Kortom
Volgens de visie van de galerie is het beroemdste schilderij van Paul Burlin A-1961 (1961), waarvan het origineel in het Smithsonian American Art Museum in Washington, D.C. hangt. Van de 3 werken van Paul Burlin in onze catalogus presenteert de galerie hieronder de 1 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
De top 10 schilderijen van Paul Burlin in de galerie
De musea waar de originele werken van Paul Burlin worden bewaard
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Paul Burlin | Schilderijen uit deze lijst |
|---|---|---|---|
| Washington, D.C. | 1 | A-1961 |
Paul Burlin, de kenmerkende schilderijen van elk jaar
Elk gedateerd origineel van Paul Burlin op deze pagina is gemaakt in 1961: hier zijn ze, de bekendste eerst.
Schilderijen van Paul Burlin: de galerie geeft antwoord
Welk schilderij van Paul Burlin is het beroemdste van allemaal?Onthul het antwoord
A-1961 (1961)
Hoe oud was Paul Burlin bij de voltooiing van A-1961?Onthul het antwoord
75 jaar oud: A-1961 dateert uit 1961, en Paul Burlin werd geboren in 1886.
Hoeveel werken heeft Paul Burlin gemaakt?Onthul het antwoord
Onze catalogus bevat 3 werken van Paul Burlin.
Waar hangen de beroemdste originele werken van Paul Burlin?Onthul het antwoord
Voornamelijk in Smithsonian American Art Museum (Washington, D.C.). De bovenstaande museumtabel bevat een volledig overzicht.
Paul Burlin: de kunstenaar
The Formative Years and Artistic Evolution
Born in New York City, Paul Burlin was a painter and printmaker who began his formal artistic education between 1900 and 1912 as a part-time student at the National Academy of Art and the Art Student's League. His early travels took him to Europe from 1908 to 1909 and to the Southwestern United States in 1910. Following a trip to Santa Fe, New Mexico, his paintings of the region were exhibited in New York in 1911, an event that led to his invitation to participate in the 1913 Armory Show. During his time in Santa Fe, which lasted until 1920, he painted landscapes, scenes of local daily life, and portraits of Pueblo Indians, often exploring themes of spirituality and anthropomorphism.
Style and Later Life
Burlin's career saw him move to Paris in 1921, where he studied European abstract painting styles. Upon returning to the United States in 1932, he settled in New York and worked as a member of the Federal Project of the Whitney Museum. As his career progressed, his work moved toward abstract expressionism, utilizing key symbols and imagery from Greek mythology to comment on the brutality of war. In his later years, despite losing his sight and undergoing eight cornea implants, he continued to paint, even when declared legally blind. His final works, The Series of Nine, were exhibited at the Museum of Modern Art in New York and the Pasadena Museum.