Portret van Anders Zorn

Schilderijen van Anders Zorn: De 100 bekendste, door de ogen van een galerie

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 340 werken van Anders Zorn in onze catalogus

Kortom

Volgens de visie van de galerie is het beroemdste schilderij van Anders Zorn Self-portrait (1882), waarvan het origineel in het Nationalmuseum in Stockholm hangt. Isabella Stewart Gardner in Venice (1894) en Junikväll (Evening in June) maken het trio compleet dat elk oog herkent. Van de 340 werken van Anders Zorn in onze catalogus presenteert de galerie hieronder de 100 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1860 – 1920, Mora Impressionistic painting Meeste werken: Nationalmuseum

De top 10 schilderijen van Anders Zorn in de galerie

1
Self-portrait (1882) door Anders Zorn

Self-portrait

1882 · Acrylic On Canvas · Nationalmuseum, Stockholm

Anders Leonard Zorn’s “Self-Portrait,” painted in 1882, isn't merely a likeness; it’s an intimate revelation, a carefully constructed glimpse into the mind and spirit of one of Sweden’s most celebrated artists. Executed in delicate watercolor on paper, this work transcends the typical self-portraiture of its time, offering not just a visual representation but a profound meditation on identity, observation, and the artist's own place within the world. The painting captures…

2
Isabella Stewart Gardner in Venice (1894) door Anders Zorn

Isabella Stewart Gardner in Venice

1894 · Acrylic On Canvas · Isabella Stewart Gardner Museum, Boston

Anders Leonard Zorn's "Isabella Stewart Gardner in Venice," painted in 1894, isn’t merely a portrait; it’s an exquisitely rendered distillation of memory, movement, and the enduring allure of Venetian light. The painting captures not just a likeness of the American socialite Isabella Stewart Gardner – a woman renowned for her passionate collecting and transformative influence on Boston's Museum of Fine Arts – but also a feeling, a fleeting moment suspended…

4
Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900) door Anders Zorn

Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)

1900 · Oil On Canvas · Metropolitan Museum of Art, New York

Anders Leonard Zorn’s “Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)” is more than just a portrait; it's a window into the life of a remarkable woman and a testament to her profound impact on the world of music. Painted in 1900, this oil-on-canvas masterpiece captures Mary Elizabeth Adams Brown – a philanthropist whose dedication resulted in one of the most significant collections of musical instruments housed at The Metropolitan…

5
Ida by the Window (1908) door Anders Zorn

Ida by the Window

1908 · Oil On Canvas

Anders Zorn painted Ida by the Window in 1908. The subject of this work is Ida, who held the position of housekeeper at the artist's home in Mora. She is depicted standing before a window, wearing a green dress and a white scarf around her neck. Her hands rest on her hips as she gazes outward. In the background, two other figures are visible, one positioned on the left side…

6
Valsen door Anders Zorn

Valsen

Oil On Canvas

, also known as The Waltz, is an oil painting by the Swedish artist Anders Zorn. Executed in 1891, the work captures a moment of movement within a social setting. The piece is recognized by both its original title and its English translation.

7
Vallkulla door Anders Zorn

Vallkulla

Etching

Vallkulla is an etching produced by the Swedish artist Anders Zorn. This work originated in Sweden and was created in 1912. The piece is classified within the category of prints, etchings, and works on paper. It is a specific example of the artist's output during this period of his career.

8
Halsey Cooley Ives (1894) door Anders Zorn

Halsey Cooley Ives

1894 · Oil On Canvas · Saint Louis Art Museum, Saint Louis

The room feels quiet, heavy with the weight of a man’s presence. Halsey Cooley Ives sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward an unseen point beyond the frame. There is a profound sense of stillness here, as if the air itself has paused to respect his contemplation. He is a man of substance, draped in a dark suit that seems to absorb…

9
Portrait Study of a Man (1901) door Anders Zorn

Portrait Study of a Man

1901 · Oil On Canvas · Art Institute of Chicago, Chicago

The man sits in a quiet, heavy stillness, his gaze meeting the viewer with a steady and direct intensity. Light spills from the upper left, catching the ridge of his forehead and the edge of a hand, while the rest of his form retreats into deep, charcoal shadows. There is a profound sense of introspection here, as if he has just paused mid-thought to acknowledge an unexpected presence in the…

