Portret van Ben Nicholson

Schilderijen van Ben Nicholson: De 100 bekendste, door de ogen van een galerie

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 127 werken van Ben Nicholson in onze catalogus

Kortom

Volgens de visie van de galerie is het beroemdste schilderij van Ben Nicholson 1946 (Cerulee Abstractie) (1946), waarvan het origineel in het Pallant House Gallery in Chichester hangt. 1933 (St Rémy self portrait with Barbara Hepworth) (1933) en 1934 (painted relief) (1934) maken het trio compleet dat elk oog herkent. Van de 127 werken van Ben Nicholson in onze catalogus presenteert de galerie hieronder de 100 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1894 – 1982, Buckinghamshire Cubism Meeste werken: Kettle's Yard

De top 10 schilderijen van Ben Nicholson in de galerie

1
1946 (Cerulee Abstractie) (1946) door Ben Nicholson

1946 (Cerulee Abstractie)

1946 · Acryl op canvas · Pallant House Gallery, Chichester

Een Gebroken Harmonie van Blauw en Licht: Een Analyse van ‘1946’ door Ben Nicholson Ben Nicholson OM staat bekend om zijn baanbrekende abstracte kunstpraktijk, waarin hij natuurlijke vormen transformeerde tot geometrische composities die een prachtige balans vinden tussen eenvoud en complexiteit. Zijn werk wordt vaak beschouwd als een essentieel onderdeel van de Britse Modernistische beweging en biedt een fascinerende kijk op het artistieke denken van zijn tijd. Een bijzonder belangrijk…

3
1934 (painted relief) (1934) door Ben Nicholson

1934 (painted relief)

1934 · Acrylic On Canvas · University of Hertfordshire, North Hatley

Exploring Geometric Minimalism: Ben Nicholson’s ‘1934 (relief)’ Ben Nicholson OM's '1934 (relief)' stands as a testament to the understated elegance of geometric abstraction, embodying the spirit of mid-century modern design and inviting contemplation on form and texture. Created in 1934, this mahogany painted relief exemplifies Nicholson’s pioneering exploration of spatial relationships within simplified shapes—a deliberate departure from representational art that sought to capture the essence of experience rather than visual…

7
1932–33 (musical instruments) (1933) door Ben Nicholson

1932–33 (musical instruments)

1933 · Oil On Canvas · Kettle's Yard, Cambridge

A violin and a cello emerge from a quiet, gray landscape. They are not drawn with the soft curves of a musician's hand, but through the sharp, disciplined language of geometric abstraction. In this 1933 oil on canvas, the instruments lose their wooden warmth to become a series of intersecting planes and incised lines. The composition relies on a muted palette, where shades of gray dictate the mood, creating a…

