Portret van Robert Herdman

Schilderijen van Robert Herdman: De 52 bekendste, door de ogen van een galerie

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 52 werken van Robert Herdman in onze catalogus

Kortom

In het oog van de galerie is het beroemdste schilderij van Robert Herdman John Campbell Shairp (1819–1885), LLD (1886). The young seamstress (1860) en The Arrochar Gleaner (1862) maken het trio compleet dat elk oog herkent. Van de 52 werken van Robert Herdman in onze catalogus presenteert de galerie hieronder de 52 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1829 – 1888 Romanticism Meeste werken: Scottish National Portrait Gallery

De top 10 schilderijen van Robert Herdman in de galerie

7
Morning (1861) door Robert Herdman

Morning

1861

The painting "Morning" by Robert Inerarity Herdman is a beautiful and captivating piece of art that showcases the artist's skill and attention to detail. Created in 1861, this oil on panel painting measures 31 x 23 cm and is currently displayed at the Glasgow Museums Resource Centre in the United Kingdom. Painting Description The painting features a young child wearing a blue hat with a bow on it, holding a…

Schilderijen van Robert Herdman, gerangschikt van 11 tot 52

11Evening (1862) door Robert HerdmanEvening1862 12'Who still in dreams can hear the heavenly harps' (1862) door Robert Herdman'Who still in dreams can hear the heavenly harps'1862 13Fern Gatherer (1866) door Robert HerdmanFern Gatherer1866 14After the Battle (1870) door Robert HerdmanAfter the Battle1870 · Scottish National Gallery 15Sir Joseph Noel Paton (1821–1901) (1870) door Robert HerdmanSir Joseph Noel Paton (1821–1901)1870 16Aeneas Ranald McDonell (1820–1897) (1868) door Robert HerdmanAeneas Ranald McDonell (1820–1897)1868 17David Octavius Hill (1802–1870), RSA (1870) door Robert HerdmanDavid Octavius Hill (1802–1870), RSA1870 · Royal Scottish Academy of Art - Architecture 18A Fountain Group, South Italy (1868) door Robert HerdmanA Fountain Group, South Italy1868 19Mary, Queen of Scots The Farewell to France (1867) door Robert HerdmanMary, Queen of Scots The Farewell to France1867 20Emily Merelina Meymott (1830–1911), Baroness Shand (1867) door Robert HerdmanEmily Merelina Meymott (1830–1911), Baroness Shand1867 · Scottish National Gallery 21Execution of Mary, Queen of Scots (1867) door Robert HerdmanExecution of Mary, Queen of Scots1867 22Evening Thoughts (1864) door Robert HerdmanEvening Thoughts1864 · Scottish National Gallery 23La culla – Study in Italy (1864) door Robert HerdmanLa culla – Study in Italy1864 · Royal Scottish Academy of Art - Architecture 24Charles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers (1875) door Robert HerdmanCharles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers1875 25Sir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877) (1877) door Robert HerdmanSir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877)1877 26C. G. Shaw (1878) door Robert HerdmanC. G. Shaw1878 · County Buildings 27Sir George Harvey (1806–1876), Artist (1874) door Robert HerdmanSir George Harvey (1806–1876), Artist1874 · Scottish National Portrait Gallery 28Sir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903) (1873) door Robert HerdmanSir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903)1873 29Sir George Harvey (1806–1876), PRSA (1874) door Robert HerdmanSir George Harvey (1806–1876), PRSA1874 · Royal Scottish Academy of Art - Architecture 30Thomas Carlyle (1876) door Robert HerdmanThomas Carlyle1876 · The National Trust For Scotland 31Pleasures of Hope (1877) door Robert HerdmanPleasures of Hope1877 32Lochiel's Warning (1878) door Robert HerdmanLochiel's Warning1878 33David Laing (1793–1878), Antiquary (1874) door Robert HerdmanDavid Laing (1793–1878), Antiquary1874 · Scottish National Portrait Gallery 34A Conventicle Preacher before the Justices (1876) door Robert HerdmanA Conventicle Preacher before the Justices1876 · Royal Scottish Academy of Art - Architecture 35Sir Theodore Martin (1876) door Robert HerdmanSir Theodore Martin1876 · National Portrait Gallery 36Thomas Carlyle (1795–1881) (1875) door Robert HerdmanThomas Carlyle (1795–1881)1875 · Dumfries Museum And Camera Obscura 37The Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 1561 (1875) door Robert HerdmanThe Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 15611875 38George Rough (1801–1888), Provost of Dundee (1853–1856) (1882) door Robert HerdmanGeorge Rough (1801–1888), Provost of Dundee (1853–1856)1882 39Wae's Me (1879) door Robert HerdmanWae's Me1879 40Alexander Laing, LLD, Newburgh (1885) door Robert HerdmanAlexander Laing, LLD, Newburgh1885 41Self Portrait (1883) door Robert HerdmanSelf Portrait1883 42Peter Clouston, Lord Provost of Glasgow (1860–1863) (1883) door Robert HerdmanPeter Clouston, Lord Provost of Glasgow (1860–1863)1883 43Reverend George S. Burns, Minister of Glasgow Cathedral (1881) door Robert HerdmanReverend George S. Burns, Minister of Glasgow Cathedral1881 44Sir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880) (1881) door Robert HerdmanSir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880)1881 45Sir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874) (1882) door Robert HerdmanSir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874)1882 46Bouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries (1883) door Robert HerdmanBouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries1883 · Scottish National Portrait Gallery 47A Sprig of Arran Heather door Robert HerdmanA Sprig of Arran Heather 48A Pilot door Robert HerdmanA Pilot 49Saint Columba Rescuing a Captive (1883) door Robert HerdmanSaint Columba Rescuing a Captive1883 50Corrie, a Crofter's Harvest door Robert HerdmanCorrie, a Crofter's Harvest 51Sleep door Robert HerdmanSleepLeeds Art Gallery 52Sir Joseph Noel Paton (1821–1901), RSA door Robert HerdmanSir Joseph Noel Paton (1821–1901), RSARoyal Scottish Academy of Art - Architecture