10
Charles Nagel (1901) door Anders Zorn

Charles Nagel

1901 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

In this 1901 oil on canvas, we encounter Charles Nagel not as a mere likeness, but as a study in quiet dignity. The subject is positioned in a bust-length composition, his gaze meeting ours with a serious, steady expression that suggests a life of intellect and weight. There is a certain gravity to his posture, an unhurried stillness that commands the space around him. The lighting is handled with a…

Schilderijen van Anders Zorn, gerangschikt van 11 tot 100

11Nude Girl in Doorway (1900) door Anders ZornNude Girl in Doorway1900 · Art Institute of Chicago 12The Artist's Wife (1889) door Anders ZornThe Artist's Wife1889 · Nationalmuseum 13Maria Sheldon Scammon (1895) door Anders ZornMaria Sheldon Scammon1895 · Art Institute of Chicago 14Girl from Dalecarlia knitting. Cabbage Margit (1901) door Anders ZornGirl from Dalecarlia knitting. Cabbage Margit1901 · Nationalmuseum 15Castles in the Air (1885) door Anders ZornCastles in the Air1885 · Nationalmuseum 16Mefisto Consul Dahlander (1884) door Anders ZornMefisto Consul Dahlander1884 · Nationalmuseum 17Midsummer Dance (1897) door Anders ZornMidsummer Dance1897 18Frileuse (1894) door Anders ZornFrileuse1894 · Prince Eugens Waldemarsudde 19Marie Cohn (1900) door Anders ZornMarie Cohn1900 20Röd sand door Anders ZornRöd sand 21A Woman in a Forest (1907) door Anders ZornA Woman in a Forest1907 22Badande kullor i bastun door Anders ZornBadande kullor i bastunNationalmuseum 23A Kitchen Maid (1919) door Anders ZornA Kitchen Maid1919 24The Omnibus (1892) door Anders ZornThe Omnibus1892 · Isabella Stewart Gardner Museum 25Abram Piatt Andrew, Jr. (1911) door Anders ZornAbram Piatt Andrew, Jr.1911 · Isabella Stewart Gardner Museum 26Isabella Stewart Gardner in Venice (1894) door Anders ZornIsabella Stewart Gardner in Venice1894 · Isabella Stewart Gardner Museum 27Nelson Wilmarth Aldrich (1913) door Anders ZornNelson Wilmarth Aldrich1913 · National Portrait Gallery 28A Young Farm Girl (1880) door Anders ZornA Young Farm Girl1880 · Nationalmuseum 29Love nymph (1884) door Anders ZornLove nymph1884 · Nationalmuseum 30The Love Nymph (1885) door Anders ZornThe Love Nymph1885 31Model Study (1879) door Anders ZornModel Study1879 · Thiel Gallery 32I vardinnans tradgard (1882) door Anders ZornI vardinnans tradgard1882 33Neglected (1884) door Anders ZornNeglected1884 34Portrait of a boy (1881) door Anders ZornPortrait of a boy1881 35The Bathers (1889) door Anders ZornThe Bathers1889 · Zorn Collections 36Bedouin Girl (1886) door Anders ZornBedouin Girl1886 37Study of a Nude (1891) door Anders ZornStudy of a Nude1891 · Nationalmuseum 38Viktor Rydberg (1890) door Anders ZornViktor Rydberg1890 39Woman of Paris (1887) door Anders ZornWoman of Paris1887 40Country festival (1890) door Anders ZornCountry festival1890 · Pushkin Staatsmuseum voor Schone Kunsten 41Gunnlöd (1886) door Anders ZornGunnlöd1886 · Nationalmuseum 42Bedouin Girl (1886) door Anders ZornBedouin Girl1886 · Nationalmuseum 43Zorn and his Wife (1890) door Anders ZornZorn and his Wife1890 44Opal (1891) door Anders ZornOpal1891 45The Tub (1888) door Anders ZornThe Tub1888 46Joseph-Ernest Renan (1892) door Anders ZornJoseph-Ernest Renan1892 47William B. Ogden (1895) door Anders ZornWilliam B. Ogden1895 · Wadsworth Atheneum 48In the Skerries (1894) door Anders ZornIn the Skerries1894 49After the Bath (1895) door Anders ZornAfter the Bath1895 · Nationalmuseum 50Untitled (AQQLR2) (1898) door Anders ZornUntitled (AQQLR2)1898 51Untitled (AQQLQE) (1898) door Anders ZornUntitled (AQQLQE)1898 · Harvard Art Museums 52Nude in Fire Light (1904) door Anders ZornNude