Portret van Max Klinger

Schilderijen van Max Klinger: De 100 bekendste, door de ogen van een galerie

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 281 werken van Max Klinger in onze catalogus

Kortom

In het oog van de galerie is het beroemdste schilderij van Max Klinger The death peeing. The Isle of the Dead en Presa maken het trio compleet dat elk oog herkent. Van de 281 werken van Max Klinger in onze catalogus presenteert de galerie hieronder de 100 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1857 – 1920, Leipzig Symbolism Meeste werken: Bayerische Staatsgemäldesammlungen

De top 10 schilderijen van Max Klinger in de galerie

1
The death peeing door Max Klinger

The death peeing

Painting

The air hangs heavy near the riverbank where a skeletal figure stands, stripped of the terrifying dignity often assigned to the Grim Reaper. This figure, a personification of death, occupies the shoreline with a startlingly mundane presence. He stands with legs apart, facing the water, engaged in the most basic of biological functions. The act of urination into the stream demystifies the specter, pulling the concept of mortality away from…

2
The Isle of the Dead door Max Klinger

The Isle of the Dead

Painting

The Isle of the Dead emerges from the vision of Max Klinger, a German artist who leaves a profound mark on the landscape of late 19th-century thought. Born in Leipzig in 1857, Klinger moves through a world of shifting aesthetics, eventually passing away in 1920. In this specific work, titled The Isle of the Dead, he captures a moment that feels suspended in a quiet, heavy stillness.

3
Presa door Max Klinger

Presa

Lithograph

The artwork presents a monochrome scene rendered in grayscale, utilizing a range of black, white, and gray tones. At the bottom center of the frame, a reclining nude female figure is positioned as the primary focal point. Above her, a large group of men in formal attire occupies the upper portion of the composition. These figures are partially obscured by shadow, creating a sense of depth through overlapping forms. The…

4
Y sin embargo! door Max Klinger

Y sin embargo!

Graphite

Max Klinger, born in Leipzig in 1857, produced Y sin embargo! as part of a career that bridged the transition from Realism to Symbolism. The artist, who died in 1920, was a significant figure in German art, known for his ability to move beyond mere visual representation to explore the psychological and the subconscious. This specific work reflects his interest in the intersection of the human form and the natural…

5
Rescue door Max Klinger

Rescue

Etching

The artwork titled Rescue (also known as Rettung) is a significant work by the German artist Max Klinger. It exists as the fourth plate within the larger series known as Paraphrase on the Finding of a Glove. This specific piece is part of the Glove (Ein Handschuh) series, a collection that explores the fragmented, dreamlike nature of memory and loss. The work emerged from the artist's creative period between 1878/1880…

