Portret van John Frederick Herring

Schilderijen van John Frederick Herring: De 100 bekendste, door de ogen van een galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 180 werken van John Frederick Herring in onze catalogus

Kortom

In het oog van de galerie is het beroemdste schilderij van John Frederick Herring Black Tom, a black hunter, beside a stable, in a wooded river landscape. Three horses at a water trough en The Edinburgh and London Royal Mail maken het trio compleet dat elk oog herkent. Van de 180 werken van John Frederick Herring in onze catalogus presenteert de galerie hieronder de 100 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1795 – 1865, Londen Academic art Meeste werken: Yale Center for British Art

De top 10 schilderijen van John Frederick Herring in de galerie

2
Three horses at a water trough door John Frederick Herring

Three horses at a water trough

Engraving

Three horses at a water trough is an engraving by the British artist John Frederick Herring, Sr. Born in London, United Kingdom, in 1795, Herring developed a diverse professional background as a painter, sign maker, and coachman. His practical experience observing horses during his time as a coachman informed the anatomical precision found in his animal studies. He remained active in the art community until his death on September 23,…

3
The Edinburgh and London Royal Mail door John Frederick Herring

The Edinburgh and London Royal Mail

Oil On Canvas

The artwork titled The Edinburgh and London Royal Mail is an English painting by the artist John Frederick Herring, Sr. This piece depicts a historical stagecoach scene, specifically focusing on a road coach traveling through a landscape. The subject matter centers on a coach and horses in motion along a winding road, a theme consistent with the artist's focus on equine subjects and 19th-century transportation.

4
The London-to-Leeds stage coach changing horses at the Swan Inn, Bottisham, Cambridge door John Frederick Herring

The London-to-Leeds stage coach changing horses at the Swan Inn, Bottisham, Cambridge

Oil

The London-to-Leeds stage coach changing horses at the Swan Inn, Bottisham, Cambridge is a painting by John Frederick Herring, Sr. This work depicts a grand horse-drawn coach procession traveling down a country lane. The scene focuses on an elite group of men in formal attire traveling in a luxurious carriage, accompanied by horses, attendants, and dogs. The composition centers on the coach itself, positioned slightly off-center towards the left, while…

6
'Margrave' with James Robinson Up (1833) door John Frederick Herring

'Margrave' with James Robinson Up

1833 · Oil On Canvas · Yale Center for British Art, New Haven

The scene captures a moment of quiet dignity in 'Margrave' with James Robinson Up. Painted by John Frederick Herring, Sr. about 1833, the work presents a single brown racehorse and its jockey in profile. They exist together against a vast, open landscape that stretches toward a dramatic sky. The horse stands with a certain stillness, its sleek musculature defined against the earthy tones of the terrain. It is a portrait…

8
Foxhunting: Clearing a Ditch (1839) door John Frederick Herring

Foxhunting: Clearing a Ditch

1839 · Oil On Canvas · Yale Center for British Art, New Haven

Foxhunting: Clearing a Ditch is a work by the British painter and animal artist John Frederick Herring, Sr. Created about 1839, the painting captures a singular moment of tension. The canvas holds the weight of a mid-nineteenth-century sporting tradition. It is a study of muscle and movement frozen in oil.

9
Foxhunting: Encouraging Hound (1839) door John Frederick Herring

Foxhunting: Encouraging Hound

1839 · Oil On Panel · Yale Center for British Art, New Haven

The pulse of the chase beats through Foxhunting: Encouraging Hound, a work that captures a fleeting moment of high energy. This scene, painted in 1839, finds its origin in the hands of John Frederick Herring, Sr., a British painter who brought the spirit of the English countryside to life. The air seems to hold its breath as the rider and hounds move through the landscape, a moment frozen in time…

10
Autumn (1846) door John Frederick Herring

Autumn

1846 · Oil On Canvas · Art Gallery of South Australia, Adelaide

In "Autumn" by John Frederick Herring, Sr., a quiet moment of rest settles over the rural landscape. Created about 1846, the scene captures a pause in the rhythm of the countryside. Several horses occupy the foreground, their heavy forms anchoring the viewer within this seasonal setting. Riders and various figures dressed in period clothing move through the middle ground, their presence suggesting a community tied closely to the land and…

