Portret van Marion Post Wolcott

Schilderijen van Marion Post Wolcott: De 65 bekendste, door de ogen van een galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 65 werken van Marion Post Wolcott in onze catalogus

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In het oog van de galerie is het beroemdste schilderij van Marion Post Wolcott Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi (1940). Coney Island Lunch (1938) en White man in shack (1938) maken het trio compleet dat elk oog herkent. Van de 65 werken van Marion Post Wolcott in onze catalogus presenteert de galerie hieronder de 65 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1910 – 1990 Documentary photography Meeste werken: Boca Raton Museum of Art

De top 10 schilderijen van Marion Post Wolcott in de galerie

1
Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi (1940) door Marion Post Wolcott

Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi

1940

This poignant black and white photograph by Marion Post Wolcott offers a powerful glimpse into the hardships of the American South during the Great Depression. Captured in 1940 in Natchez, Mississippi, it depicts two women, burdened with heavy loads – one carrying a box of surplus relief commodities on her head – walking along a dusty path. More than just a snapshot, this image serves as a testament to human…

Schilderijen van Marion Post Wolcott, gerangschikt van 11 tot 65

11Large white house (1938) door Marion Post WolcottLarge white house1938 12Coal miners' card game on the porch, Chaplin, West Virginia (1938) door Marion Post WolcottCoal miners' card game on the porch, Chaplin, West Virginia1938 13Miner's wife on porch of their home, an abandoned company store. Pursglove, West Virginia (1938) door Marion Post WolcottMiner's wife on porch of their home, an abandoned company store. Pursglove, West Virginia1938 14French mulatto farmer. Melrose, Louisiana (1940) door Marion Post WolcottFrench mulatto farmer. Melrose, Louisiana1940 15Proprietor of a poolhall playing cards, Woodstock, Vermont (1939) door Marion Post WolcottProprietor of a poolhall playing cards, Woodstock, Vermont1939 16Barn and silos on rich farmland. Bucks County, Pennsylvania (1939) door Marion Post WolcottBarn and silos on rich farmland. Bucks County, Pennsylvania1939 17Dancing during the Cotton Carnival. Memphis, Tennessee (1940) door Marion Post WolcottDancing during the Cotton Carnival. Memphis, Tennessee1940 18Daughter of a Cajun family returning home after fishing in Cane River. Melrose, Louisiana (1940) door Marion Post WolcottDaughter of a Cajun family returning home after fishing in Cane River. Melrose, Louisiana1940 19Sulky Races, Shelby County Fair, Kentucky (1940) door Marion Post WolcottSulky Races, Shelby County Fair, Kentucky1940 20Woman lying in the sun, Miami Beach, Florida (1939) door Marion Post WolcottWoman lying in the sun, Miami Beach, Florida1939 21The hazards of travel by car. Jackson, Kentucky (1940) door Marion Post WolcottThe hazards of travel by car. Jackson, Kentucky1940 22Hanging bands of tobacco in barn to dry, Russell Spear's farm. Near Lexington, Kentucky (1940) door Marion Post WolcottHanging bands of tobacco in barn to dry, Russell Spear's farm. Near Lexington, Kentucky1940 23Gambling (skin game) in juke joint on Saturday night, near Moore Haven, Florida (1941) door Marion Post WolcottGambling (skin game) in juke joint on Saturday night, near Moore Haven, Florida1941 24Advertisement on the side of a drugstore, Wendell, North Carolina (1939) door Marion Post WolcottAdvertisement on the side of a drugstore, Wendell, North Carolina1939 25Selling watermelons on Saturdays and court day in Jackson, Breathitt County, Kentucky (1940) door Marion Post WolcottSelling watermelons on Saturdays and court day in Jackson, Breathitt County, Kentucky1940 26Migrant agricultural workers waiting in line behind truck in the field, for a day's work. Near Belle Glade, Florida (1939) door Marion Post WolcottMigrant agricultural workers waiting in line behind truck in the field, for a day's work. Near Belle Glade, Florida1939 