Schilderijen van Ben Nicholson, gerangschikt van 11 tot 100

111932 (prince and princess) (1932) door Ben Nicholson1932 (prince and princess)1932 · Walker Art Gallery 12May 1956 (hendrifter) (1956) door Ben NicholsonMay 1956 (hendrifter)1956 · Arts Council Collection 13c.1922 (Balearic Islands) (1924) door Ben Nicholsonc.1922 (Balearic Islands)1924 · Kettle's Yard 141927 (Winifred and Jake) (1928) door Ben Nicholson1927 (Winifred and Jake)1928 · Pallant House Gallery 151938 (1938) door Ben Nicholson19381938 · National Gallery of Victoria 161930 (Christmas night) (1930) door Ben Nicholson1930 (Christmas night)1930 · Kettle's Yard 171925 (landschap) (1925) door Ben Nicholson1925 (landschap)1925 · Pallant House Gallery 181914 (the striped jug) (1914) door Ben Nicholson1914 (the striped jug)1914 · The Stanley - Audrey Burton Gallery 191925 (jar and goblet) (1925) door Ben Nicholson1925 (jar and goblet)1925 · Kettle's Yard 201917 (portrait of Edie) (1919) door Ben Nicholson1917 (portrait of Edie)1919 211922 (bread) (1922) door Ben Nicholson1922 (bread)1922 221944–5 (painted relief) (1945) door Ben Nicholson1944–5 (painted relief)1945 · The Pier Arts Centre 231921 c.1923 (Cortivallo, Lugano) (1923) door Ben Nicholson1921 c.1923 (Cortivallo, Lugano)1923 24c.1926 (apples) (1927) door Ben Nicholsonc.1926 (apples)1927 · Kettle's Yard 251926 (still life – L.L.) (1926) door Ben Nicholson1926 (still life – L.L.)1926 · The Ingram Collection of Modern British And Contemporary Art 261928 (three mugs and a bowl) (1928) door Ben Nicholson1928 (three mugs and a bowl)1928 · Jerwood Gallery 271923 (Castagnola) (1923) door Ben Nicholson1923 (Castagnola)1923 28Composition (1929) door Ben NicholsonComposition1929 · Dudmaston Hall 291931 (St Ives Bay sea with boats) (1931) door Ben Nicholson1931 (St Ives Bay sea with boats)1931 301932 (painting) (1932) door Ben Nicholson1932 (painting)1932 311932 (Le Quotidien) (1932) door Ben Nicholson1932 (Le Quotidien)1932 321933 (composition in black and white) (1933) door Ben Nicholson1933 (composition in black and white)1933 · Swindon Art Gallery 331929 (composition) (1929) door Ben Nicholson1929 (composition)1929 341933 (study of a head) (1933) door Ben Nicholson1933 (study of a head)1933 351931 (a decorated paint box) (1931) door Ben Nicholson1931 (a decorated paint box)1931 · Pallant House Gallery 36Jan 27 1933 (1933) door Ben NicholsonJan 27 19331933 371930 (Cumberland farm) (1930) door Ben Nicholson1930 (Cumberland farm)1930 381933 (guitar) (1933) door Ben Nicholson1933 (guitar)1933 · Kettle's Yard 391932 (crowned head the queen) (1932) door Ben Nicholson1932 (crowned head the queen)1932 · Abbot Hall Art Gallery 40c.1932 (Bistre 11) (1932) door Ben Nicholsonc.1932 (Bistre 11)1932 · Nottingham Castle Museum And Art Gallery 411929 (fireworks) (1929) door Ben Nicholson1929 (fireworks)1929 · The Pier Arts Centre 421932 (head and mug in a Greek landscape) (1932) door Ben Nicholson1932 (head and mug in a Greek landscape)1932 431934 (relief) (1934) door Ben Nicholson1934 (relief)1934 441934 project for Massine for Beethoven 7th Symphony Ballet (1934) door Ben Nicholson1934 project for Massine for Beethoven 7th Symphony Ballet1934 451936 (white relief sculpture version 1) (1936) door Ben Nicholson1936 (white relief sculpture version 1)1936 461935 (white relief) (1935) door Ben Nicholson1935 (white relief)1935 471934 project for Massine for Beethoven 7th Symphony Ballet (1934) door Ben Nicholson1934 project for Massine for Beethoven 7th Symphony Ballet1934 48circa 1936 (sculpture) (1936) door Ben Nicholsoncirca 1936 (sculpture)1936 49June 1937 (painting) (1937) door Ben NicholsonJune 1937 (painting)1937 501934 6 (painting still life) (1934) door Ben Nicholson1934 6 (painting still life)1934 511934 6 (painting still life) (1934) door Ben Nicholson1934 6 (painting still life)1934 521935 (painting) (1935) door Ben Nicholson1935 (painting)1935 · The Pier Arts Centre 531930–1936 (composition still life) (1936) door Ben Nicholson1930–1936 (composition still life)1936 · Abbot Hall Art Gallery 541934 (still life Birdie) (1934) door Ben Nicholson1934 (still life Birdie)1934 551937 (painting) (1937) door Ben Nicholson1937 (painting)1937 561934 (1st scheme for Massine ballet) (1934) door Ben Nicholson1934 (1st scheme