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Kortom
Volgens de visie van de galerie is het beroemdste schilderij van John Wootton The Death of the Hare (1735), waarvan het origineel in het Yale Center for British Art in New Haven hangt. Portrait of a Man on Horseback (1720) en The Meet of a Hunt with Henry II Hoare (1705 - 1785) (1729) maken het trio compleet dat elk oog herkent. Van de 91 werken van John Wootton in onze catalogus presenteert de galerie hieronder de 91 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
In this oil on canvas, we find ourselves in the quiet, heavy atmosphere of a post-hunt landscape. The scene is set during the soft, diffused light of late afternoon, where the sky holds pale blues and warm, creamy hues of a setting sun. Large, dark trees frame the composition on either side, creating a natural vignette that draws the eye inward toward the central drama. There is a profound sense…
In "Portrait of a Man on Horseback" by John Wootton, a gentleman sits mounted upon a dark bay horse. The composition is vertical and centered, fixing the viewer’s gaze directly upon the rider. He is dressed in regal riding attire, his presence defined by a coat of saturated red. This bold color cuts through the muted, earthy tones of the background. The subject meets the eye-level perspective of the observer,…
The composition centers on a group of horsemen and hounds assembled in a wide, rolling landscape. On the left, a tall stone obelisk rises vertically, providing a fixed point against the horizontal expanse of the countryside. The scene depicts a specific social gathering, identified by inscriptions as involving Henry Hoare and Benjamin Hoare. Henry Hoare is mounted on a horse, wearing a grey coat, while a groom leads a second…
The air feels heavy with the quiet dignity of the 18th century as a chestnut Arabian horse commands the center of the scene. Its sleek, muscular form catches the light from the upper left, casting soft shadows that define every curve of its powerful body. This is a portrait of poise and breeding. To the left, a man in classical attire holds the reins with a steady hand, his presence…
We are looking at The Duke of Hamilton's Grey Racehorse, 'Victorious,' at Newmarket, a significant work by the English painter John Wootton. Created about 1725, this oil painting captures a grey racehorse positioned within a vast, open landscape. The subject is presented with a sense of quiet dignity, set against an expansive backdrop that emphasizes the scale of the environment.
In this oil painting from about 1723, the viewer enters a moment of high social ritual. Lamprey at Newmarket, with a Group of Figures Including Sir William Morgan and Girolamo Bardoletti presents a formal presentation of a grey horse to a gathering of gentlemen. The scene unfolds in an outdoor setting, where the quiet tension of the assembly meets the presence of the animal. The artist, John Wootton, captures a…
A white stallion and a black stallion collide in a moment of intense physical struggle. The composition relies on a sharp diagonal tension, driving the eye from the bright, muscular form of the white horse on the left toward the deep, dark tones of its opponent on the right. Arched necks and outstretched limbs create a sense of chaotic movement, framed by the intervention of handlers and the sharp line…
The Shooting Party: Frederick, Prince of Wales with John Spencer and Charles Douglas, 3rd Duke of Queensberry is an oil on canvas executed by the English painter John Wootton. Dated 1740, the work belongs to the genre of Georgian Sporting Art. It captures a specific moment of aristocratic leisure, centering on a group of prominent figures engaged in a hunting scene.
The scene unfolds across a wide, panoramic landscape under a vast sky of blue and white. In the foreground, the immediate focus is a fallen stag, its body positioned amidst a group of hunting dogs that scatter around the carcass. Some of these animals actively engage with the animal, their forms creating a sense of movement against the earth. Beyond this central action, the midground contains a group of hunters,…
An expansive 18th-century landscape captures a group of aristocratic figures and their horses returning from a hunt. The composition utilizes a wide format to emphasize the scale of the estate, leading the eye from a detailed foreground of riders and attendants toward a distant, imposing stone manor situated on a slight rise. To the right, a dense cluster of mature trees provides verticality, framing the scene and adding depth to…