in Fire Light1904 53By Lake Siljan (1905) door Anders ZornBy Lake Siljan1905 · Nationalmuseum 54On the Rock (1904) door Anders ZornOn the Rock1904 · Thiel Gallery 55In the Loft (1904) door Anders ZornIn the Loft1904 · Thiel Gallery 56Charles Tracy Barney (1850–1907) (1904) door Anders ZornCharles Tracy Barney (1850–1907)1904 · New York Historical Society 57Samuel Untermyer (1858–1940) (1901) door Anders ZornSamuel Untermyer (1858–1940)1901 · New York Historical Society 58Mrs. Grover Cleveland (1899) door Anders ZornMrs. Grover Cleveland1899 · Isabella Stewart Gardner Museum 59Ida (1905) door Anders ZornIda1905 60Madonna (1900) door Anders ZornMadonna1900 61Self-Portrait (1907) door Anders ZornSelf-Portrait1907 62Portrait of Andrew Carnegie, Esq. (1911) door Anders ZornPortrait of Andrew Carnegie, Esq.1911 · Carnegie Museum of Art 63Gopsmor (1910) door Anders ZornGopsmor1910 · National Museum of Fine Arts 64Wet (1910) door Anders ZornWet1910 · Metropolitan Museum of Art 65In Santaham (1906) door Anders ZornIn Santaham1906 66The Hinds (1908) door Anders ZornThe Hinds1908 67The Painter Bruno Liljefors (1906) door Anders ZornThe Painter Bruno Liljefors1906 · Nationalmuseum 68The Awakening (1906) door Anders ZornThe Awakening1906 69Ingeborg (1907) door Anders ZornIngeborg1907 70Untitled (AQQLQL) (1908) door Anders ZornUntitled (AQQLQL)1908 71Untitled (AQQLRE) (1906) door Anders ZornUntitled (AQQLRE)1906 · National Portrait Gallery of Sweden 72Hilma Herikson (1908) door Anders ZornHilma Herikson1908 73Fourteen Years Old I Believe I Was (1916) door Anders ZornFourteen Years Old I Believe I Was1916 74The Shy Model (1917) door Anders ZornThe Shy Model1917 · Finnish National Gallery 75Archipelago flower (1916) door Anders ZornArchipelago flower1916 76Agnes Branting (1862-1930), textile artist, textile researcher (1912) door Anders ZornAgnes Branting (1862-1930), textile artist, textile researcher1912 · National Portrait Gallery of Sweden 77At the Bathtub (1914) door Anders ZornAt the Bathtub1914 · Thiel Gallery 78Vid badkaret (1915) door Anders ZornVid badkaret1915 79The lumber moves (1916) door Anders ZornThe lumber moves1916 80Helga (1917) door Anders ZornHelga1917 81The two (1916) door Anders ZornThe two1916 82Bust (1916) door Anders ZornBust1916 83Ols-Maria in the Kuvådörren (1918) door Anders ZornOls-Maria in the Kuvådörren1918 84Jollen (1918) door Anders ZornJollen1918 85red stocking (1920) door Anders Zornred stocking1920 86The Flea (1918) door Anders ZornThe Flea1918 87Against The Current (1919) door Anders ZornAgainst The Current1919 88Vicke (1918) door Anders ZornVicke1918 89Mrs Henriette Lamm door Anders ZornMrs Henriette LammNationalmuseum 90Untitled (AQQLRN) (1918) door Anders ZornUntitled (AQQLRN)1918 91Grover Cleveland (1899) door Anders ZornGrover Cleveland1899 92Edward R. Bacon (1846–1915) (1897) door Anders ZornEdward R. Bacon (1846–1915)1897 · Metropolitan Museum of Art 93A Musical Family (1905) door Anders ZornA Musical Family1905 · Nationalmuseum 94A Portrait Of Christian De Falbe, With A Saint Bernard At Luton Hoo door Anders ZornA Portrait Of Christian De Falbe, With A Saint Bernard At Luton Hoo 95Mrs. Morewood (1883) door Anders ZornMrs. Morewood1883 · Suomen Kansallisgalleria 96Untitled (AQQLRU) (2015) door Anders ZornUntitled (AQQLRU)2015 97Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862 1919) (1897) door Anders ZornMrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862 1919)1897 98Bruden (The Bride) door Anders ZornBruden (The Bride)Nationalmuseum 99Mrs. Potter Palmer (1893) door Anders ZornMrs. Potter Palmer1893 · Art Institute of Chicago 100The Schwartz Girls (1889) door Anders ZornThe Schwartz Girls1889 · Louvre