27County judge on the main street, Leadville, Colorado (1941) door Marion Post WolcottCounty judge on the main street, Leadville, Colorado1941 28Work horses on a Farm Security Administration project. Scott's Bluff, Nebraska (1941) door Marion Post WolcottWork horses on a Farm Security Administration project. Scott's Bluff, Nebraska1941 29Counting ballots to see whether the town will go wet or dry. Woodstock, Vermont (1940) door Marion Post WolcottCounting ballots to see whether the town will go wet or dry. Woodstock, Vermont1940 30Flint River Farms School, near Montezuma, Georgia (1939) door Marion Post WolcottFlint River Farms School, near Montezuma, Georgia1939 · Boca Raton Museum of Art 31Corn shucking at the Fred Wilkins farm. Stem, North Carolina (1939) door Marion Post WolcottCorn shucking at the Fred Wilkins farm. Stem, North Carolina1939 32Pahokee Hotel, migrant vegetable picker's quarters. Near Homestead, Florida (1941) door Marion Post WolcottPahokee Hotel, migrant vegetable picker's quarters. Near Homestead, Florida1941 33Child in doorway of shack of migrant pickers and packing house workers, near Belle Glade, Florida (1939) door Marion Post WolcottChild in doorway of shack of migrant pickers and packing house workers, near Belle Glade, Florida1939 34Hot lunches for children of agricultural workers in day nursery of Okeechobee, Migratory Labor camp. Belle Glade, Florida (1941) door Marion Post WolcottHot lunches for children of agricultural workers in day nursery of Okeechobee, Migratory Labor camp. Belle Glade, Florida1941 35Haircutting in front of general store on Saturday afternoon, Marcella Plantation. Mileston, Mississippi (1939) door Marion Post WolcottHaircutting in front of general store on Saturday afternoon, Marcella Plantation. Mileston, Mississippi1939 36Peddler who goes from door to door, selling hardware and groceries. Woodstock, Vermont (1940) door Marion Post WolcottPeddler who goes from door to door, selling hardware and groceries. Woodstock, Vermont1940 37A fireplace in an old mud hut which was built and is still lived in by a French mulatto family, near the John Henry plantation. Melrose, Louisiana (1940) door Marion Post WolcottA fireplace in an old mud hut which was built and is still lived in by a French mulatto family, near the John Henry plantation. Melrose, Louisiana1940 38The Whittler, an old Negro man (ex slave) Camden, Alabama (1939) door Marion Post WolcottThe Whittler, an old Negro man (ex slave) Camden, Alabama1939 39The Titus Oakley family stripping, tying, and grading tobacco in their bedroom. Granville, County, North Carolina (1939) door Marion Post WolcottThe Titus Oakley family stripping, tying, and grading tobacco in their bedroom. Granville, County, North Carolina1939 40Farmers sleeping in a white camp room in a warehouse. They often must remain several days before their tobacco is sold. Durham, North Carolina (1939) door Marion Post WolcottFarmers sleeping in a white camp room in a warehouse. They often must remain several days before their tobacco is sold. Durham, North Carolina1939 41Negro men and women working in a field, Bayou Bourbeaux Plantation. Natchitoches, Louisiana (1940) door Marion Post WolcottNegro men and women working in a field, Bayou Bourbeaux Plantation. Natchitoches, Louisiana1940 42Migrant agricultural workers waiting in line behind truck in the field, for pay for day's work. Near Belle Glade, Florida (1939) door Marion Post WolcottMigrant agricultural workers waiting in line behind truck in the field, for pay for day's work. Near Belle Glade, Florida1939 43Children of migrant workers. Near Homestead, Florida (1939) door Marion Post WolcottChildren of migrant workers. Near Homestead, Florida1939 44Picketing copper miners on strike waiting for the scabs (strikebreakers) to come out of the mine. Ducktown, Tennessee (1939) door Marion Post WolcottPicketing copper miners on strike waiting for the scabs (strikebreakers) to come out of the mine. Ducktown, Tennessee1939 45Migrants playing checkers (with bottle caps), on a juke joint porch after a freeze out of vegetable crops. Near