Schilderijen van Max Klinger, gerangschikt van 11 tot 100

11At the Beach (1890) door Max KlingerAt the Beach1890 · Bayerische Staatsgemäldesammlungen 12Portrait of a Roman Woman on a Flat Roof in Rome (1891) door Max KlingerPortrait of a Roman Woman on a Flat Roof in Rome1891 · Städel Museum 13Christ in Olympus (1897) door Max KlingerChrist in Olympus1897 14Female Nude (1910) door Max KlingerFemale Nude1910 15Bathing Women (1912) door Max KlingerBathing Women1912 16A legation door Max KlingerA legation 17Plague door Max KlingerPlague 18Workers at a House Construction (1889) door Max KlingerWorkers at a House Construction1889 19Seaside Idyl door Max KlingerSeaside IdylBayerische Staatsgemäldesammlungen 20Female Study Head door Max KlingerFemale Study Head 21Portrait of a Gentleman door Max KlingerPortrait of a Gentleman 22Cupid door Max KlingerCupid 23Salvation door Max KlingerSalvation 24The source door Max KlingerThe source 25An Max Klinger door Max KlingerAn Max Klinger 26untitled (336) door Max Klingeruntitled (336) 27untitled (1870) door Max Klingeruntitled (1870) 28untitled (5707) door Max Klingeruntitled (5707) 29untitled (7927) door Max Klingeruntitled (7927) 30untitled (4077) door Max Klingeruntitled (4077) 31untitled (5205) door Max Klingeruntitled (5205) 32untitled (4640) door Max Klingeruntitled (4640) 33untitled (1160) door Max Klingeruntitled (1160) 34untitled (5386) door Max Klingeruntitled (5386) 35untitled (5714) door Max Klingeruntitled (5714) 36untitled (9844) door Max Klingeruntitled (9844) 37untitled (3585) door Max Klingeruntitled (3585) 38untitled (5586) door Max Klingeruntitled (5586) 39untitled (3254) door Max Klingeruntitled (3254) 40untitled (5191) door Max Klingeruntitled (5191) 41untitled (1133) door Max Klingeruntitled (1133) 42Venus in the sea door Max KlingerVenus in the sea 43Cupido door Max KlingerCupido 44Angustias door Max KlingerAngustias 45Old love. initial stamps door Max KlingerOld love. initial stamps 46untitled (5140) door Max Klingeruntitled (5140) 47Scene door Max KlingerScene 48Venus and Mercury door Max KlingerVenus and Mercury 49psyche bathing door Max Klingerpsyche bathing 50Phriam And Thisbe I door Max KlingerPhriam And Thisbe I 51untitled (2692) door Max Klingeruntitled (2692) 52Abduction door Max KlingerAbduction 53Venus and Psyche door Max KlingerVenus and Psyche 54Zephyr carrying his sisters door Max KlingerZephyr carrying his sisters 55The wedding party of Psyche door Max KlingerThe wedding party of Psyche 56Sister jumping from a rock door Max KlingerSister jumping from a rock 57Psyche and Ceres door Max KlingerPsyche and Ceres 58Love, death and extramundos door Max KlingerLove, death and extramundos 59untitled (9745) door Max Klingeruntitled (9745) 60Mother I door Max KlingerMother I 61Pan comforting Psyche door Max KlingerPan comforting Psyche 62Psyche crossing the Acheron door Max KlingerPsyche crossing the Acheron 63Desire door Max KlingerDesire 64Psyche on a rock door Max KlingerPsyche on a rock 65Jupiter and Venus door Max KlingerJupiter and Venus 66Psyche and Arundo door Max KlingerPsyche and Arundo 67Farmer planting misery door Max KlingerFarmer planting misery 68The childhood of Amor door Max KlingerThe childhood of Amor 69Satire door Max KlingerSatire 70Intermezzo 1 door Max KlingerIntermezzo 1 71Phriam And Thisbe II door Max KlingerPhriam And Thisbe II 72Charon door Max KlingerCharon 73untitled (1999) door Max Klingeruntitled (1999) 74Time and glory door Max KlingerTime and glory 75Psyche on the road to Tartarus door Max KlingerPsyche on the road to Tartarus 76Venus presents Psyche the Love door Max KlingerVenus presents Psyche the Love 77Titan door Max KlingerTitan 78Psyche venerated by the people door Max KlingerPsyche venerated by the people 79Psyche and Venus door Max KlingerPsyche and Venus 80Parade door Max KlingerParade 81Death knight door Max KlingerDeath knight 82The priestesses of Venus door Max KlingerThe priestesses of Venus 83untitled (8812) door Max Klingeruntitled (8812) 84Rockfall door Max KlingerRockfall 85Naked woman under a tree door Max KlingerNaked woman under a tree 86Cold Hand door Max KlingerCold Hand 87Captive door Max KlingerCaptive 88violation door Max Klingerviolation 89The great goddess door Max KlingerThe great goddess 90Psyche and Juno door Max KlingerPsyche and Juno 91Night 1 door Max KlingerNight 1 92untitled (2269) door Max Klingeruntitled (2269) 93Preface II door Max KlingerPreface II 94One Step door Max KlingerOne Step 95PYRAMUS and THISBE door Max KlingerPYRAMUS and THISBE 96Prometheus Unbound door Max KlingerPrometheus Unbound 97In the park door Max KlingerIn the park 98Days Of March III door Max KlingerDays Of March III 99Psyche on the Tartarus door Max KlingerPsyche on the Tartarus 100Mother II door Max KlingerMother II