De onderwerpen die de aandacht van Anders Zorn troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Anders Zorn worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Anders Zorn Schilderijen uit deze lijst
Nationalmuseum, StockholmNationalmuseum Stockholm 35 Self-portrait, The Artist's Wife, Girl from Dalecarlia knitting. Cabbage Margit
Isabella Stewart Gardner Museum, BostonIsabella Stewart Gardner Museum Boston 8 Isabella Stewart Gardner in Venice, The Omnibus, Abram Piatt Andrew, Jr.
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 5 Portrait Study of a Man, Nude Girl in Doorway, Maria Sheldon Scammon
Thiel Gallery, StockholmThiel Gallery Stockholm 5 Model Study, On the Rock, In the Loft
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 5 Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Wet, Edward R. Bacon (1846–1915)
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 3 Charles Nagel, Nelson Wilmarth Aldrich
New York Historical Society, New York CityNew York Historical Society New York City 2 Charles Tracy Barney (1850–1907), Samuel Untermyer (1858–1940)
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 2 Untitled (AQQLRE), Agnes Branting (1862-1930), textile artist, textile researcher

Anders Zorn, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Anders Zorn: de galerie geeft antwoord

Welk schilderij van Anders Zorn is het beroemdste van allemaal?Onthul het antwoord

Self-portrait (1882), Nationalmuseum, Stockholm. Isabella Stewart Gardner in Venice (1894) en Junikväll (Evening in June) volgen.

Hoe oud was Anders Zorn bij de voltooiing van Self-portrait?Onthul het antwoord

22 jaar oud: Self-portrait dateert uit 1882, en Anders Zorn werd geboren in 1860.

Wat zijn de top 10 schilderijen van Anders Zorn?Onthul het antwoord

Self-portrait, Isabella Stewart Gardner in Venice, Junikväll (Evening in June), Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Ida by the Window, Valsen, Vallkulla, Halsey Cooley Ives, Portrait Study of a Man en Charles Nagel. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Anders Zorn gemaakt?Onthul het antwoord

Onze catalogus bevat 340 werken van Anders Zorn, daterend van 1879 tot 1920.

Waar hangen de beroemdste originele werken van Anders Zorn?Onthul het antwoord

Voornamelijk in Nationalmuseum (Stockholm), Isabella Stewart Gardner Museum (Boston) en Art Institute of Chicago (Chicago). De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Anders Zorn de beroemdste schilderijen?Onthul het antwoord

In 1900s: 26 van de 100 werken op deze pagina werden toen gemaakt, waaronder Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918).

Wat zijn de vroegste en laatste beroemde werken van Anders Zorn?Onthul het antwoord

Op deze pagina is het vroegste Model Study (1879) en het laatste red stocking (1920).

Welke onderwerpen keerde Anders Zorn het vaakst naar terug?Onthul het antwoord

Woman (20), Portrait (15) en Man (8), verspreid over de 100 werken op deze pagina.

In welk medium werkte Anders Zorn het meest?Onthul het antwoord

Oil On Canvas, voor 25 van de 100 werken op deze pagina.

Bij welke stroming wordt Anders Zorn gerekend?Onthul het antwoord

Impressionistic painting, te oordelen aan de originelen op deze pagina.

Welke originelen van Anders Zorn zijn in de collectie van het Nationalmuseum?Onthul het antwoord

Self-portrait, The Artist's Wife en Girl from Dalecarlia knitting. Cabbage Margit: het Nationalmuseum, Stockholm herbergt 17 van de werken op deze pagina.

Anders Zorn: de kunstenaar

A Swedish Master of Light and Life: The World of Anders Zorn

Anders Leonard Zorn, a name synonymous with vibrant Impressionism and masterful portraiture, stands as Sweden’s most celebrated artist. Born in 1860 amidst the rustic beauty of Dalarna, his journey from humble beginnings to international acclaim is a testament to raw talent nurtured by relentless dedication. Unlike many artists who sought formal training within established circles, Zorn's early education was rooted in the practicalities of rural life and an innate artistic sensibility that blossomed even before entering the Royal Swedish Academy of Arts at the remarkably young age of twelve. His childhood on his grandparents’ farm instilled a deep connection to the land and its people—a theme that would resonate throughout his oeuvre, particularly in his evocative depictions of Swedish peasant life. This early exposure wasn't merely about subject matter; it was about capturing a way of being, an authenticity that infused his work with a unique emotional depth.