Okeechobee, Florida (1940) door Marion Post WolcottMigrants playing checkers (with bottle caps), on a juke joint porch after a freeze out of vegetable crops. Near Okeechobee, Florida1940 46Oldest child of migrant packing house workers preparing supper. Her parents work during the day and sometimes until 2 A.M. The children are left alone. Near Homestead, Florida (1939) door Marion Post WolcottOldest child of migrant packing house workers preparing supper. Her parents work during the day and sometimes until 2 A.M. The children are left alone. Near Homestead, Florida1939 47Mexican woman, seasonal labor contracted for by planters, picking cotton on Knowlton Plantation, Perthshire, Mississippi Delta, Mississippi (1939) door Marion Post WolcottMexican woman, seasonal labor contracted for by planters, picking cotton on Knowlton Plantation, Perthshire, Mississippi Delta, Mississippi1939 48Jorena Pettway sorting peas inside her smokehouse. She still has many fruits and vegetables, which she canned last year, on the shelves around her. Gee's Bend, Alabama (1939) door Marion Post WolcottJorena Pettway sorting peas inside her smokehouse. She still has many fruits and vegetables, which she canned last year, on the shelves around her. Gee's Bend, Alabama1939 49Meeting of the Colored County Land Use Planning Committee to work on county maps, in school house, Yanceyville, North Carolina (1940) door Marion Post WolcottMeeting of the Colored County Land Use Planning Committee to work on county maps, in school house, Yanceyville, North Carolina1940 50A woman from New Jersey picking beans. Hampers are heavy and must be moved along as one picks. Homestead, Florida (1939) door Marion Post WolcottA woman from New Jersey picking beans. Hampers are heavy and must be moved along as one picks. Homestead, Florida1939 51Migrant family from Missouri camping out in cane brush. One woman said, We ain't never lived like hogs before, but we sure does now. Canal Point, Florida (1939) door Marion Post WolcottMigrant family from Missouri camping out in cane brush. One woman said, We ain't never lived like hogs before, but we sure does now. Canal Point, Florida1939 52Lake Providence Grocery (1938) door Marion Post WolcottLake Providence Grocery1938 53Carnival signs, Strawberry Festival. Plant City, Florida (1978) door Marion Post WolcottCarnival signs, Strawberry Festival. Plant City, Florida1978 54Winter Tourists Picnicking on Beach near Sarasota, Fla. (1980) door Marion Post WolcottWinter Tourists Picnicking on Beach near Sarasota, Fla.1980 · Amon Carter Museum of American Art 55Children of Tenant Farmer, Younger One with Severe Rickets from Malnourishment. Land Worn Out from Cotton-Tobacco Culture, near Wadesboro, North Carolina door Marion Post WolcottChildren of Tenant Farmer, Younger One with Severe Rickets from Malnourishment. Land Worn Out from Cotton-Tobacco Culture, near Wadesboro, North Carolina 56Mountains (1938) door Marion Post WolcottMountains1938 57The Piney Hotel (1938) door Marion Post WolcottThe Piney Hotel1938 58Tourist Cabins (1938) door Marion Post WolcottTourist Cabins1938 59Coal Miner's child carrying home a can of kerosene, Scotts Run, West Virginia (1938) door Marion Post WolcottCoal Miner's child carrying home a can of kerosene, Scotts Run, West Virginia1938 60Fields of shucked corn. Near Marion, Virginia (1940) door Marion Post WolcottFields of shucked corn. Near Marion, Virginia1940 61Mountaineers cutting tobacco. Jackson, Kentucky (1940) door Marion Post WolcottMountaineers cutting tobacco. Jackson, Kentucky1940 62Couple carrying home groceries, kerosene on horseback. Kentucky Mountains (1940) door Marion Post WolcottCouple carrying home groceries, kerosene on horseback. Kentucky Mountains1940 63Man Playing Guitar on Porch, Natchitoches, Louisiana (1940) door Marion Post WolcottMan Playing Guitar on Porch, Natchitoches, Louisiana1940 · Ogden Museum of Southern Art 64Corn shocks and split rail fence (1978) door Marion Post WolcottCorn shocks and split rail fence1978 65Living quarters and (1982) door Marion Post WolcottLiving quarters and1982