De beroemde schilderijen van Max Klinger, periode voor periode

De onderwerpen die de aandacht van Max Klinger troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Max Klinger worden bewaard

De 4 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Max Klinger Schilderijen uit deze lijst
Bayerische Staatsgemäldesammlungen, MünchenBayerische Staatsgemäldesammlungen München 2 At the Beach, Seaside Idyl
Alte Nationalgalerie, BerlijnAlte Nationalgalerie Berlijn 3 Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz
National Gallery Prague, PraagNational Gallery Prague Praag 1 Evening
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Portrait of a Roman Woman on a Flat Roof in Rome

Max Klinger, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Max Klinger: de galerie geeft antwoord

Welk schilderij van Max Klinger is het beroemdste van allemaal?Onthul het antwoord

The death peeing. The Isle of the Dead en Presa volgen.

Wat zijn de top 10 schilderijen van Max Klinger?Onthul het antwoord

The death peeing, The Isle of the Dead, Presa, Y sin embargo!, Rescue, Mermaid holding a shell up, the philosopher, Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz, Evening en Play in the meadow. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Max Klinger gemaakt?Onthul het antwoord

Onze catalogus bevat 281 werken van Max Klinger, daterend van 1879 tot 1912.

Waar hangen de beroemdste originele werken van Max Klinger?Onthul het antwoord

Voornamelijk in Bayerische Staatsgemäldesammlungen (München), Alte Nationalgalerie (Berlijn) en National Gallery Prague (Praag). De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Max Klinger de beroemdste schilderijen?Onthul het antwoord

In 1880s: 3 van de 100 werken op deze pagina werden toen gemaakt, waaronder Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz.

Wat zijn de vroegste en laatste beroemde werken van Max Klinger?Onthul het antwoord

Op deze pagina is het vroegste Evening (1879) en het laatste Bathing Women (1912).

Welke onderwerpen keerde Max Klinger het vaakst naar terug?Onthul het antwoord

Gods (7), Symbolic imagery (6) en Man (3), verspreid over de 100 werken op deze pagina.

In welk medium werkte Max Klinger het meest?Onthul het antwoord

Painting, voor 2 van de 100 werken op deze pagina.

Bij welke stroming wordt Max Klinger gerekend?Onthul het antwoord

Symbolism, te oordelen aan de originelen op deze pagina.

Welke originelen van Max Klinger zijn in de collectie van het Bayerische Staatsgemäldesammlungen?Onthul het antwoord

At the Beach en Seaside Idyl: het Bayerische Staatsgemäldesammlungen, München herbergt 2 van de werken op deze pagina.

Max Klinger: de kunstenaar

The Shadowed World of Max Klinger: A Pioneer of Symbolism

Max Klinger, born in Leipzig in 1857, emerged as a pivotal figure bridging the gap between Realism and the burgeoning world of Symbolism. His artistic journey wasn’t one of immediate recognition but rather a gradual unfolding of a unique vision—a descent into the psychological depths that would profoundly influence modern art. Klinger's early training at the Academy of Fine Arts in Karlsruhe, under Karl Gussow, provided him with a solid foundation in traditional techniques, yet it was his fascination with the etchings of artists like Menzel and Goya that truly ignited his imagination. These masters demonstrated the power of printmaking to convey not merely visual representation but also narrative complexity and emotional intensity—qualities Klinger would masterfully employ throughout his career. He wasn’t content simply to depict the world as it appeared; he sought to unveil its hidden currents, its anxieties, and its dreams.

