot and a…
In this somber, expressive oil portrait, Saint Francis of Assisi emerges from a dark, nebulous void. The composition centers entirely on the man's face, which dominates the frame with an intense, heavy presence. Constant Permeke pulls the viewer into a direct and intimate encounter, stripping away the distractions of a background to focus solely on the psychological weight of the subject. The head occupies the space so completely that the…
Maternité ('Femme Ostendaise') (1913), Museum Boijmans Van Beuningen, Rotterdam. The Stationer (1922) en Fisherman's Wife (1920) volgen.
27 jaar oud: Maternité ('Femme Ostendaise') dateert uit 1913, en Constant Permeke werd geboren in 1886.
Maternité ('Femme Ostendaise'), The Stationer, Fisherman's Wife, Pastry Stall, Fair, The Man with the Jacket, Woman at Prayers, Coffee Drinkers, Saint Francis of Assisi en Recumbent Nude. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 36 werken van Constant Permeke, daterend van 1912 tot 1948.
Voornamelijk in Koninklijk Museum voor Schone Kunsten Antwerpen (Antwerpen), Museum voor Schone Kunsten Gent (Gent) en Groeningemuseum (Brugge). De bovenstaande museumtabel bevat een volledig overzicht.
In 1920s: 12 van de 32 werken op deze pagina werden toen gemaakt, waaronder The Stationer.
Op deze pagina is het vroegste Winter Landscape (1912) en het laatste Young Girl (1948).
Woman (4), Bowl (3) en Umber (3), verspreid over de 32 werken op deze pagina.
Oil On Canvas, voor 7 van de 32 werken op deze pagina.
Expressionism, te oordelen aan de originelen op deze pagina.
Fisherman's Wife, Pastry Stall en Fair: het Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen herbergt 16 van de werken op deze pagina.