Schilderijen van John Frederick Herring, gerangschikt van 11 tot 100

11Steeplechase cracks: Allen McDonough on Brunette, Tom Oliver on Discount, and Jem Mason on Lottery (1847) door John Frederick HerringSteeplechase cracks: Allen McDonough on Brunette, Tom Oliver on Discount, and Jem Mason on Lottery1847 · Yale Center for British Art 12A Chat with the Milkmaid (1854) door John Frederick HerringA Chat with the Milkmaid1854 · Tyntesfield 13Earl of Zetland's 'Voltigeur' (1850) door John Frederick HerringEarl of Zetland's 'Voltigeur'1850 14Said (1856) door John Frederick HerringSaid1856 · Royal Collection 15Untitled (AQRQGK) (2013) door John Frederick HerringUntitled (AQRQGK)2013 16A Clydesdale Stallion (1820) door John Frederick HerringA Clydesdale Stallion1820 · Yale Center for British Art 17White Bull, Fulbourn, Cambridgeshire, 1830 (1830) door John Frederick HerringWhite Bull, Fulbourn, Cambridgeshire, 18301830 · Anglesey Abbey 18Memnon, with William Scott Up (1825) door John Frederick HerringMemnon, with William Scott Up1825 · Yale Center for British Art 19Fighting Cocks: a Dark-Breasted Fighting Cock, Facing Left (1829) door John Frederick HerringFighting Cocks: a Dark-Breasted Fighting Cock, Facing Left1829 · Yale Center for British Art 20Fighting Cocks: a Pale-Breasted Fighting Cock, Facing Rght (1829) door John Frederick HerringFighting Cocks: a Pale-Breasted Fighting Cock, Facing Rght1829 · Yale Center for British Art 21Manuella (1825) door John Frederick HerringManuella1825 22A Bay Horse and Pony in a Landscape (1833) door John Frederick HerringA Bay Horse and Pony in a Landscape1833 · Trerice 23A Charger on the Parade Ground of Albany Barracks, London (1839) door John Frederick HerringA Charger on the Parade Ground of Albany Barracks, London1839 · Anglesey Abbey 24don john the winner of the st leger with william scott up (1838) door John Frederick Herringdon john the winner of the st leger with william scott up1838 25Eight Circular Farmyard Scenes (1. Pigs; 2. Mare and Foal; 3. Cows; 4. Sheep; 5. Chickens; 6. Ducks; 7. Rabbits; 8. Donkey) (1840) door John Frederick HerringEight Circular Farmyard Scenes (1. Pigs; 2. Mare and Foal; 3. Cows; 4. Sheep; 5. Chickens; 6. Ducks; 7. Rabbits; 8. Donkey)1840 · Upton House 26Eight Circular Foxhunting Scenes (I. Huntsman and Hounds; 2. Hunting in Covert; 3. Full Cry; 4. The Kill; 5. Earth Stopping at Night; 6.Three Hounds resting; 7. Hound in a Landscape; 8. Fox in Landscape) (1840) door John Frederick HerringEight Circular Foxhunting Scenes (I. Huntsman and Hounds; 2. Hunting in Covert; 3. Full Cry; 4. The Kill; 5. Earth Stopping at Night; 6.Three Hounds resting; 7. Hound in a Landscape; 8. Fox in Landscape)1840 · Upton House 27A Grey Horse and Ducks in a Landscape (1846) door John Frederick HerringA Grey Horse and Ducks in a Landscape1846 · Trerice 28Bagdad (1846) door John Frederick HerringBagdad1846 · Royal Collection 29Tajar and Hammon (1845) door John Frederick HerringTajar and Hammon1845 · Royal Collection 30Horse (1842) door John Frederick HerringHorse1842 · Minneapolis Institute of Art 31Mr. Johnstone's Charles XII in a Stable (1843) door John Frederick HerringMr. Johnstone's Charles XII in a Stable1843 32A Chestnut Horse in a Stable (1849) door John Frederick HerringA Chestnut Horse in a Stable1849 · Lyme Park 33‘Lady Liverpool’, a Bay Horse in a Stable (1849) door John Frederick Herring‘Lady Liverpool’, a Bay Horse in a Stable1849 · Arlington Court 34A Hound and a Bearded Collie seated on a Hunting Coat (1855) door John Frederick HerringA Hound and a Bearded Collie seated on a Hunting Coat1855 · Yale Center for British Art 35Farmyard (1852) door John Frederick HerringFarmyard1852 36Horses, Pigs and Poultry (1852) door John Frederick HerringHorses, Pigs and Poultry1852 37On the Scent door John Frederick HerringOn the Scent 38Mazeppa Surrounded by Horses door John Frederick HerringMazeppa Surrounded by Horses 39Meopham Horse Fair door John Frederick HerringMeopham Horse Fair 40The meet door John Frederick HerringThe meet 41Morning, preparing to plough door John Frederick HerringMorning, preparing to plough 42Barge horses by a lock door John Frederick HerringBarge horses by a lock 43The Hunting Stud door John Frederick HerringThe Hunting Stud 44ack Spigot, a dark bay racehorse with jockey up door John Frederick Herringack Spigot, a dark bay racehorse with jockey up 45Sheep door John Frederick HerringSheep 46Birmingham with Patrick Conolly Up, and his Owner, John Beardsworth door John Frederick HerringBirmingham with Patrick Conolly Up, and his Owner, John Beardsworth 47A farmyard scene with milkmaid and a farm labourer door John Frederick HerringA farmyard scene with milkmaid and a farm labourer 48Monreith, with Tom Shepherd up door John Frederick HerringMonreith, with Tom Shepherd up 49Mr O'Brien's Jonathan Wild, with jockey up door John Frederick HerringMr O'Brien's Jonathan Wild, with jockey up 50Bessy Bedlam, a