De beroemde schilderijen van Marion Post Wolcott, periode voor periode

De onderwerpen die de aandacht van Marion Post Wolcott troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Marion Post Wolcott worden bewaard

De 3 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Marion Post Wolcott Schilderijen uit deze lijst
Boca Raton Museum of Art, Boca RatonBoca Raton Museum of Art Boca Raton 1 Flint River Farms School, near Montezuma, Georgia
Amon Carter Museum of American Art, Fort WorthAmon Carter Museum of American Art Fort Worth 1 Winter Tourists Picnicking on Beach near Sarasota, Fla.
Ogden Museum of Southern Art, New OrleansOgden Museum of Southern Art New Orleans 1 Man Playing Guitar on Porch, Natchitoches, Louisiana

Marion Post Wolcott, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Marion Post Wolcott: de galerie geeft antwoord

Welk schilderij van Marion Post Wolcott is het beroemdste van allemaal?Onthul het antwoord

Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi (1940). Coney Island Lunch (1938) en White man in shack (1938) volgen.

Hoe oud was Marion Post Wolcott bij de voltooiing van Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi?Onthul het antwoord

30 jaar oud: Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi dateert uit 1940, en Marion Post Wolcott werd geboren in 1910.

Wat zijn de top 10 schilderijen van Marion Post Wolcott?Onthul het antwoord

Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi, Coney Island Lunch, White man in shack, Mule getting shod, White man on wagon, Workers and truck, Gathering of black men, Two black men sitting outside tin shack, Three black women cooking en Black workers. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Marion Post Wolcott gemaakt?Onthul het antwoord

Onze catalogus bevat 65 werken van Marion Post Wolcott, daterend van 1938 tot 1982.

Waar hangen de beroemdste originele werken van Marion Post Wolcott?Onthul het antwoord

Voornamelijk in Boca Raton Museum of Art (Boca Raton), Amon Carter Museum of American Art (Fort Worth) en Ogden Museum of Southern Art (New Orleans). De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Marion Post Wolcott de beroemdste schilderijen?Onthul het antwoord

In 1930s: 37 van de 65 werken op deze pagina werden toen gemaakt, waaronder Coney Island Lunch.

Wat zijn de vroegste en laatste beroemde werken van Marion Post Wolcott?Onthul het antwoord

Op deze pagina is het vroegste Coney Island Lunch (1938) en het laatste Living quarters and (1982).

Welke onderwerpen keerde Marion Post Wolcott het vaakst naar terug?Onthul het antwoord

American history (5), Rural america (5) en Great depression (3), verspreid over de 65 werken op deze pagina.

Bij welke stroming wordt Marion Post Wolcott gerekend?Onthul het antwoord

Documentary photography en Social documentary photography, te oordelen aan de originelen op deze pagina.

Marion Post Wolcott: de kunstenaar

The Genesis of a Visionary Eye

Born in the quiet enclave of Montclair, New Jersey, Marion Post Wolcott’s journey toward becoming one of America's most poignant visual chroniclers was shaped by a childhood of both artistic richness and personal upheaval. Growing up amidst the vibrant, bohemian atmosphere of Greenwich Village after her parents' divorce, she was immersed in a world where music and dance were not merely entertainments but vital expressions of the human spirit. This early exposure to the arts instilled in her a profound sensitivity to rhythm and emotion—a quality that would later define her photographic compositions.

Her studies at the New School further refined this aesthetic sensibility, yet it was her encounter with the work of Viennese photographer Trude Fleischmann that truly ignited her technical passion. As the shadows of Nazi persecution loomed over Europe, Wolcott’s return to the United States was marked by a burgeoning awareness of the world's fragility, setting the stage for a career dedicated to documenting the raw, unvarnished truths of the American experience.

Documenting Dignity Amidst Desolation

When Wolcott joined the Farm Security Administration in the late 1930s, she stepped into a landscape of profound economic devastation. Her lens became a tool for social justice, capturing the quiet resilience of those caught in the grip of the Great Depression. Unlike some of her contemporaries who focused solely on the tragedy of poverty, Wolcott possessed a unique ability to find dignity within the struggle. Whether she was documenting the weary strength of black workers in rural fields or the heavy burdens carried by women in Natchez, Mississippi, her images transcended mere reportage.

Her work in the Jim Crow South provided an unflinching look at systemic inequality, yet she approached her subjects with an unwavering empathy that prevented her photos from becoming purely exploitative. Through her camera, the struggle for survival was elevated to a narrative of human endurance, turning the dust and hardship of the American South into a powerful testament to the strength of the human soul.

A Lasting Legacy of Social Realism

The technical mastery of Wolcott’s work lies in its stark, silver gelatin simplicity. Utilizing the profound emotional weight of black and white photography, she stripped away the distractions of color to focus on texture, light, and expression. Her compositions were often direct and unpretentious, mirroring the honesty of her subjects. Through her involvement with the New York Photo League alongside luminaries like Paul Strand and Ralph Steiner, she helped shape the movement of social realism in American photography.

  • Historical Significance: Her FSA archive remains an essential primary source for studying the Great Depression and the Jim Crow era.
  • Artistic Influence: She pioneered a style of documentary photography that balances journalistic truth with poetic composition.
  • Humanitarian Impact: Her work brought the overlooked realities of rural America to the forefront of national consciousness.