Portret van Maria Oakey Dewing

De 4 bekendste schilderijen van Maria Oakey Dewing, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 4 werken van Maria Oakey Dewing in onze catalogus

Kortom

Van alle originele werken die Maria Oakey Dewing heeft nagelaten, is Irises and Calla Lilies (1890) het bekendst, in de collectie van het Detroit Institute of Arts, Detroit. Direct daarna volgen Garden in May (1895) en Iris at Dawn (1899). Onze catalogus bevat 4 werken van Maria Oakey Dewing; de galerie heeft de 4 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1845 – 1927, New York City Meeste werken: Detroit Institute of Arts

De top 10 schilderijen van Maria Oakey Dewing: de selectie van de galerie

4
Rose Garden (1901) door Maria Oakey Dewing

Rose Garden

Maria Oakey Dewing painted Rose Garden during one of her last summers in Cornish, New Hampshire, an artists’ colony where she and her family had spent every summer for 15 years. The cropped, close-up study of flowers, color, and texture places the viewer among the leaves, stems, and blossoms of her garden.Trained at Cooper Union School of Design for Women and the National Academy of Design, Dewing had a successful…

De musea waar de originele werken van Maria Oakey Dewing worden bewaard

De 4 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Maria Oakey Dewing Schilderijen uit deze lijst
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Irises and Calla Lilies
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Garden in May
Hood Museum of Art, HanoverHood Museum of Art Hanover 1 Iris at Dawn
Crystal Bridges Museum of American Art, BentonvilleCrystal Bridges Museum of American Art Bentonville 1 Rose Garden

Maria Oakey Dewing jaar voor jaar: de originelen die elk jaar definiëren

De selectie beslaat de periode van Maria Oakey Dewing over 12 jaar, van 1890 tot 1901, met de beste originele werken van elk jaar.

Werken per jaar

Selecteer een jaar om de originele werken te bekijken.

Vragen van verzamelaars over de schilderijen van Maria Oakey Dewing

Waar is Maria Oakey Dewing het meest bekend om?Onthul het antwoord

Irises and Calla Lilies (1890), Detroit Institute of Arts, Detroit. Garden in May (1895) en Iris at Dawn (1899) volgen.

Hoe oud was Maria Oakey Dewing toen Irises and Calla Lilies werd gemaakt?Onthul het antwoord

45 jaar oud: Irises and Calla Lilies dateert uit 1890, en Maria Oakey Dewing werd geboren in 1845.

Hoeveel schilderijen heeft Maria Oakey Dewing nagelaten?Onthul het antwoord

Onze catalogus bevat 4 werken van Maria Oakey Dewing, daterend van 1890 tot 1901.

In welke musea hangen de meesterwerken van Maria Oakey Dewing?Onthul het antwoord

Voornamelijk in Detroit Institute of Arts (Detroit), Smithsonian American Art Museum (Washington, D.C.) en Hood Museum of Art (Hanover). De bovenstaande museumtabel bevat een volledig overzicht.

Wat zijn de eerste en de laatste beroemde originelen van Maria Oakey Dewing?Onthul het antwoord

Op deze pagina is het vroegste Irises and Calla Lilies (1890) en het laatste Rose Garden (1901).

Maria Oakey Dewing: leven en werk

Maria Richards Oakey Dewing (1845 – 1927): A Florist’s Vision of Impressionism

Maria Richards Oakey Dewing, born October 27, 1845 in New York City, was a prominent American painter celebrated for her exquisite depictions of flowers and her pivotal role in establishing the Art Students League. Her artistic journey began at seventeen when she enrolled at Cooper Union School of Design, immersing herself in studies under luminaries like William Rimmer, Edwin Forbes, Robert Swain Gifford, and George Edmund Butler—artists who championed a bold new approach to artmaking. Helena de Kay, a fellow artist and cherished friend, further nurtured her talent during these formative years. Dewing’s fascination with Japanese aesthetics profoundly impacted her artistic style, particularly evident in her masterful use of color palettes and compositional techniques. Inspired by John La Farge—a celebrated artist whose own explorations into the beauty of nature served as a guiding force—she embarked on a lifelong pursuit of capturing fleeting moments of visual splendor. Her dedication to botanical observation translated seamlessly onto canvas, resulting in paintings that possessed an unparalleled level of detail and sensitivity.
  • Early Life & Education: Dewing’s upbringing instilled in her a deep appreciation for art and culture. She honed her skills at Cooper Union and the National Academy of Design, absorbing influences from masters like George Inness and Frederic Church—artists who championed realism alongside Impressionistic ideals.
  • Marriage & Family: In 1881, Dewing married Thomas Wilmer Dewing, a fellow artist with whom she shared a passion for artistic experimentation. Together they cultivated a vibrant home life in Cornish, New Hampshire, where their garden served as an unending source of inspiration for her paintings.
  • The Art Students League & Artistic Innovation: Recognizing the need for a supportive environment for aspiring artists—particularly women—Dewing co-founded the Art Students League of New York in 1875. This institution fostered a spirit of collaboration and encouraged artistic innovation, propelling Dewing’s career forward.

Floral Mastery: Style & Technique

Dewing's distinctive style was characterized by broad brushstrokes and luminous colors—a hallmark of Impressionism. She prioritized capturing the ephemeral qualities of light and atmosphere, striving to convey not just what she saw but also how it felt. Her meticulous attention to detail—particularly in rendering petal textures and floral forms—demonstrated her profound understanding of botany and her unwavering commitment to artistic excellence. Critics lauded her work for its “absolute uniqueness,” recognizing Dewing’s ability to transform ordinary subjects into extraordinary expressions of beauty.
  • Notable Works: Among her most celebrated paintings are *Garden in May* (1895), *Bed of Poppies* (1903), and *Iris at Dawn* (1909)—each piece showcasing Dewing’s poetic sensibility and masterful command of color.
  • Influence & Legacy: Dewing's influence extended beyond her own artistic output, shaping the aesthetic sensibilities of subsequent generations of American painters. Her unwavering belief in Impressionistic ideals helped solidify its position as a dominant movement within the art world.

Recognition & Exhibitions

Dewing’s talent garnered international acclaim during the 1893 World's Columbian Exposition in Chicago and the 1901 Pan-American Exposition, where her paintings captivated audiences and cemented her reputation as a leading artist of her time. Collaborations with Thomas Dewing produced several noteworthy artworks—including *Hymn* (1884)—further enriching her artistic repertoire. Her dedication to capturing the beauty of the natural world earned her bronze medals at both expositions.

Concluding Thoughts

Maria Richards Oakey Dewing’s life was marked by intellectual curiosity, artistic passion, and unwavering devotion to her craft—qualities that continue to inspire admiration today. Despite facing personal challenges—including the tragic loss of her son—Dewing persevered in her pursuit of artistic excellence, leaving behind a legacy of stunning floral paintings that embody the spirit of Impressionism and celebrate the transformative power of observation. Her work resides in prominent museums across the United States, ensuring that her vision of beauty endures for generations to come.