bay racehorse with T. Nicholson up, on a racecourse door John Frederick HerringBessy Bedlam, a bay racehorse with T. Nicholson up, on a racecourse 51Jennie asleep at a kitchen table door John Frederick HerringJennie asleep at a kitchen table 52The Colonel with William Scott up and John Scott door John Frederick HerringThe Colonel with William Scott up and John Scott 53A mare and foal in a landscape door John Frederick HerringA mare and foal in a landscape 54Saint James in a stable door John Frederick HerringSaint James in a stable 55Matilda, a bay racehorse with her groom in a loosebox door John Frederick HerringMatilda, a bay racehorse with her groom in a loosebox 56Margrave with J. Robinson door John Frederick HerringMargrave with J. Robinson 57Bessy Bedlam, a brown racehorse with Tommy Lye up, in a landscape door John Frederick HerringBessy Bedlam, a brown racehorse with Tommy Lye up, in a landscape 58The Road Anterior to Rails door John Frederick HerringThe Road Anterior to Rails 59A bay racehorse with jockey up door John Frederick HerringA bay racehorse with jockey up 60Dr. Syntax, a brown racehorse with Robert Johnson up, in an extensive landscape door John Frederick HerringDr. Syntax, a brown racehorse with Robert Johnson up, in an extensive landscape 61A barn interior with figures and livestock door John Frederick HerringA barn interior with figures and livestock 62A chestnut hunter and a groom in a landscape door John Frederick HerringA chestnut hunter and a groom in a landscape 63Mr. Dixon's Mountaineer, a chestnut colt, held by a groom outside a stable door John Frederick HerringMr. Dixon's Mountaineer, a chestnut colt, held by a groom outside a stable 64A racehorse in a stable with a groom door John Frederick HerringA racehorse in a stable with a groom 65The Halt door John Frederick HerringThe Halt 66At the Ford door John Frederick HerringAt the Ford 67The Royal Mail - Changing Horses outside the Red Lion door John Frederick HerringThe Royal Mail - Changing Horses outside the Red Lion 68The Hop Pickers door John Frederick HerringThe Hop Pickers 69A carriage horse and groom in a stable door John Frederick HerringA carriage horse and groom in a stable 70The Interior of a Smithy door John Frederick HerringThe Interior of a Smithy 71Horses feeding door John Frederick HerringHorses feeding 72Memnon, a bay racehorse with William Scott up in the colours of Richard Watt, on Doncaster racecourse door John Frederick HerringMemnon, a bay racehorse with William Scott up in the colours of Richard Watt, on Doncaster racecourse 73Queen of Trumps in a stable, with two grooms door John Frederick HerringQueen of Trumps in a stable, with two grooms 74The Quarry door John Frederick HerringThe Quarry 75Lop-eared rabbits door John Frederick HerringLop-eared rabbits 76Feeding the Arab door John Frederick HerringFeeding the Arab 77Waiting for the Ferry door John Frederick HerringWaiting for the Ferry 78A Letter of Intent door John Frederick HerringA Letter of Intent 79Sir Mark Wood with his dark brown filly Vespa, winner of the Oaks in 1833, her trainer H Scott and a groom with a grey hack door John Frederick HerringSir Mark Wood with his dark brown filly Vespa, winner of the Oaks in 1833, her trainer H Scott and a groom with a grey hack 80Merry Monarch, a bay mare, in a stable door John Frederick HerringMerry Monarch, a bay mare, in a stable 81Farrier's Shop door John Frederick HerringFarrier's ShopNew York Historical Society 82The Farmyard door John Frederick HerringThe FarmyardTe Whare O Rehua Sarjeant Gallery 83The Farmyard door John Frederick HerringThe Farmyard 84The Frugal Meal door John Frederick HerringThe Frugal Meal 85Ducks by a riverbank door John Frederick HerringDucks by a riverbank 86DUCK AND DUCKLINGS door John Frederick HerringDUCK AND DUCKLINGS 87Surrey pastures door John Frederick HerringSurrey pastures 88A pointer on a moor door John Frederick HerringA pointer on a moor 89Cows door John Frederick HerringCows 90Head of a grey Arab door John Frederick HerringHead of a grey Arab 91The head of a grey hunter door John Frederick HerringThe head of a grey hunter 92The Streatlam Stud, Mares and Foals door John Frederick HerringThe Streatlam Stud, Mares and Foals 93The return from deer stalking door John Frederick HerringThe return from deer stalking 94Head of a grey arab 1 door John Frederick HerringHead of a grey arab 1 95Two cats door John Frederick HerringTwo cats 96Maleburn, a Foxhound in a Wooded Landscape door John Frederick HerringMaleburn, a Foxhound in a Wooded Landscape 97Horses feeding with two ornamental pigeons at a manger door John Frederick HerringHorses feeding with two ornamental pigeons at a manger 98Pacelot, a bay stallion, in a stable door John Frederick HerringPacelot, a bay stallion, in a stable 99A mare and foal by a bothy door John Frederick HerringA mare and foal by a bothy 100A chestnut in a stable door John Frederick HerringA chestnut in a stable