for Massine ballet)1934 · Kettle's Yard 57Untitled (1942) door Ben NicholsonUntitled1942 581943 45 (St Ives, Cornwall) (1943) door Ben Nicholson1943 45 (St Ives, Cornwall)1943 591943 45 (St Ives, Cornwall) (1943) door Ben Nicholson1943 45 (St Ives, Cornwall)1943 601940 (Cornish Landscape) (1940) door Ben Nicholson1940 (Cornish Landscape)1940 · Bolton Museum And Art Gallery 611939–41 (winter landscape Halsetown) (1941) door Ben Nicholson1939–41 (winter landscape Halsetown)1941 · Ferens Art Gallery 621940 (painted relief plover's egg blue) (1940) door Ben Nicholson1940 (painted relief plover's egg blue)1940 631939 (painted relief) (1939) door Ben Nicholson1939 (painted relief)1939 · The Pier Arts Centre 641940–43 (two forms) (1943) door Ben Nicholson1940–43 (two forms)1943 651940–42 (two forms) (1942) door Ben Nicholson1940–42 (two forms)1942 661932–40 (still life) (1940) door Ben Nicholson1932–40 (still life)1940 · The Pier Arts Centre 67Composition, Abstract Squares (1945) door Ben NicholsonComposition, Abstract Squares1945 68December 13-17 1947 (Trendine 2) (1947) door Ben NicholsonDecember 13-17 1947 (Trendine 2)1947 · The Phillips Collection 691946 (still life - Alice through the looking ... (1946) door Ben Nicholson1946 (still life - Alice through the looking ...1946 · Art Gallery of New South Wales 70c.1943–1947 (composition abstract squares) (1947) door Ben Nicholsonc.1943–1947 (composition abstract squares)1947 711944–45 (painted relief Arabian desert) (1945) door Ben Nicholson1944–45 (painted relief Arabian desert)1945 721945 (still life) (1945) door Ben Nicholson1945 (still life)1945 731946 (composition, still life) (1946) door Ben Nicholson1946 (composition, still life)1946 74Exhibition Sign (1933) door Ben NicholsonExhibition Sign1933 · Kettle's Yard 7514 March 1947 (still life – spotted curtain) (1947) door Ben Nicholson14 March 1947 (still life – spotted curtain)1947 76c.1946–1947 (3 circles) (1947) door Ben Nicholsonc.1946–1947 (3 circles)1947 · The Pier Arts Centre 771945 (2 circles) (1945) door Ben Nicholson1945 (2 circles)1945 · The Pier Arts Centre 78March 17 1950 (still life) (1950) door Ben NicholsonMarch 17 1950 (still life)1950 · The Phillips Collection 791950 (still life Dolomites) (1950) door Ben Nicholson1950 (still life Dolomites)1950 801950 (still life) (1950) door Ben Nicholson1950 (still life)1950 811946–50 (still life) (1950) door Ben Nicholson1946–50 (still life)1950 82Still Life (1950) door Ben NicholsonStill Life1950 · MAM Rio 83February 1955 (talisman) (1955) door Ben NicholsonFebruary 1955 (talisman)1955 · The Phillips Collection 84Four Squares, Two Circles (1963) door Ben NicholsonFour Squares, Two Circles1963 · Dudmaston Hall 851966 (Zennor Quoit 2) (1966) door Ben Nicholson1966 (Zennor Quoit 2)1966 · The Phillips Collection 86Dordogne No. 4 (1967) door Ben NicholsonDordogne No. 41967 · Israël Museum 871969 (Holkham Sands No. 1) (1969) door Ben Nicholson1969 (Holkham Sands No. 1)1969 881967 8 (relief) (1968) door Ben Nicholson1967 8 (relief)1968 891933 (design) (1933) door Ben Nicholson1933 (design)1933 · Laing Art Gallery 901945 (still life with flag) (1945) door Ben Nicholson1945 (still life with flag)1945 · The Ashmolean Museum of Art and Archaeology 911928 (foothills, Cumberland) (1928) door Ben Nicholson1928 (foothills, Cumberland)1928 921932 (Talc de Coty) (1932) door Ben Nicholson1932 (Talc de Coty)1932 · The Pier Arts Centre 93c.1930 (framed lid) (1930) door Ben Nicholsonc.1930 (framed lid)1930 · Pallant House Gallery 94November 3 1950 (still life winter) (1950) door Ben NicholsonNovember 3 1950 (still life winter)1950 · The Phillips Collection 95March 1949 (Trencrom) (1949) door Ben NicholsonMarch 1949 (Trencrom)1949 · British Council Collection 96c.1928 (Cumbrian landscape) (1928) door Ben Nicholsonc.1928 (Cumbrian landscape)1928 · Kettle's Yard 97August 1956 (Val d'Orcia) (1956) door Ben NicholsonAugust 1956 (Val d'Orcia)1956 · Tate Modern 981946 (venster in Cornwall) (1946) door Ben Nicholson1946 (venster in Cornwall)1946 · The Whitworth 99date unknown (king III) door Ben Nicholsondate unknown (king III)Pallant House Gallery 1001926 (still life with fruit – version 2) (1926) door Ben Nicholson1926 (still life with fruit – version 2)1926 · British Council Collection

