Portret van Robert Loftin Newman

De 12 beroemdste schilderijen van Robert Loftin Newman, elk uniek

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 13 werken van Robert Loftin Newman in onze catalogus

Kortom

A Bather (1849) is het schilderij van Robert Loftin Newman dat de meeste aandacht trekt; het origineel bevindt zich in het Cleveland Museum of Art, Cleveland. Daarna gaat de blik naar Flight into Egypt (1875) en Little Red Riding Hood and the Wolf (1886). Van de 13 werken van Robert Loftin Newman in onze catalogus zijn dit de 12 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.

1827 – 1912, Richmond Meeste werken: Metropolitan Museum of Art

Top 10 schilderijen van Robert Loftin Newman, door de ogen van de galerie

6
Hagar and Ishmael (1894) door Robert Loftin Newman

Hagar and Ishmael

1894 · Oil On Canvas · Metropolitan Museum of Art, New York

Hagar and Ishmael is an oil on canvas work by the American artist Robert Loftin Newman. Created by 1894, this piece reflects the quiet, atmospheric sensibility that defined much of Newman's career. The artist, who lived from 1827 to 1912, possessed a specific ability to handle light and shadow, a skill developed through his studies in New York City, England, and France.

10
The Letter door Robert Loftin Newman

The Letter

Oil On Canvas · The Phillips Collection, Washington, D.C.

The Letter is an impressionistic oil on canvas created by Robert Loftin Newman. This work was produced before 1912, during a period when the artist was active in the United States and Europe. Newman, born in Richmond, Virginia, developed a style that integrated American sensibilities with the traditions of the Barbizon school and French Impressionism.

De beroemde schilderijen van Robert Loftin Newman, nummer 11 tot 12

De onderwerpen die de aandacht van Robert Loftin Newman troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Robert Loftin Newman worden bewaard

De 6 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Robert Loftin Newman Schilderijen uit deze lijst
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 3 Madonna and Child and Little Saint John, The Fortune Teller, Hagar and Ishmael
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Flight into Egypt, The Holy Family
New Britain Museum of American Art, New BritainNew Britain Museum of American Art New Britain 2 Shipwreck, Boy in a Field
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 2 The Letter, The Skylark
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 A Bather
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 Little Red Riding Hood and the Wolf

Robert Loftin Newman door de decennia heen: elk een uniek origineel

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Robert Loftin Newman: vragen voor de galerie

Wat is het bekendste werk van Robert Loftin Newman?Onthul het antwoord

A Bather (1849), Cleveland Museum of Art, Cleveland. Flight into Egypt (1875) en Little Red Riding Hood and the Wolf (1886) volgen.

Op welke leeftijd creëerde Robert Loftin Newman A Bather?Onthul het antwoord

22 jaar oud: A Bather dateert uit 1849, en Robert Loftin Newman werd geboren in 1827.

Welke tien schilderijen van Robert Loftin Newman zijn het meest bekend?Onthul het antwoord

A Bather, Flight into Egypt, Little Red Riding Hood and the Wolf, Madonna and Child and Little Saint John, The Fortune Teller, Hagar and Ishmael, The Holy Family, Shipwreck, Boy in a Field en The Letter. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken van Robert Loftin Newman zijn er bekend?Onthul het antwoord

Onze catalogus bevat 13 werken van Robert Loftin Newman, daterend van 1849 tot 1894.

Waar kunnen de beroemdste originelen van Robert Loftin Newman worden bekeken?Onthul het antwoord

Voornamelijk in Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington, D.C.) en New Britain Museum of American Art (New Britain). De bovenstaande museumtabel bevat een volledig overzicht.

In welke periode creëerde Robert Loftin Newman de bekendste schilderijen?Onthul het antwoord

In 1870s: 3 van de 12 werken op deze pagina werden toen gemaakt, waaronder Flight into Egypt.

Welk beroemd schilderij van Robert Loftin Newman is de vroegste, en welke de laatste?Onthul het antwoord

Op deze pagina is het vroegste A Bather (1849) en het laatste Madonna and Child and Little Saint John (1894).

Welke onderwerpen had Robert Loftin Newman de voorkeur?Onthul het antwoord

Woman (2) en Hat (2), verspreid over de 12 werken op deze pagina.

Met welke materialen schilderde Robert Loftin Newman het meest?Onthul het antwoord

Oil On Canvas, voor 3 van de 12 werken op deze pagina.

Welke originele werken van Robert Loftin Newman kan ik zien in het Metropolitan Museum of Art?Onthul het antwoord

Madonna and Child and Little Saint John, The Fortune Teller en Hagar and Ishmael: het Metropolitan Museum of Art, New York herbergt 3 van de werken op deze pagina.

Robert Loftin Newman: een portret van de kunstenaar

The Soul in the Shadows: The Life and Art of Robert Loftin Newman

Robert Loftin Newman was not merely a painter of landscapes, but a poet of the unseen, an artist capable of pulling the profound psychological weight of the human experience from the very depths of his canvases. Born in Richmond, Virginia, in 1827, his early years were defined by a sense of movement and transition. The relocation of his family to Clarksville, Tennessee, during his childhood introduced him to the sweeping, evocative vistas of the American South—a landscape that would forever haunt the periphery of his imagination. As he matured, Newman’s thirst for artistic mastery led him far beyond the borders of his homeland, as he sought formal training in the vibrant art centers of New York City and traveled through the historic landscapes of England and France. These European encounters provided him with a sophisticated vocabulary of light and shadow, grounding his American sensibilities in the burgeoning traditions of Impressionism and Symbolism.

A Tapestry of Emotion and Narrative

The work of Newman is often characterized by its atmospheric density, a quality that frequently draws comparisons to the enigmatic works of Albert Pinkham Ryder. His oeuvre, consisting of approximately three hundred paintings, serves as a window into a world where the boundaries between reality and dream are perpetually blurred. Whether he was rendering the quietude of a rural scene or the dramatic tension of a biblical epic, Newman prioritized the transmission of mood over the clinical accuracy of form. In masterpieces such as The Fortune Teller and Good Samaritan, one finds a mastery of oil on canvas that utilizes texture and tone to evoke a sense of timelessness. His ability to imbue even the most serene landscapes with an underlying layer of contemplation allowed him to capture what many critics called the "inner experience," making his art a profound exploration of the human psyche.

Legacy Amidst the Turmoil of History

Newman’s life was inextricably linked to the dramatic shifts of nineteenth-century America. His brief tenure as an artillery lieutenant for the Confederate Army during the American Civil War added a layer of historical gravity to his perspective, though he never allowed the violence of conflict to overshadow the contemplative nature of his art. Instead, the era's turbulence seemed to deepen his commitment to finding stillness and meaning within the ephemeral moments of life. Beyond his celebrated oil paintings, Newman also left a mark as a skilled stained-glass designer, demonstrating a versatility that allowed him to manipulate light in both the expansive medium of canvas and the structured medium of glass. Though his life ended tragically due to a gas leak in 1912, his legacy remains etched in the annals of American art—a testament to a man who looked past the surface of the world to find the enduring spirit beneath.