Portret van Robert Smithson

Schilderijen van Robert Smithson: De 4 bekendste, door de ogen van een galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 6 werken van Robert Smithson in onze catalogus

Kortom

Volgens de visie van de galerie is het beroemdste schilderij van Robert Smithson Non Site - Site Uncertain, waarvan het origineel in het Detroit Institute of Arts in Detroit hangt. Three-Sided Vortex (1966) en Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) maken het trio compleet dat elk oog herkent. Van de 6 werken van Robert Smithson in onze catalogus presenteert de galerie hieronder de 4 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1938 – 1973, Passaic Meeste werken: Detroit Institute of Arts
Non Site - Site Uncertain door Robert Smithson1. Non Site - Site Uncertain Three-Sided Vortex (1966) door Robert Smithson2. Three-Sided Vortex 1966 Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) door Robert Smithson3. Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) 1967

De top 10 schilderijen van Robert Smithson in de galerie

De musea waar de originele werken van Robert Smithson worden bewaard

De 2 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Robert Smithson Schilderijen uit deze lijst
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

Robert Smithson, de kenmerkende schilderijen van elk jaar

5 jaar, van 1966 tot 1970, toont deze pagina de volledige carrière van Robert Smithson: een kort overzicht, hier jaar voor jaar gepresenteerd via de meest beroemde originele werken.

Werken per jaar

Selecteer een jaar om de originele werken te bekijken.

Schilderijen van Robert Smithson: de galerie geeft antwoord

Welk schilderij van Robert Smithson is het beroemdste van allemaal?Onthul het antwoord

Non Site - Site Uncertain, Detroit Institute of Arts, Detroit. Three-Sided Vortex (1966) en Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) volgen.

Hoeveel werken heeft Robert Smithson gemaakt?Onthul het antwoord

Onze catalogus bevat 6 werken van Robert Smithson, daterend van 1966 tot 1970.

Waar hangen de beroemdste originele werken van Robert Smithson?Onthul het antwoord

Voornamelijk in Detroit Institute of Arts (Detroit) en Chrysler Museum of Art (Norfolk). De bovenstaande museumtabel bevat een volledig overzicht.

Wat zijn de vroegste en laatste beroemde werken van Robert Smithson?Onthul het antwoord

Op deze pagina is het vroegste Three-Sided Vortex (1966) en het laatste Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithson: de kunstenaar

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.
Alle 6 werken van Robert Smithson →