Kortom
In het oog van de galerie is het beroemdste schilderij van Lawrence Weiner Turf, Stake and String from S.M.S. No. 5 (1968). Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) en A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968) maken het trio compleet dat elk oog herkent. Van de 11 werken van Lawrence Weiner in onze catalogus presenteert de galerie hieronder de 11 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
De top 10 schilderijen van Lawrence Weiner in de galerie
A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall
A Study in Texture: Lawrence Weiner's "Removal" Lawrence Weiner’s 1968 work, “A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall,” is far more than its seemingly straightforward title suggests. It represents a pivotal moment in Conceptual Art, moving away from traditional artistic creation and focusing instead on the idea itself. This piece isn't about what *is* present, but rather what has…
Schilderijen van Lawrence Weiner, gerangschikt van 11 tot 11
De musea waar de originele werken van Lawrence Weiner worden bewaard
De 3 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Lawrence Weiner | Schilderijen uit deze lijst |
|---|---|---|---|
| Porto | 1 | The Level of Water | |
| Chicago | 1 | TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM | |
| Barcelona | 1 | Some Objects of Desire |
Lawrence Weiner, één iconisch schilderij per decennium
Werken per decennium
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand
Schilderijen van Lawrence Weiner: de galerie geeft antwoord
Welk schilderij van Lawrence Weiner is het beroemdste van allemaal?Onthul het antwoord
Turf, Stake and String from S.M.S. No. 5 (1968). Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) en A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968) volgen.
Hoe oud was Lawrence Weiner bij de voltooiing van Turf, Stake and String from S.M.S. No. 5?Onthul het antwoord
26 jaar oud: Turf, Stake and String from S.M.S. No. 5 dateert uit 1968, en Lawrence Weiner werd geboren in 1942.
Wat zijn de top 10 schilderijen van Lawrence Weiner?Onthul het antwoord
Turf, Stake and String from S.M.S. No. 5, Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand, A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall, The Level of Water, With a Relation to the Various Manners of Placement and or Location, TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, Altered to Suit A Film of Lawrence Weiner, CRUSHED BETWEEN COBBLESTONES, As Time Goes By en Wind and the Willows What's Our Hero To Do. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Hoeveel werken heeft Lawrence Weiner gemaakt?Onthul het antwoord
Onze catalogus bevat 11 werken van Lawrence Weiner, daterend van 1968 tot 2004.
Waar hangen de beroemdste originele werken van Lawrence Weiner?Onthul het antwoord
Voornamelijk in Fundação de Serralves (Porto), Art Institute of Chicago (Chicago) en Museu d'Art Contemporani (Barcelona). De bovenstaande museumtabel bevat een volledig overzicht.
Wanneer creëerde Lawrence Weiner de beroemdste schilderijen?Onthul het antwoord
In 1970s: 3 van de 11 werken op deze pagina werden toen gemaakt, waaronder The Level of Water.
Wat zijn de vroegste en laatste beroemde werken van Lawrence Weiner?Onthul het antwoord
Op deze pagina is het vroegste Turf, Stake and String from S.M.S. No. 5 (1968) en het laatste Some Objects of Desire (2004).
Lawrence Weiner: de kunstenaar
The Language of Materiality
Lawrence Weiner was an American conceptual artist born in Manhattan, United States. His practice centered on the use of language as a sculptural medium, often utilizing wall texts and statements to describe sculptural processes and materials. He developed a framework known as the Declaration of Intent, which established that a piece may be constructed, fabricated, or may not need to be built at all, leaving the final condition to the receiver. His work explored the relationship between language, materials, and space, often focusing on the inherent properties of substances like wood, stone, and metal.
Throughout his career, Weiner's work was presented in various formats, including:
Exhibitions and Recognition
Weiner's work has been showcased in numerous international institutions, including the Stedelijk Museum Amsterdam, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Tate Gallery in London. His exhibitions spanned various locations, such as the San Francisco Museum of Modern Art and the Museum Ludwig in Cologne. He participated in several Documenta exhibitions and the Venice Biennale.
His professional recognition included several honors, such as: