Kortom
Visiting Grandfather (1853) is het schilderij van Julius Exner dat de meeste aandacht trekt; het origineel bevindt zich in het Statens Museum for Kunst, Kopenhagen. Daarna gaat de blik naar En fattig kone der venter på et krus øl i en bondestue (1852) en En amagerkone (1852). Van de 19 werken van Julius Exner in onze catalogus zijn dit de 19 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
Top 10 schilderijen van Julius Exner, door de ogen van de galerie
De beroemde schilderijen van Julius Exner, nummer 11 tot 19
De musea waar de originele werken van Julius Exner worden bewaard
De 5 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Julius Exner | Schilderijen uit deze lijst |
|---|---|---|---|
| Kopenhagen | 12 | Visiting Grandfather, En fattig kone der venter på et krus øl i en bondestue, En amagerkone | |
| Aalborg | 2 | A village churchyard., Dressing the bride. Scene from the Hollænderby (Dutch village) on Amager. | |
| Kopenhagen | 1 | Blind man's bluff | |
| Esbjerg | 1 | Birthday visit to Grandma | |
| Aarhus | 1 | Præsentation for en kender |
Julius Exner door de decennia heen: elk een uniek origineel
Werken per decennium
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
The Danish Queen Thyra Danebod Trying to Soften the Heart of her Husband, Gorm the Old, towards some Christian Captives
Schilderijen van Julius Exner: vragen voor de galerie
Wat is het bekendste werk van Julius Exner?Onthul het antwoord
Visiting Grandfather (1853), Statens Museum for Kunst, Kopenhagen. En fattig kone der venter på et krus øl i en bondestue (1852) en En amagerkone (1852) volgen.
Op welke leeftijd creëerde Julius Exner Visiting Grandfather?Onthul het antwoord
28 jaar oud: Visiting Grandfather dateert uit 1853, en Julius Exner werd geboren in 1825.
Welke tien schilderijen van Julius Exner zijn het meest bekend?Onthul het antwoord
Visiting Grandfather, En fattig kone der venter på et krus øl i en bondestue, En amagerkone, The Danish Queen Thyra Danebod Trying to Soften the Heart of her Husband, Gorm the Old, towards some Christian Captives, Interior with peasants from the region of Amager, A Country Dance in the Hedebo District, Zealand, Sorteperspillerne, Blind man's bluff, Grandmother's visit to the little Convalescent en A village churchyard.. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Hoeveel werken van Julius Exner zijn er bekend?Onthul het antwoord
Onze catalogus bevat 19 werken van Julius Exner, daterend van 1849 tot 1910.
Waar kunnen de beroemdste originelen van Julius Exner worden bekeken?Onthul het antwoord
Voornamelijk in Statens Museum for Kunst (Kopenhagen), Kunsten Museum of Modern Art Aalborg (Aalborg) en Hirschsprung Collection (Kopenhagen). De bovenstaande museumtabel bevat een volledig overzicht.
In welke periode creëerde Julius Exner de bekendste schilderijen?Onthul het antwoord
In 1850s: 6 van de 19 werken op deze pagina werden toen gemaakt, waaronder Visiting Grandfather.
Welk beroemd schilderij van Julius Exner is de vroegste, en welke de laatste?Onthul het antwoord
Op deze pagina is het vroegste The Danish Queen Thyra Danebod Trying to Soften the Heart of her Husband, Gorm the Old, towards some Christian Captives (1849) en het laatste Self-Portrait, the Artist’s Last Work (1910).
Welke originele werken van Julius Exner kan ik zien in het Statens Museum for Kunst?Onthul het antwoord
Visiting Grandfather, En fattig kone der venter på et krus øl i en bondestue en En amagerkone: het Statens Museum for Kunst, Kopenhagen herbergt 12 van de werken op deze pagina.
Julius Exner: een portret van de kunstenaar
The Soul of the Danish Folk: The Life and Art of Julius Exner
Born in the vibrant heart of Copenhagen in 1825, Johan Julius Exner emerged as a defining voice of Denmark’s National Romantic period. While his early academic ambitions leaned toward the grand, dramatic narratives of history painting, Exner’s true genius lay in finding the extraordinary within the ordinary. Guided by the mentorship of masters like J. L. Lund and the legendary Christoffer Wilhelm Eckersberg, he moved away from the distant legends of antiquity to embrace the living, breathing pulse of the Danish countryside. His journey was one of profound intimacy, as he turned his gaze toward the unique customs, colorful costumes, and resilient spirits of the people inhabiting the fringes of his nation.
Exner’s artistic evolution was deeply intertwined with a burgeoning sense of patriotism and the cultural movement led by critic Niels Lauritz Høyen. This movement sought to look inward, celebrating uniquely Danish themes and folk identities. Exner found his most profound inspiration on the island of Amager, where he documented the lives of Dutch-descended farmers with a masterly touch. His works from this period, such as A Woman from Amager Counting Her Money, are not merely portraits but windows into a vanishing way of life. He possessed a rare ability to compose complex groups of people within the warm, textured interiors of old farmhouses, blending light and shadow to create scenes that felt both timeless and deeply human.
A Tapestry of Tradition and Light
The brilliance of Exner’s technique resided in his capacity for affectionate observation. He did not merely observe his subjects; he engaged with them, often traveling to the countryside during summer months to conduct live studies from nature. This dedication allowed him to capture the subtle nuances of character—the gentle humor in a child's play or the quiet dignity of an elder. His later years saw him captivated by the island of Fanø, where he continued to document the traditions of a community facing the encroaching tides of industrialization. Through his brush, these fleeting moments of self-sufficiency and communal joy were preserved in a state of idealized grace.
Beyond the domestic interiors of Denmark, Exner’s artistic curiosity led him across Europe. His travels through Italy, France, and Germany enriched his palette and perspective, as seen in the evocative A Gondola, which captures the shimmering, atmospheric light of Venice. This breadth of experience allowed him to weave together influences from Dutch and German genre painting with a distinctly Nordic sensibility. His work stands as a bridge between the structured perfection of the Golden Age and the raw, unvarnished truth of the Realist movement that would eventually follow in his footsteps.
Legacy and Artistic Significance
Exner’s contributions to the Danish art canon are marked by both academic prestige and enduring public affection. His career was decorated with numerous accolades, including:
- The Academy's Silver Medallions, earned during his formative years in the 1840s.
- A Professorship at the Danish Academy, a testament to his technical mastery and influence on subsequent generations.
- International Recognition, with works exhibited in prestigious venues from Paris to Vienna.
Today, the legacy of Julius Exner lives on through the permanent collections of the Statens Museum for Kunst and the Hirschsprung Collection. He remains a pivotal figure who captured the heart of a nation during a period of profound transition. By elevating the folk life of Amager and Fanø to the level of high art, Exner ensured that the faces, textures, and traditions of the Danish people would remain etched in the collective memory of the world, presented with a warmth and light that continues to enchant viewers centuries later.





