Portret van Lance Calkin

De 31 bekendste schilderijen van Lance Calkin, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 39 werken van Lance Calkin in onze catalogus

Kortom

Van alle originele werken die Lance Calkin heeft nagelaten, is Sir John Tenniel (1820–1914) (1902) het bekendst, in de collectie van het British Library, Londen. Direct daarna volgen Joseph Sim Earle (1839–1912) (1884) en Dr John Hughlings Jackson (1895). Onze catalogus bevat 39 werken van Lance Calkin; de galerie heeft de 31 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1859 – 1936, London Meeste werken: National Portrait Gallery

De top 10 schilderijen van Lance Calkin: de selectie van de galerie

1
Sir John Tenniel (1820–1914) (1902) door Lance Calkin

Sir John Tenniel (1820–1914)

1902 · Oil On Canvas · British Library, Londen

An elderly gentleman sits in a centered, formal pose, his presence commanding the frame through a quiet, somber gravity. He is captured in a moment of profound thought, with one hand resting against his chin in a gesture of wisdom or deep reflection. The lighting is dramatic, emerging from an unseen source above and to the left to cast heavy shadows across his features and hands. This chiaroscuro effect emphasizes…

2
Joseph Sim Earle (1839–1912) (1884) door Lance Calkin

Joseph Sim Earle (1839–1912)

1884 · Oil

An elderly man emerges from a dark, indistinct void. He is a study in shadow and bone, his face a map of lived experience. The light falls from above and to the left, catching the ridge of a brow and the silvered texture of a beard. Every line on his skin tells of a season passed. He sits in a quiet, centered stillness, his gaze fixed on a point beyond…

3
Dr John Hughlings Jackson (1895) door Lance Calkin

Dr John Hughlings Jackson

In this portrait of Dr John Hughlings Jackson, Lance Calkin captures the likeness of a man whose intellectual presence is felt through a quiet, steady gaze. Created about 1895, the work presents the English neurologist with a sense of formal dignity. The subject, born at Providence Green, Green Hammerton, near Harrogate, Yorkshire, is depicted with the gravity suited to his professional standing. He was the youngest son of Samuel Jackson…

4
King George V (1914) door Lance Calkin

King George V

1914 · Oil · National Portrait Gallery, Londen

In this 1914 oil portrait, Lance Calkin captures the presence of King George V. The subject meets the viewer with a steady, calm gaze that seems to hold the weight of a changing era. There is a profound sense of dignity in the way the monarch is presented, a quality that defines the character of the man within the frame. The portrait offers a glimpse into a moment of quiet…

5
Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886) (1888) door Lance Calkin

Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

In this portrait of Reverend E. F. Witts, we encounter a man defined by his station and the gravity of his vocation. Painted in 1888, the work captures the Rector of Upper Slaughter during the final years of his life. There is a certain stillness here, a sense of a life lived within the structured rhythms of the Victorian church. The subject is presented in a three-quarter profile, his gaze…

6
Edward VII (1841–1910) door Lance Calkin

Edward VII (1841–1910)

Oil · Doncaster Mansion House, Doncaster

In this portrait, we encounter Edward VII, the King of England from 1901 to 1910, captured in a moment of profound stillness. He is seated, his presence commanding the space through a quiet, regal composure rather than through overt movement. In his right hand, he holds a scepter, a direct symbol of his authority and the continuity of the British monarchy. A crown rests upon his head, grounding the image…

7
John Feeney (1906) door Lance Calkin

John Feeney

1906 · Oil On Canvas · Birmingham Museums And Art Gallery, Birmingham

In this 1906 oil on canvas, Lance Calkin captures the presence of John Feeney. The subject sits before us, a man whose life is deeply woven into the fabric of Birmingham. As a prominent newspaper proprietor and a dedicated philanthropist, Feeney carries a certain weight in his gaze. He is a figure of influence, someone whose decisions shaped the local landscape and whose generosity would eventually leave a lasting mark…

8
John Reynolds (1826–1919) (1881) door Lance Calkin

John Reynolds (1826–1919)

In this 1881 portrait, we find ourselves in the presence of John Reynolds, a man whose life spanned the transition from the early nineteenth century into the modern era. He sits in a chair, his hands clasped in a gesture of stillness, looking away from the viewer toward something unseen in the distance. There is a certain weight to his posture, the kind that comes from a life of intellect…

9
The Patchwork Quilt (1887) door Lance Calkin

The Patchwork Quilt

1887 · Oil On Canvas · Nottingham Castle Museum And Art Gallery, Nottingham

The Patchwork Quilt is an oil on canvas painted by Lance Calkin in 1887. This work represents an exploration of domesticity and texture, focusing on the quiet details of a private, interior life. Through his careful application of paint, Calkin captures a specific sense of material presence within a domestic setting.

