Portret van Morris Graves

Schilderijen van Morris Graves: De 30 bekendste, door de ogen van een galerie

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 32 werken van Morris Graves in onze catalogus

Kortom

In het oog van de galerie is het beroemdste schilderij van Morris Graves Bird Singing in the Moonlight (1938). Crow, Surf and Moon (1943) en Logged Mountains (1943) maken het trio compleet dat elk oog herkent. Van de 32 werken van Morris Graves in onze catalogus presenteert de galerie hieronder de 30 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1910 – 2001, Fox Meeste werken: Art Museum

De top 10 schilderijen van Morris Graves in de galerie

3
Logged Mountains (1943) door Morris Graves

Logged Mountains

1943 · Smithsonian American Art Museum, Washington, D.C.

The Logged Mountains painting by Morris Graves is a thought-provoking artwork that showcases the artist's skill in combining natural elements with artistic expression. Created in 1943, this oil on canvas painting measures 66 x 92 cm and is currently housed at the Smithsonian American Art Museum in the United States. Artist Background Morris Graves was an American artist known for his delicate and contemplative drawings that capture the essence of…

Schilderijen van Morris Graves, gerangschikt van 11 tot 30

De musea waar de originele werken van Morris Graves worden bewaard

De 3 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Morris Graves Schilderijen uit deze lijst
Art Museum, SeattleArt Museum Seattle 6 Crow, Surf and Moon, Bird in the Night, Sea, Fish and Constellation
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 3 Surf and Bird, Young Gander Ready for Flight, August Still Life
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Logged Mountains

Morris Graves, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Morris Graves: de galerie geeft antwoord

Welk schilderij van Morris Graves is het beroemdste van allemaal?Onthul het antwoord

Bird Singing in the Moonlight (1938). Crow, Surf and Moon (1943) en Logged Mountains (1943) volgen.

Hoe oud was Morris Graves bij de voltooiing van Bird Singing in the Moonlight?Onthul het antwoord

28 jaar oud: Bird Singing in the Moonlight dateert uit 1938, en Morris Graves werd geboren in 1910.

Wat zijn de top 10 schilderijen van Morris Graves?Onthul het antwoord

Bird Singing in the Moonlight, Crow, Surf and Moon, Logged Mountains, Surf and Bird, Snake and Moon, Wheelbarrow, Bird in the Night, Sea, Fish and Constellation, Bird in the Spirit en Nestling. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Morris Graves gemaakt?Onthul het antwoord

Onze catalogus bevat 32 werken van Morris Graves, daterend van 1934 tot 1988.

Waar hangen de beroemdste originele werken van Morris Graves?Onthul het antwoord

Voornamelijk in Art Museum (Seattle), The Phillips Collection (Washington, D.C.) en Smithsonian American Art Museum (Washington, D.C.). De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Morris Graves de beroemdste schilderijen?Onthul het antwoord

In 1940s: 11 van de 30 werken op deze pagina werden toen gemaakt, waaronder Crow, Surf and Moon.

Wat zijn de vroegste en laatste beroemde werken van Morris Graves?Onthul het antwoord

Op deze pagina is het vroegste Wheelbarrow (1934) en het laatste Summer Still Life (1988).

Welke originelen van Morris Graves zijn in de collectie van het Art Museum?Onthul het antwoord

Crow, Surf and Moon, Bird in the Night en Sea, Fish and Constellation: het Art Museum, Seattle herbergt 6 van de werken op deze pagina.

Morris Graves: de kunstenaar

The Visionary of the Pacific Northwest

In the mist-shrouded landscapes where the rugged beauty of Oregon meets the contemplative stillness of the Puget Sound, the spirit of Morris Graves found its eternal home. Born in 1910, Graves was an artist who did not merely observe the world but sought to pierce through its physical veil to reveal the consciousness beneath. As a cornerstone of the Northwest School, his work emerged from a profound intimacy with nature—a landscape steeped in both wild resilience and a quiet, almost spiritual, grace. His journey was one of self-directed discovery, eschewing traditional academic rigor for a life lived in deep conversation with the elements: the flight of a bird, the delicate curve of a petal, and the shifting light of a coastal morning.

Eastern Echoes and the Mystic's Eye

The essence of Graves’s artistry was deeply intertwined with his fascination with Eastern aesthetics and Zen Buddhism. A formative voyage to Japan in the early 1930s left an indelible mark on his soul, instilling a reverence for simplicity, suggestion, and the beauty of the ephemeral. This influence manifested in a unique symbolic vocabulary where animals—most notably birds—served not as mere biological subjects but as metaphors for the human psyche and the fragility of existence. Through his mastery of texture and light, he developed a language that was both intimate and universal, characterized by:

  • Symbolic Motifs: The recurring use of birds, flowers, and chalices to represent spiritual vessels and the essence of life.
  • Atmospheric Depth: A technique that captures the ethereal, misty quality of the Northwest through delicate washes and shadows.
  • Philosophical Resonance: An integration of Eastern meditative principles into the very structure of his compositions.

His ability to blend these elements allowed him to create works like Folded Wings Memory the Moon Weeping, which haunt the viewer with their sense of isolation and transcendence.

A Legacy of Light and Shadow

Throughout his prolific career, Graves’s evolution was marked by a transition from delicate, contemplative drawings to more complex, abstract expressions. His breakthrough in 1942 at New York's Museum of Modern Art cemented his position as a leading figure of American Modernism, standing alongside contemporaries such as Mark Tobey. Even as he moved toward the abstractions of the machine age in later years, his work remained anchored in a deep-seated respect for quietude and the natural order. Pieces such as Hibernation and Logged Mountains stand as testaments to his ability to capture the tension between the organic world and the encroaching modern era. His legacy remains that of a true mystic, an artist who transformed the damp, grey atmosphere of the Pacific Northwest into a luminous window onto the infinite.