The Siege of Tournay1742 · Royal Collection
12
William Augustus, Duke of Cumberland (1721-65) at the Battle of Dettingen1744 · Royal Collection
13
Frederick, Prince of Wales (1707-1751) in the Hunting Field1734 · Royal Collection
14
A Fox Hunt1735 · Yale Center for British Art
15
Lord Portmore Watching Racehorses at Exercise on Newmarket Heath1735 · Yale Center for British Art
16
William Augustus, Duke of Cumberland (1721-1765)1745 · Royal Collection
17
Haycart Passing a Ruined Abbey1745 · Yale Center for British Art
18
Preparing for the Hunt1745 · Yale Center for British Art
19
Rievaulx Abbey1745 · Yale Center for British Art
20
Classical Landscape: Morning1740 · Yale Center for British Art
21
Classical Landscape1725 · Yale Center for British Art
22
The Battle of Blenheim, 13 August (1704)
23
Horse Race at NewmarketPetworth House
24
Battle Scene on Bridge1706 · Antony House
25
George I at Newmarket, 4 or 5 October, 17171717 · Yale Center for British Art
26
De Hertog van Rutland1715 · Yale Center for British Art
27
Sketch for ‘A prospect of Dover Castle’, Warmer Castle1727
28
Park Place, Henley1742 · Royal Collection
29
A Distant View of Henley-on-Thames1742 · Royal Collection
30
The Siege of Lille1742 · Royal Collection
31
A Grey Spotted Hound1738 · Yale Center for British Art
32
Two of the Duchess of Marlborough's Dogs1736
33
Classical Landscape1754 · Yale Center for British Art
34
Classical Landscape with Figures and Animals: Sunset1754 · Yale Center for British Art
35
Releasing the Hound1745 · Yale Center for British Art
36
Racing Scene at Newmarket1750 · Minneapolis Institute of Art
37
The Shooting Party1740 · Royal Collection
38
Hounds and a Magpie1740 · Hermitage Museum
39
Classical LandscapeSzépművészeti Múzeum
40
Classical Landscape: Evening1740 · Yale Center for British Art
41
A Dark Bay Stallion, Possibly the Byerley Turk
42
Bowater Vernon (1683–1735), with Hanbury Hall and Its Formal GardenHanbury Hall
43
The Beauchamp-Proctor Family and Friends at Langley Park, Norfolk
44
The Bloody-Shouldered Arabian
45
Viscount Weymouth's Hunt The Hon. John Spencer beside a Hunter held by a Young Boy
46
Landscape with Angelica and Medoro
47
The Duke of Rutland
48
Classical Landscape with a Grecian Temple
49
Before the hunt
50
Classical Landscape with Gypsies1748 · Metropolitan Museum of Art
51
Portrait of Coplestone Warre Bampfylde (1720-96) in front of Hestercombe House with his huntsman c.1740Hestercombe House - Gardens
52
Rome from the Aventine HillBirmingham Museum and Art Gallery
53
Classical landscapeFitzwilliam Museum
54
Stag hunt
55
Horses Exercising on Newmarket Heath
56
'Lamprey' (A Racehorse)
57
A Race on the Round Course at NewmarketFitzwilliam Museum
58
Life-Size Horse with Huntsman Blowing a Horn
59
Landscape with Cattle
60
Lady Mary Churchill at the Death of the Hare
61
A View of Cassiobury Park
62
Coastal Scene with Shipping at DawnHartwell House
63
Muff, a Black and White Dog
64
A Turkey in a Landscape
65
Drovers at a Harbour
66
A Stag Hunt in Full CryWimpole Hall
67
George II (1683–1760), on HorsebackBlickling Hall
68
View of the Severn Valley with Haymaking and Figures
69
Landscape of a River Valley at SunsetHartwell House
70
Landscape with Fishermen
71
A Stag Hunt at Chirk
72
A Grey Horse and Jockey in Red Colours, before a StableClandon Park
73
Lionel Sackville, 1st Duke of Dorset, Lord Warden of the Cinque Ports, Returning in Procession to Dover CastleKnole House
74
Italianate landscape
75
Equestrian Portrait of Sir Richard Hoare II (1709–1754), as Lord Mayor of London, at Temple Bar
76
William tregonwell frampton
77
Wooded Landscape and Coastal Town
78
A Bay Racehorse and Attendants
79
Sir Robert Walpole, 1st Earl of Orford, as a Ranger of Richmond Park
80
George II at the Battle of Dettingen, with the Duke of Cumberland and Robert, 4th Earl of Holderness, 27 June (1743)
81
Henry Hoare II (1705–1785), on Horseback
82
George Henry Lee, 3rd Earl of Litchfield, and his Uncle the Hon. Robert Lee, Subsequently 4th Earl of Litchfield, Shooting in 'True Blue' Frock Coats
83
A Classical Landscape with AnimalsUpton House
84
Dancing Dogs 'Lusette', 'Madore', 'Rosette' and 'Moucheby'Wallington Hall
85
Viscount Weymouth's Hunt A Groom holding a Saddled Grey Hunter with Hounds and Terriers
86
Viscount Weymouth's Hunt Two Hunt Servants on Hunters beside a Cottage
87
Gilbert Coventry (c.1688–1719), 4th Earl of Coventry, with Two Huntsmen in a LandscapeAntony House
88
A favorite poodle and monkey belonging to thomas osborn
89
Viscount Weymouth's Hunt Mr Jackson, the Hon. Henry Villiers and the Hon. Thomas Villiers, with Hunters and Hounds