De onderwerpen die de aandacht van Robert Herdman troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Robert Herdman worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Robert Herdman Schilderijen uit deze lijst
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 5 Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Sir George Harvey (1806–1876), Artist
Royal Scottish Academy of Art - Architecture, EdinburghRoyal Scottish Academy of Art - Architecture Edinburgh 5 David Octavius Hill (1802–1870), RSA, La culla – Study in Italy, Sir George Harvey (1806–1876), PRSA
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 3 After the Battle, Emily Merelina Meymott (1830–1911), Baroness Shand, Evening Thoughts
County Buildings, AyrCounty Buildings Ayr 1 C. G. Shaw
The National Trust For Scotland, EcclesburnThe National Trust For Scotland Ecclesburn 1 Thomas Carlyle
National Portrait Gallery, LondenNational Portrait Gallery Londen 1 Sir Theodore Martin
Dumfries Museum And Camera Obscura, DumfriesDumfries Museum And Camera Obscura Dumfries 1 Thomas Carlyle (1795–1881)
Leeds Art Gallery, LeedsLeeds Art Gallery Leeds 1 Sleep

Robert Herdman, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Robert Herdman: de galerie geeft antwoord

Welk schilderij van Robert Herdman is het beroemdste van allemaal?Onthul het antwoord

John Campbell Shairp (1819–1885), LLD (1886). The young seamstress (1860) en The Arrochar Gleaner (1862) volgen.

Hoe oud was Robert Herdman bij de voltooiing van John Campbell Shairp (1819–1885), LLD?Onthul het antwoord

57 jaar oud: John Campbell Shairp (1819–1885), LLD dateert uit 1886, en Robert Herdman werd geboren in 1829.

Wat zijn de top 10 schilderijen van Robert Herdman?Onthul het antwoord

John Campbell Shairp (1819–1885), LLD, The young seamstress, The Arrochar Gleaner, Thomas Carlyle (1795–1881), Historian and Essayist, John Tulloch (1823–1886), Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Morning, The Time of Primroses, Bonny Bell en The Gleaner. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Robert Herdman gemaakt?Onthul het antwoord

Onze catalogus bevat 52 werken van Robert Herdman, daterend van 1854 tot 1886.

Waar hangen de beroemdste originele werken van Robert Herdman?Onthul het antwoord

Voornamelijk in Scottish National Portrait Gallery (Edinburgh), Royal Scottish Academy of Art - Architecture (Edinburgh) en Scottish National Gallery (Edinburgh). De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Robert Herdman de beroemdste schilderijen?Onthul het antwoord

In 1870s: 19 van de 52 werken op deze pagina werden toen gemaakt, waaronder Thomas Carlyle (1795–1881), Historian and Essayist.

Wat zijn de vroegste en laatste beroemde werken van Robert Herdman?Onthul het antwoord

Op deze pagina is het vroegste The Time of Primroses (1854) en het laatste John Campbell Shairp (1819–1885), LLD (1886).

