Portret van Julius Uetz

Schilderijen van Julius Uetz: De 3 bekendste, door de ogen van een galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 3 werken van Julius Uetz in onze catalogus

Kortom

Volgens de visie van de galerie is het beroemdste schilderij van Julius Uetz Mädchenkopf (Studie) (1850), waarvan het origineel in het Augustiner Museum in Freiburg hangt. Half-length Portrait of a Young Girl (1849) en Self-portrait (1870) maken het trio compleet dat elk oog herkent. Van de 3 werken van Julius Uetz in onze catalogus presenteert de galerie hieronder de 3 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1829 – 1885, Karlsruhe Meeste werken: Augustiner Museum

De top 10 schilderijen van Julius Uetz in de galerie

De musea waar de originele werken van Julius Uetz worden bewaard

Het museum met de meeste schilderijen op deze pagina.

Museum Stad Werken van Julius Uetz Schilderijen uit deze lijst
Augustiner Museum, FreiburgAugustiner Museum Freiburg 3 Mädchenkopf (Studie), Half-length Portrait of a Young Girl, Self-portrait

Julius Uetz, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Julius Uetz: de galerie geeft antwoord

Welk schilderij van Julius Uetz is het beroemdste van allemaal?Onthul het antwoord

Mädchenkopf (Studie) (1850), Augustiner Museum, Freiburg. Half-length Portrait of a Young Girl (1849) en Self-portrait (1870) volgen.

Hoe oud was Julius Uetz bij de voltooiing van Mädchenkopf (Studie)?Onthul het antwoord

21 jaar oud: Mädchenkopf (Studie) dateert uit 1850, en Julius Uetz werd geboren in 1829.

Hoeveel werken heeft Julius Uetz gemaakt?Onthul het antwoord

Onze catalogus bevat 3 werken van Julius Uetz, daterend van 1849 tot 1870.

Waar hangen de beroemdste originele werken van Julius Uetz?Onthul het antwoord

Voornamelijk in Augustiner Museum (Freiburg). De bovenstaande museumtabel bevat een volledig overzicht.

Wat zijn de vroegste en laatste beroemde werken van Julius Uetz?Onthul het antwoord

Op deze pagina is het vroegste Half-length Portrait of a Young Girl (1849) en het laatste Self-portrait (1870).

Welke originelen van Julius Uetz zijn in de collectie van het Augustiner Museum?Onthul het antwoord

Mädchenkopf (Studie), Half-length Portrait of a Young Girl en Self-portrait: het Augustiner Museum, Freiburg herbergt 3 van de werken op deze pagina.

Julius Uetz: de kunstenaar

A Life in Portraiture

Julius Siegfried Uetz lived a life shaped by the quiet observations of the human face. Born in 1829 in Karlsruhe, he spent his years moving through the cultural centers of Germany, finding work and inspiration in places like Graz, Frankfurt am Main, and Freiburg. He was a painter who focused his attention on the individual, capturing the essence of those who sat before him with a steady, observant hand.

His career was defined by the intimacy of portraiture. While he moved between different cities, his work remained rooted in the figurative tradition. There is a sense of stillness in his known works, such as his 1870 self-portrait, which suggests a man deeply acquainted with the act of looking closely at himself and others.

The Art of the Individual

Uetz possessed a particular talent for capturing youth and tenderness through his brush. His paintings often centered on single figures, focusing on the subtle expressions that define a person's character. Some of his notable subjects include:

  • Young woman holding a lamb: A piece that highlights his ability to blend human emotion with gentle subject matter.
  • Half-length Portrait of a Young Girl (1849): An early work demonstrating his developing skill in the figurative style.
  • Mädchenkopf (Studie): A study of a girl's head that shows his dedication to mastering form and light.
  • Portrait of a Woman (1885): One of his final works, completed around the time of his death.

His technique was grounded in the reality of his subjects. He did not seek to transform them into something else, but rather to present them as they were. This commitment to the figurative style allowed him to leave behind a collection of works that remain part of local museum collections today.

A Final Chapter in Freiburg

The later years of Uetz's life brought him to Freiburg, where he remained until his death in 1885. Though his presence in the broader art market was quiet, his contribution to the portraiture of his era remains documented through his surviving paintings and auction records. He left behind a legacy of careful observation, recorded in the faces of the people he painted during his time in Germany.