10
David Powell (1840–1897), Governor of the Bank of England (1892–1895) (1892) door Lance Calkin

David Powell (1840–1897), Governor of the Bank of England (1892–1895)

1892 · Oil

The painting depicts a man seated in a chair, his hands resting in a crossed position. He possesses a beard and a mustache, features that define his facial structure. He is dressed in a formal suit and tie, consistent with the attire of a gentleman from the late nineteenth century. The subject is positioned centrally, occupying much of the frame. In the composition, two birds are visible: one is situated…

De selectie van Lance Calkin gaat verder, van 11 tot 31

De beroemde schilderijen van Lance Calkin, periode voor periode

De onderwerpen die de aandacht van Lance Calkin troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Lance Calkin worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Lance Calkin Schilderijen uit deze lijst
National Portrait Gallery, LondenNational Portrait Gallery Londen 2 King George V, Arthur Wellesley Peel, 1st Viscount Peel
Doncaster Mansion House, DoncasterDoncaster Mansion House Doncaster 2 Edward VII (1841–1910), Edward VII
Nottingham Castle Museum And Art Gallery, NottinghamNottingham Castle Museum And Art Gallery Nottingham 2 The Patchwork Quilt, Alderman John Barber, JP, Sheriff of Nottingham (1846), Mayor of Nottingham (1867–1869)
Reading Museum - Town Hall, ReadingReading Museum - Town Hall Reading 2 William Berkeley Monck (1842–1905), Owen Ridley (1838–1915)
City of Westminster Archives Centre, LondenCity of Westminster Archives Centre Londen 2 Councillor Edward Lygon Somers Cocks, Mayor of Westminster (1910–1911), Councillor Frank G. Rye, Mayor of Westminster (1922–1923)
British Library, LondenBritish Library Londen 1 Sir John Tenniel (1820–1914)
Barts And The London Queen Mary School of Medicine And Dentistry, LondonBarts And The London Queen Mary School of Medicine And Dentistry London 1 Dr John Hughlings Jackson
The Captain Christie Crawfurd English Civil War Collection, Stow-BoroThe Captain Christie Crawfurd English Civil War Collection Stow-Boro 1 Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

Lance Calkin decennium voor decennium: het origineel dat elk tijdperk definieert

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Vragen van verzamelaars over de schilderijen van Lance Calkin

Waar is Lance Calkin het meest bekend om?Onthul het antwoord

Sir John Tenniel (1820–1914) (1902), British Library, Londen. Joseph Sim Earle (1839–1912) (1884) en Dr John Hughlings Jackson (1895) volgen.

Hoe oud was Lance Calkin toen Sir John Tenniel (1820–1914) werd gemaakt?Onthul het antwoord

43 jaar oud: Sir John Tenniel (1820–1914) dateert uit 1902, en Lance Calkin werd geboren in 1859.

Wat zijn de tien beroemdste schilderijen van Lance Calkin?Onthul het antwoord

Sir John Tenniel (1820–1914), Joseph Sim Earle (1839–1912), Dr John Hughlings Jackson, King George V, Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886), Edward VII (1841–1910), John Feeney, John Reynolds (1826–1919), The Patchwork Quilt en David Powell (1840–1897), Governor of the Bank of England (1892–1895). De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Lance Calkin nagelaten?Onthul het antwoord

Onze catalogus bevat 39 werken van Lance Calkin, daterend van 1881 tot 1924.

In welke musea hangen de meesterwerken van Lance Calkin?Onthul het antwoord

Voornamelijk in National Portrait Gallery (Londen), Doncaster Mansion House (Doncaster) en Nottingham Castle Museum And Art Gallery (Nottingham). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Lance Calkin de beroemdste werken?Onthul het antwoord

In 1880s: 6 van de 31 werken op deze pagina werden toen gemaakt, waaronder Joseph Sim Earle (1839–1912).