Welke onderwerpen keerde Robert Herdman het vaakst naar terug?Onthul het antwoord

Victorian era (3), Portraiture (2) en Elderly man (2), verspreid over de 52 werken op deze pagina.

Bij welke stroming wordt Robert Herdman gerekend?Onthul het antwoord

Romanticism, te oordelen aan de originelen op deze pagina.

Welke originelen van Robert Herdman zijn in de collectie van het Scottish National Portrait Gallery?Onthul het antwoord

Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University en Sir George Harvey (1806–1876), Artist: het Scottish National Portrait Gallery, Edinburgh herbergt 5 van de werken op deze pagina.

Robert Herdman: de kunstenaar

A Victorian Visionary: The Life and Legacy of Robert Inerarity Herdman

Robert Inerarity Herdman (1829–1888) stands as a luminous figure within the landscape of nineteenth-century Scottish art, a painter whose brush captured not merely the physical likeness of his subjects but the very soul of the Celtic Revival. Born in the quiet beauty of Rattray, near Blairgowrie, Perthshire, Herdman’s early life was marked by a profound intellectual depth. Though he initially turned his studies toward theology at St Andrews University, the calling of the canvas proved irresistible. This transition from the spiritual study of divinity to the visual exploration of light and form would define his career, allowing him to infuse his later works with a sense of sacredness and mythic resonance that few of his contemporaries could replicate. By 1847, Herdman had migrated to Edinburgh, seeking the mentorship of the era's most distinguished masters, Robert Scott Lauder and John Ballantyne. Under their rigorous tutelage, he developed a meticulous technique characterized by an extraordinary command over oil painting. His training was not merely technical but deeply philosophical; through his friendship with Professor John Stuart Blackie, Herdman became intimately acquainted with the richness of Celtic mythology and folklore. This influence acted as a guiding star for his artistic development, steering him away from mere academic realism toward a more evocative, narrative style that celebrated the pastoral beauty and spiritual heritage of Scotland.

Mastery of Portraiture and the Pastoral Ideal

Herdman’s professional ascent was marked by significant institutional recognition, including his election as an Associate of the Royal Scottish Academy in 1861 and his subsequent elevation to Fellow in 1863. His reputation as a premier portraitist was solidified through prestigious commissions from various Scottish city councils, where he captured the dignity, character, and gravitas of the nation's most prominent figures. In these works, one observes a masterful use of chiaroscuro, where light and shadow dance across the features of his subjects to reveal layers of psychological depth. His portrait of Thomas Carlyle in 1875 remains a hauntingly beautiful study, utilizing heavy impasto and somber tones to embody the intellectual intensity of the great historian. Yet, while his portraits commanded respect in the halls of power, it is perhaps his more intimate, idyllic scenes that have secured his place in the hearts of art lovers. Herdman possessed a unique ability to weave storytelling into the landscape, most notably through his celebrated series of paintings featuring young girls amidst picturesque, folkloric settings. In works such as "Morning", created in 1861, he presents a serene world where a child in a blue hat holds a musical instrument against a backdrop of tranquil mountains and water. These compositions are more than mere depictions of childhood; they are windows into a romanticized, pastoral Eden, reflecting a deep-seated nostalgia for a vanishing way of life.

Historical Significance and Artistic Endurance

The breadth of Herdman’s impact is evidenced by the enduring presence of his work in some of the world's most esteemed collections. From the National Portrait Gallery in London to the Royal Scottish Academy, his canvases continue to serve as vital touchstones for understanding the Victorian era's aesthetic and cultural shifts. His ability to bridge the gap between formal, high-society portraiture and the emotive, myth-driven landscapes of the Celtic movement allowed him to speak to a wide audience, from the political elite to the romantic dreamer. As we reflect on his life, several key elements define his enduring historical importance:
  • The Synthesis of Traditions: His unique ability to blend the rigorous academic training of Edinburgh with the burgeoning spirit of the Celtic Revival.
  • Narrative Depth: The use of landscape not just as a setting, but as a vessel for folklore, emotion, and spiritual contemplation.
  • Technical Versatility: A mastery that spanned from the somber, realistic studies of historical figures to the bright, delicate textures of his pastoral scenes.
Though he passed away in 1888, the vision of Robert Inerarity Herdman remains undimmed. His work continues to resonate as a testament to a period when art sought to reconcile the burgeoning modern world with the ancient, enchanting echoes of the Scottish past.