De beroemde schilderijen van Ben Nicholson, periode voor periode

De onderwerpen die de aandacht van Ben Nicholson troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Ben Nicholson worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Ben Nicholson Schilderijen uit deze lijst
Kettle's Yard, CambridgeKettle's Yard Cambridge 17 1932–33 (musical instruments), c.1922 (Balearic Islands), 1930 (Christmas night)
The Pier Arts Centre, StromnessThe Pier Arts Centre Stromness 9 1944–5 (painted relief), 1929 (fireworks), 1935 (painting)
Pallant House Gallery, ChichesterPallant House Gallery Chichester 8 1946 (Cerulee Abstractie), 1927 (Winifred and Jake), 1925 (landschap)
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 5 December 13-17 1947 (Trendine 2), March 17 1950 (still life), February 1955 (talisman)
British Council Collection, LondenBritish Council Collection Londen 4 March 1949 (Trencrom), 1926 (still life with fruit – version 2)
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 3 1932 (crowned head the queen), 1930–1936 (composition still life)
Dudmaston HallDudmaston Hall 2 Composition, Four Squares, Two Circles
Arts Council Collection, LondenArts Council Collection Londen 3 May 1956 (hendrifter)

Ben Nicholson, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Ben Nicholson: de galerie geeft antwoord

Welk schilderij van Ben Nicholson is het beroemdste van allemaal?Onthul het antwoord

1946 (Cerulee Abstractie) (1946), Pallant House Gallery, Chichester. 1933 (St Rémy self portrait with Barbara Hepworth) (1933) en 1934 (painted relief) (1934) volgen.

Hoe oud was Ben Nicholson bij de voltooiing van 1946 (Cerulee Abstractie)?Onthul het antwoord

52 jaar oud: 1946 (Cerulee Abstractie) dateert uit 1946, en Ben Nicholson werd geboren in 1894.

Wat zijn de top 10 schilderijen van Ben Nicholson?Onthul het antwoord

1946 (Cerulee Abstractie), 1933 (St Rémy self portrait with Barbara Hepworth), 1934 (painted relief), 1928 (Walton Wood cottage no.1), 1948 (still life), 1924 (first abstract painting, Chelsea), 1932–33 (musical instruments), 1932 (Au Chat Botté), Jan 27 1933 en 1932 (Auberge de la Sole Dieppoise). De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Ben Nicholson gemaakt?Onthul het antwoord

Onze catalogus bevat 127 werken van Ben Nicholson, daterend van 1914 tot 1969.

Waar hangen de beroemdste originele werken van Ben Nicholson?Onthul het antwoord

Voornamelijk in Kettle's Yard (Cambridge), The Pier Arts Centre (Stromness) en Pallant House Gallery (Chichester). De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Ben Nicholson de beroemdste schilderijen?Onthul het antwoord

In 1930s: 40 van de 100 werken op deze pagina werden toen gemaakt, waaronder 1933 (St Rémy self portrait with Barbara Hepworth).

Wat zijn de vroegste en laatste beroemde werken van Ben Nicholson?Onthul het antwoord

Op deze pagina is het vroegste 1914 (the striped jug) (1914) en het laatste 1969 (Holkham Sands No. 1) (1969).

Welke onderwerpen keerde Ben Nicholson het vaakst naar terug?Onthul het antwoord

Geometric shapes (10), British art (6) en Abstract (6), verspreid over de 100 werken op deze pagina.

In welk medium werkte Ben Nicholson het meest?Onthul het antwoord

Oil On Canvas, voor 14 van de 100 werken op deze pagina.