Wat zijn de eerste en de laatste beroemde originelen van Lance Calkin?Onthul het antwoord

Op deze pagina is het vroegste John Reynolds (1826–1919) (1881) en het laatste Councillor Frank G. Rye, Mayor of Westminster (1922–1923) (1924).

Welke onderwerpen koos Lance Calkin het vaakst?Onthul het antwoord

Man (8), Beard (5) en Chair (5), verspreid over de 31 werken op deze pagina.

Welke techniek gebruikte Lance Calkin het meest?Onthul het antwoord

Oil On Canvas, voor 6 van de 31 werken op deze pagina.

Welke werken van Lance Calkin hangen in het National Portrait Gallery?Onthul het antwoord

King George V en Arthur Wellesley Peel, 1st Viscount Peel: het National Portrait Gallery, Londen herbergt 2 van de werken op deze pagina.

Lance Calkin: leven en werk

The Quiet Dignity of a Victorian Master

In the golden, twilight era of the nineteenth century, few artists captured the somber elegance and social gravity of British life as intimately as Lance Calkin. Born in London in 1859, Calkin was a product of both musical heritage and rigorous academic discipline. As the son of a musician, he likely developed an early sensitivity to rhythm and harmony—qualities that would later manifest in the balanced compositions and tonal precision of his oil paintings. His formal journey through the prestigious Slade School of Fine Art and the Royal Academy Schools provided him with a formidable foundation in classical principles, instilling a lifelong devotion to anatomical accuracy and the subtle interplay of light and shadow.

By 1895, Calkin had firmly established his professional presence by joining the Royal Institute of Painters in Oil Colours. This period marked his emergence as a significant voice within the British art community, a time when portraiture served not merely as a record of likeness but as a profound statement of character and social standing. His work was never characterized by the loud or the flamboyant; instead, he mastered the art of the understated. Through a meticulous application of paint, Calk in sought to reveal the inner essence of his subjects, using minute shifts in expression and posture to convey a sense of moral seriousness and quiet dignity that resonated with the Victorian ideals of his era.

A Legacy Captured in Oil and Ink

The breadth of Calkin’s oeuvre is a testament to his versatility as a chronicler of his time. While he is most celebrated for his portraits, his repertoire extends into historical scenes and poignant social commentaries that capture the tension of a changing world. His ability to navigate between the formal rigidity of high-society portraiture and the raw emotion of historical events allowed him to document the Victorian zeitgeist with unparalleled depth.

Among his most notable contributions to the art historical record are works that highlight his technical mastery and thematic range:

  • The Portrait of Arthur Wellesley Peel, First Viscount Peel: A definitive example of Calkin’s ability to utilize tonal gradation to bestow a sense of nobility and permanence upon his subjects.
  • Reverend E. F. Witts (1884–1886): In this depiction of the Rector of Upper Slaughter, Calkin demonstrates a profound capacity for spiritual solemnity, using light to evoke a sense of divine grace.
  • John Feeney: A 1906 masterpiece that showcases his skill in capturing the weight of industrial-era prominence through realistic textures and a commanding presence.
  • The Patchwork Quilt (1887): An exploration of domesticity and texture that reveals his ability to find beauty in the intricate details of everyday life.
  • Boer War: Wounded Soldiers Awaiting Medical Help: A departure from formal portraiture, this watercolor demonstrates his capacity for empathy and his ability to document the harrowing realities of conflict with a delicate yet powerful hand.

Historical Significance and Enduring Influence

Lance Calkin’s significance lies in his role as a visual historian. He did not merely paint faces; he painted the soul of an empire at its peak and during its transition into modernity. His work serves as a bridge between the rigid traditions of the Royal Academy and the burgeoning realism that would come to define much of late nineteenth-century art. By eschewing dramatic artifice in favor of truthful representation, he provided a window into the psychological landscape of the Victorian gentleman, the clergyman, and the common soldier alike.

Though his career spanned the turn of the century, the enduring power of his paintings lies in their timelessness. The meticulous detail with which he rendered fabric, skin, and light ensures that his subjects remain vibrant and present to the modern viewer. Today, as we look back upon the works of Calkin, we find more than just historical artifacts; we find a profound meditation on human dignity, captured through the steady, masterful hand of an artist who understood that the greatest truths are often found in the quietest moments.