De onderwerpen die de aandacht van John Frederick Herring troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van John Frederick Herring worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van John Frederick Herring Schilderijen uit deze lijst
Yale Center for British Art, New HavenYale Center for British Art New Haven 10 'Margrave' with James Robinson Up, The Suffolk Hunt: Going to Cover near Herringswell, Foxhunting: Clearing a Ditch
Royal Collection, LondenRoyal Collection Londen 3 Said, Bagdad, Tajar and Hammon
Anglesey AbbeyAnglesey Abbey 2 White Bull, Fulbourn, Cambridgeshire, 1830, A Charger on the Parade Ground of Albany Barracks, London
TrericeTrerice 2 A Bay Horse and Pony in a Landscape, A Grey Horse and Ducks in a Landscape
Upton House, BanburyUpton House Banbury 2 Eight Circular Farmyard Scenes (1. Pigs; 2. Mare and Foal; 3. Cows; 4. Sheep; 5. Chickens; 6. Ducks; 7. Rabbits; 8. Donkey), Eight Circular Foxhunting Scenes (I. Huntsman and Hounds; 2. Hunting in Covert; 3. Full Cry; 4. The Kill; 5. Earth Stopping at Night; 6.Three Hounds resting; 7. Hound in a Landscape; 8. Fox in Landscape)
Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 1 'Elis', a Chestnut Horse, ridden by J. Day
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 1 Autumn
TyntesfieldTyntesfield 1 A Chat with the Milkmaid

John Frederick Herring, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van John Frederick Herring: de galerie geeft antwoord

Welk schilderij van John Frederick Herring is het beroemdste van allemaal?Onthul het antwoord

Black Tom, a black hunter, beside a stable, in a wooded river landscape. Three horses at a water trough en The Edinburgh and London Royal Mail volgen.

Wat zijn de top 10 schilderijen van John Frederick Herring?Onthul het antwoord

Black Tom, a black hunter, beside a stable, in a wooded river landscape, Three horses at a water trough, The Edinburgh and London Royal Mail, The London-to-Leeds stage coach changing horses at the Swan Inn, Bottisham, Cambridge, 'Elis', a Chestnut Horse, ridden by J. Day, 'Margrave' with James Robinson Up, The Suffolk Hunt: Going to Cover near Herringswell, Foxhunting: Clearing a Ditch, Foxhunting: Encouraging Hound en Autumn. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft John Frederick Herring gemaakt?Onthul het antwoord

Onze catalogus bevat 180 werken van John Frederick Herring, daterend van 1820 tot 1856.

Waar hangen de beroemdste originele werken van John Frederick Herring?Onthul het antwoord

Voornamelijk in Yale Center for British Art (New Haven), Royal Collection (Londen) en Anglesey Abbey. De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde John Frederick Herring de beroemdste schilderijen?Onthul het antwoord

In 1840s: 11 van de 100 werken op deze pagina werden toen gemaakt, waaronder Autumn.

Wat zijn de vroegste en laatste beroemde werken van John Frederick Herring?Onthul het antwoord

Op deze pagina is het vroegste A Clydesdale Stallion (1820) en het laatste Said (1856).