From Watercolors to International Recognition

Zorn’s initial artistic explorations centered on watercolors, a medium he mastered with astonishing speed and skill. He quickly gained recognition for his ability to capture fleeting moments of light and atmosphere, particularly in scenes depicting everyday life. A pivotal moment arrived with “In Mourning” (1880), a watercolor portrait that showcased his remarkable sensitivity and technical prowess. This work propelled him onto the art scene, attracting commissions from Stockholm’s elite and setting the stage for an international career. He embarked on extensive travels throughout Europe—London, Paris, Spain—and eventually to the United States, where he found immense success as a portraitist. His ability to distill the essence of his sitters, whether royalty like King Oscar II or American presidents Grover Cleveland, William H. Taft, and Theodore Roosevelt, earned him widespread admiration. Zorn didn’t simply paint likenesses; he captured character, intellect, and even a hint of the soul. This talent wasn't accidental—it stemmed from an acute observational skill honed through years of studying human form and expression. He was known for his ability to capture not just physical appearance but also the subtle nuances of personality that revealed a subject’s inner world.

A Synthesis of Influences and Artistic Development

While Zorn’s style is often categorized as Impressionistic, it was far from a simple imitation of French trends. He absorbed influences from various sources, blending them into a uniquely personal vision. The luminosity of Spanish masters like Velázquez resonated in his handling of light and shadow, while the directness and realism of Scandinavian naturalism informed his approach to subject matter. His time spent with artists like Albert Edelfelt in Paris exposed him to new ideas and techniques, but he always remained true to his own artistic instincts. A crucial turning point came when Zorn began experimenting with oil painting in the late 1880s. This allowed him to achieve a greater richness of color and texture, further enhancing the vibrancy and immediacy of his work. He embraced a limited palette, focusing on achieving maximum impact through subtle variations in tone and hue—a technique that became a hallmark of his style. His paintings from this period, such as “A Fisherman in St Ives,” demonstrate a newfound confidence and mastery of the medium. Zorn’s meticulous attention to detail, combined with his loose brushwork and vibrant color choices, created an effect that was both realistic and dreamlike—capturing the essence of a moment while simultaneously inviting the viewer into its emotional landscape.

The Subjects of His Vision: People and Landscapes

Zorn's oeuvre is remarkably diverse, encompassing portraits, genre scenes depicting peasant life, landscapes, and even nudes. However, certain recurring themes tie his work together. He was deeply fascinated by the lives of ordinary people—farmers, fishermen, women at their spinning wheels, children playing—and he sought to portray them with honesty and empathy. His depictions of Swedish rural life are particularly poignant, capturing the dignity and resilience of a culture facing rapid modernization. He wasn’t interested in romanticizing poverty or idealizing peasant life; instead, he presented it as it was – with its hardships, joys, and quiet beauty. Similarly, his landscapes—often featuring shimmering lakes and rolling hills—were not merely scenic representations but imbued with a sense of atmosphere and emotion. He frequently painted the same subjects at different times of day and year, demonstrating his ability to capture the ever-changing qualities of light and color. His portraits, too, were far more than simple likenesses; they were intimate studies of character, revealing the inner lives of his sitters through subtle gestures, expressions, and poses.

Legacy and Enduring Impact

Anders Zorn’s influence extends far beyond his stunning body of work. He was not only a gifted artist but also a dedicated patron of the arts, establishing the Bellman Prize in 1920—a prestigious literary award for Swedish poets that continues to be awarded today. This act underscores his commitment to fostering creativity and supporting cultural expression within his homeland. His paintings are now held in prominent museums worldwide, including the Nationalmuseum in Stockholm, the Musée d'Orsay in Paris, and the Metropolitan Museum of Art in New York. The Zorn Collections in Mora, Sweden—comprising Zorngården, Zorn Museum, Gammelgård, and Gopsmor—serve as a lasting tribute to his life and legacy, offering visitors an intimate glimpse into his world. Zorn’s ability to capture the beauty of everyday life, combined with his technical brilliance and unwavering artistic vision, cemented his place as one of the most important artists of his generation. He remains a source of inspiration for artists today, a testament to the enduring power of light, color, and human connection in art. His work continues to resonate with audiences worldwide, reminding us of the beauty that can be found in both the grand and the mundane.