Bij welke stroming wordt Ben Nicholson gerekend?Onthul het antwoord

Cubism, te oordelen aan de originelen op deze pagina.

Welke originelen van Ben Nicholson zijn in de collectie van het Kettle's Yard?Onthul het antwoord

1932–33 (musical instruments), c.1922 (Balearic Islands) en 1930 (Christmas night): het Kettle's Yard, Cambridge herbergt 9 van de werken op deze pagina.

Ben Nicholson: de kunstenaar

Ben Nicholson OM: A Life in Abstract Art

Ben Nicholson OM (1894–1982) was a British painter and sculptor whose groundbreaking exploration of abstraction revolutionized the landscape of modern British art. Born Benjamin Lauder Nicholson at Denham, Buckinghamshire, he descended from a family steeped in artistic tradition – his father, Sir William Nicholson, and mother, Mabel Pryde, were both accomplished painters—a lineage that profoundly shaped his own creative trajectory.

Early Life and Artistic Training

Nicholson’s formative years were marked by rigorous academic pursuits. He attended Tyttenhangar Lodge Preparatory School in Seaford, Heddon Court in Hampstead, and Gresham's School in Holt, Norfolk, imbibing a foundational understanding of artistic principles. His formal education culminated at the Slade School of Fine Art (1910–1911), where he forged connections with fellow artists like Paul Nash, Stanley Spencer, Mark Gertler, and Edward Wadsworth—artists who would become pivotal companions in his artistic journey. Anecdotally, Nicholson spent considerable time engrossed in billiards during this period, perceiving within the game’s geometric patterns and dynamic movement a latent aesthetic potential.

Artistic Development and Influences

Nicholson's initial artistic endeavors leaned towards naturalistic still lifes, mirroring his father’s stylistic sensibilities. However, around 1926, he embarked on a transformative voyage into abstraction, decisively influenced by Synthetic Cubism and the pioneering work of Pablo Picasso. This pivotal shift wasn’t merely stylistic; it represented a fundamental reimagining of artistic expression. Further enriching his artistic vision were encounters with Piet Mondrian—whose reductive geometric style championed clarity and order—and Henri Rousseau—whose primitivist approach rekindled an appreciation for raw emotion and instinctive representation. These influences coalesced into a distinctive aesthetic language that would characterize Nicholson’s subsequent oeuvre. He became deeply involved with movements like the Seven and Five Society, Unit One, and Abstraction-Création, actively participating in dialogues about artistic innovation and redefining boundaries within British art.

Major Works and Artistic Style

Nicholson's legacy rests primarily upon his monumental relief sculptures—beginning in 1933—which fused painting with sculptural elements to create immersive visual experiences. The white reliefs of the mid-1930s stand as emblems of Nicholson’s artistic achievement, embodying a masterful synthesis of form and color. Alongside these ambitious undertakings, he produced compelling still lifes and landscapes that incorporated geometric forms and muted palettes—demonstrating his versatility as an artist. Notably, “The Nicholson Wall,” commissioned for Sutton Place in Guildford, Surrey, served as a testament to his conviction that abstract art should transcend elitism and engage a broader audience. He experimented extensively with materials – oil paint, pencil, gravel, masonite – combining them in inventive ways to achieve unprecedented textural and chromatic effects.

Legacy and Historical Significance

Ben Nicholson is recognized as an indispensable figure in modern British art—a catalyst for abstraction and relief sculpture—whose work garnered international acclaim and cemented his place among the foremost artists of his time. Exhibitions at prestigious venues such as the Venice Biennale and retrospectives at major museums worldwide underscored his enduring artistic significance. He received numerous accolades, including the Order of Merit in 1968, acknowledging his contribution to British culture. Nicholson’s paintings command considerable prices at auction—reflecting their intrinsic artistic merit and historical importance; “Sept 53 (Balearic)” fetched $1,650,500 at Christie's New York in 2011, while “Fiddle and Spanish Guitar” achieved €3,313,000 at Christie’s Paris in 2012. Generations of artists have drawn inspiration from Nicholson’s pioneering approach to abstraction—his unwavering dedication to exploring form and space—establishing him as a cornerstone of artistic innovation.

Alle 127 werken van Ben Nicholson →