Welke onderwerpen keerde John Frederick Herring het vaakst naar terug?Onthul het antwoord

Horse (14), Landscape (13) en Horses (9), verspreid over de 100 werken op deze pagina.

In welk medium werkte John Frederick Herring het meest?Onthul het antwoord

Oil On Canvas, voor 8 van de 100 werken op deze pagina.

Bij welke stroming wordt John Frederick Herring gerekend?Onthul het antwoord

Academic art, te oordelen aan de originelen op deze pagina.

Welke originelen van John Frederick Herring zijn in de collectie van het Yale Center for British Art?Onthul het antwoord

'Margrave' with James Robinson Up, The Suffolk Hunt: Going to Cover near Herringswell en Foxhunting: Clearing a Ditch: het Yale Center for British Art, New Haven herbergt 10 van de werken op deze pagina.

John Frederick Herring: de kunstenaar

John Frederick Herring Sr.: A Life in Art and Sport

Born September 12, 1795, London, United Kingdom, John Frederick Herring Sr., was a British painter, sign maker, and coachman whose legacy endures as one of the most celebrated equine artists of the Victorian era. From an early age, he possessed a profound aversion to urban life—a preference for the open countryside and the spirited movement of horses—influencing his artistic vision throughout his prolific career. His father’s mercantile endeavors in London provided him with a comfortable upbringing, yet Herring's true passion lay in capturing the dynamism of equestrian pursuits and the serene beauty of rural landscapes.

Early Life and Career

Herring’s formative years were marked by an unwavering fascination for drawing and horses. This early interest propelled him toward Doncaster in 1814, where he initially secured employment as a night coachman—a role that afforded him unparalleled access to the world of horse racing and carriage travel. Simultaneously, he honed his artistic skills by painting inn signs, meticulously recreating scenes from rural life with remarkable accuracy. Recognizing Herring’s talent amongst Doncaster's gentry, commissions swiftly arrived for portraits depicting hunters and racehorses – establishing him as a rising star in the burgeoning field of animal art. Around 1818, he began documenting the triumphs of the St. Leger Cup and subsequently the Derby—a pivotal moment that cemented his reputation through widespread engravings, amplifying his artistic influence across Britain.

Development as an Artist

Herring’s artistic journey benefited from brief instruction under Abraham Cooper, a respected animal painter whose techniques undoubtedly shaped Herring's approach to portraying animals with sensitivity and realism. In 1836, he formally adopted “Sr.” into his signature—a deliberate distinction intended to differentiate himself from his son, John Frederick Herring Jr., who was embarking on his own artistic endeavors. This decision underscored Herring’s commitment to establishing a distinct artistic identity within his family lineage. His work gained considerable royal patronage, notably from the Duchess of Kent and Queen Victoria—reflecting the esteem in which he was held by the British monarchy. Furthermore, Herring traveled to Paris in 1840-1841 at the invitation of the Duc d’Orleans, where he produced several paintings specifically commissioned for his patron—demonstrating his adaptability and artistic versatility. As Herring matured, his subjects expanded beyond equine depictions to encompass agricultural scenes and narratives—enriching the scope of his artistic output and cementing his place as a multifaceted artist.

Major Achievements and Style

Herring’s unwavering dedication to his craft resulted in prolific exhibitions at prestigious institutions such as the Royal Academy (1818–1865), British Institution (1830–1865), and Society of British Artists (1836-1852)—establishing him as a cornerstone of Victorian art. His paintings achieved widespread acclaim through engravings—a testament to their visual appeal and communicative power—generating considerable public interest and bolstering his artistic reputation. Herring’s distinctive style was characterized by its meticulous realism, capturing the subtle nuances of animal movement and texture with exceptional precision. He skillfully blended observation with artistic interpretation—creating images that conveyed both factual accuracy and emotional resonance. His enduring legacy resides in his contribution to animal art—particularly his depictions of horse racing and hunting—which continue to inspire admiration for their beauty and technical mastery.

Historical Significance

John Frederick Herring Sr.’s work stands as a poignant record of Victorian Britain’s fascination with equestrian sport and rural life—providing invaluable insights into the cultural values and artistic sensibilities of the period. He is recognized as one of the foremost animal painters of his time, alongside Sir Edwin Landseer—a testament to his unparalleled skill in capturing the essence of the natural world through art. Herring's influence extended beyond his own lifetime—inspiring his son, John Frederick Herring Jr., who followed in his father’s footsteps and achieved considerable success as an artist himself—creating a familial tradition of artistic excellence. Ultimately, Herring’s enduring popularity stems from his ability to communicate profound emotions through evocative imagery—making him a beloved figure within the annals of British art history.