90
Viscount Weymouth's Hunt Thomas, 2nd Viscount Weymouth, with a Black Page and other Huntsmen at the Kill
91
A View of Henley-on-Thames1742 · Royal Collection
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
#5 The Duke of Hamilton's Grey Racehorse, 'Victorious,' at Newmarket
#6 Lamprey at Newmarket, with a Group of Figures Including Sir William Morgan and Girolamo Bardoletti
#12 William Augustus, Duke of Cumberland (1721-65) at the Battle of Dettingen
#13 Frederick, Prince of Wales (1707-1751) in the Hunting Field
De 8 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van John Wootton | Schilderijen uit deze lijst |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 18 | The Death of the Hare, Portrait of a Man on Horseback, The Duke of Hamilton's Grey Racehorse, 'Victorious,' at Newmarket |
 Royal Collection |
Londen | 13 | The Hampton Court Chestnut Arabian, The Shooting Party: Frederick, Prince of Wales with John Spencer and Charles Douglas, 3rd Duke of Queensberry, The Death of the Stag |
 Antony House |
2 | Battle Scene on Bridge, Gilbert Coventry (c.1688–1719), 4th Earl of Coventry, with Two Huntsmen in a Landscape | |
 Fitzwilliam Museum |
2 | Classical landscape, A Race on the Round Course at Newmarket | |
 Hartwell House |
Aylesbury | 2 | Coastal Scene with Shipping at Dawn, Landscape of a River Valley at Sunset |
 Petworth House |
Petworth | 1 | Horse Race at Newmarket |
 Minneapolis Institute of Art |
Minneapolis | 1 | Racing Scene at Newmarket |
 Hermitage Museum |
Sint-Petersburg | 1 | Hounds and a Magpie |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
In "Portrait of a Man on Horseback" by John Wootton, a gentleman sits mounted upon a dark bay horse. The composition is vertical and centered, fixing the viewer’s gaze directly upon the rider. He is dressed in regal riding attire, his presence defined by a coat of saturated red. This bold color cuts through the muted, earthy tones of the background. The subject meets the eye-level perspective of the observer,…
In this oil on canvas, we find ourselves in the quiet, heavy atmosphere of a post-hunt landscape. The scene is set during the soft, diffused light of late afternoon, where the sky holds pale blues and warm, creamy hues of a setting sun. Large, dark trees frame the composition on either side, creating a natural vignette that draws the eye inward toward the central drama. There is a profound sense…
The Shooting Party: Frederick, Prince of Wales with John Spencer and Charles Douglas, 3rd Duke of Queensberry is an oil on canvas executed by the English painter John Wootton. Dated 1740, the work belongs to the genre of Georgian Sporting Art. It captures a specific moment of aristocratic leisure, centering on a group of prominent figures engaged in a hunting scene.
The Death of the Hare (1735), Yale Center for British Art, New Haven. Portrait of a Man on Horseback (1720) en The Meet of a Hunt with Henry II Hoare (1705 - 1785) (1729) volgen.
53 jaar oud: The Death of the Hare dateert uit 1735, en John Wootton werd geboren in 1682.
The Death of the Hare, Portrait of a Man on Horseback, The Meet of a Hunt with Henry II Hoare (1705 - 1785), The Hampton Court Chestnut Arabian, The Duke of Hamilton's Grey Racehorse, 'Victorious,' at Newmarket, Lamprey at Newmarket, with a Group of Figures Including Sir William Morgan and Girolamo Bardoletti, Two Stallions Fighting, The Shooting Party: Frederick, Prince of Wales with John Spencer and Charles Douglas, 3rd Duke of Queensberry, The Death of the Stag en The Return from the Chase. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 91 werken van John Wootton, daterend van 1706 tot 1754.
Voornamelijk in Yale Center for British Art (New Haven), Royal Collection (Londen) en Antony House. De bovenstaande museumtabel bevat een volledig overzicht.
In 1740s: 17 van de 91 werken op deze pagina werden toen gemaakt, waaronder The Shooting Party: Frederick, Prince of Wales with John Spencer and Charles Douglas, 3rd Duke of Queensberry.
Op deze pagina is het vroegste Battle Scene on Bridge (1706) en het laatste Classical Landscape (1754).
Landscape (30), Sky (14) en Hunting (13), verspreid over de 91 werken op deze pagina.
Oil On Canvas, voor 23 van de 91 werken op deze pagina.
Baroque, te oordelen aan de originelen op deze pagina.
The Death of the Hare, Portrait of a Man on Horseback en The Duke of Hamilton's Grey Racehorse, 'Victorious,' at Newmarket: het Yale Center for British Art, New Haven herbergt 18 van de werken op deze pagina.