From Realism's Embrace to Symbolic Depths

Klinger’s artistic evolution was marked by a deliberate shift away from straightforward realism towards a more subjective and symbolic language. Initially, his work reflected the prevailing aesthetic of the time—detailed depictions of everyday life. However, this phase proved merely a stepping stone. The turning point came with his series of etchings, Paraphrase on the Finding of a Glove (1881). This ambitious project, comprising ten plates, wasn’t a literal illustration of an event but rather a fragmented, dreamlike exploration of desire, loss, and the complexities of human relationships. The glove itself became a potent symbol—a relic imbued with memory and longing. This series established Klinger as a leading voice in the Symbolist movement, demonstrating his ability to transform ordinary objects into vehicles for profound psychological insight. He wasn’t interested in simply showing what things looked like; he wanted to convey what they *felt* like, what they represented on a deeper, more subconscious level. The plates depict a series of increasingly bizarre and unsettling events surrounding the discovery of the glove—a lost love, a fleeting encounter, and ultimately, an ambiguous sense of longing.

Sculpture, Printmaking and the Exploration of Myth

Klinger's artistic output was remarkably diverse, encompassing painting, sculpture, and printmaking—though it’s arguably in the realm of graphic arts that he achieved his most enduring legacy. His prints are characterized by their meticulous technique, dramatic use of light and shadow, and haunting imagery. He wasn’t afraid to tackle challenging themes—mortality, sexuality, and the darker aspects of the human psyche. Beyond Paraphrase on the Finding of a Glove, works like his depictions of Faustian bargains and mythological scenes reveal a fascination with archetypal narratives and universal human struggles. His sculptural work, though less prolific than his prints, was equally ambitious. A prime example is his monumental installation in homage to Beethoven at the Vienna Secession in 1902—a powerful testament to the composer’s genius and a bold statement of artistic innovation. The sculpture depicts Beethoven as a Greek god on a large alabaster throne, surrounded by musical instruments and symbols of triumph. Klinger's sculptures were often deliberately unsettling, challenging conventional notions of beauty and form.

Influences and Artistic Development

Klinger’s artistic development was shaped by a complex interplay of influences. His early training in Karlsruhe instilled in him a respect for traditional techniques, but it was his exposure to the works of Menzel and Goya that awakened his interest in printmaking as a means of conveying psychological depth and narrative complexity. He also drew inspiration from Japanese woodblock prints, which he studied during his time in Paris. Furthermore, Klinger’s intellectual life was profoundly influenced by thinkers such as Arthur Schopenhauer and Friedrich Nietzsche, whose ideas about pessimism, the will to power, and the nature of reality resonated deeply with his artistic vision. The artist's exploration of dreamlike states and subconscious desires anticipated the work of later Surrealists like Salvador Dalí and René Magritte.

Legacy and Influence: A Bridge to Modernity

Max Klinger’s influence extended far beyond his own lifetime. He paved the way for Expressionism, Surrealism, and other avant-garde movements that sought to explore the inner world of human experience. His emphasis on symbolism, psychological depth, and subjective interpretation resonated with artists grappling with the anxieties and uncertainties of the modern age. The artist’s exploration of dreamlike states and subconscious desires resonated with audiences worldwide. In 1991, the Moscow art collective Inspection Medical Hermeneutics created “Klinger’s Boxes,” an installation directly inspired by his work—a testament to the enduring power of his vision. He remains a crucial figure in understanding the transition from 19th-century academic traditions to the radical experimentation of the 20th century. His art invites us to confront our own shadows, to delve into the mysteries of the human psyche, and to recognize the profound beauty that can be found even in the darkest corners of existence.

Notable Works & Continued Relevance

Beyond the celebrated Paraphrase on the Finding of a Glove, Klinger’s oeuvre boasts numerous significant pieces. Paintings like “Karl Haberstock,” showcasing his influence on fellow artists, and works reflected in collections at Kunstsammlungen und Museen Augsburg demonstrate his broad impact. His monochrome photographs, such as "Days Of March III," with their intriguing UFO sightings, reveal a willingness to embrace the unconventional and explore the boundaries of perception. Klinger’s art isn't merely historical; it remains strikingly relevant today. In an era defined by uncertainty and rapid change, his exploration of psychological themes—anxiety, alienation, and the search for meaning—continues to resonate with audiences worldwide. His legacy is a reminder that true artistic innovation lies not in simply replicating reality but in revealing its hidden depths and challenging our preconceived notions about the world around us.