Kortom
Van alle originele werken die John Fraser heeft nagelaten, is Full Sail (1913) het bekendst, in de collectie van het Dallas Museum of Art, Dallas. Direct daarna volgen Surf at Orotava en Hulks off Portsmouth. Onze catalogus bevat 43 werken van John Fraser; de galerie heeft de 43 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
De top 10 schilderijen van John Fraser: de selectie van de galerie
De selectie van John Fraser gaat verder, van 11 tot 43
De musea waar de originele werken van John Fraser worden bewaard
De 2 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van John Fraser | Schilderijen uit deze lijst |
|---|---|---|---|
| Londen | 42 | Surf at Orotava, Hulks off Portsmouth, The Wolf Rock lighthouse | |
| Dallas | 1 | Full Sail |
John Fraser jaar voor jaar: de originelen die elk jaar definiëren
1913 is het jaar van elk gedateerd werk van John Fraser in deze selectie: hier zijn ze, gerangschikt op bekendheid.
Vragen van verzamelaars over de schilderijen van John Fraser
Waar is John Fraser het meest bekend om?Onthul het antwoord
Full Sail (1913), Dallas Museum of Art, Dallas. Surf at Orotava en Hulks off Portsmouth volgen.
Hoe oud was John Fraser toen Full Sail werd gemaakt?Onthul het antwoord
55 jaar oud: Full Sail dateert uit 1913, en John Fraser werd geboren in 1858.
Wat zijn de tien beroemdste schilderijen van John Fraser?Onthul het antwoord
Full Sail, Surf at Orotava, Hulks off Portsmouth, The Wolf Rock lighthouse, A mediaeval sailing barge, A Maltese dghaisa, A ship off Tenerife, Seascape, Seascape en Seascape. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Hoeveel schilderijen heeft John Fraser nagelaten?Onthul het antwoord
Onze catalogus bevat 43 werken van John Fraser.
In welke musea hangen de meesterwerken van John Fraser?Onthul het antwoord
Voornamelijk in National Maritime Museum (Londen) en Dallas Museum of Art (Dallas). De bovenstaande museumtabel bevat een volledig overzicht.
Welke werken van John Fraser hangen in het National Maritime Museum?Onthul het antwoord
Surf at Orotava, Hulks off Portsmouth en The Wolf Rock lighthouse: het National Maritime Museum, Londen herbergt 42 van de werken op deze pagina.
John Fraser: leven en werk
Early Life and Family Background
Born in 1858, John Fraser entered a world defined by the bustling commerce of London. He was raised in the Fleet Street area, a district deeply embedded in the city's professional and literary pulse. His upbringing was rooted in a stable, middle-class environment, shaped by the disciplined life of his father, John Fraser, who worked as an accountant. This foundation of order and precision likely provided a quiet backdrop to his formative years.
His mother, Margaret English Fraser, née Partis, completed the family unit during his early life. The household was one of established respectability, situated within the heart of the United Kingdom. While his father’s profession dealt in the meticulous management of figures, the environment of London provided the sensory complexity that would later inform his perspective. He grew up amidst the constant movement of a major metropolitan center, a setting that offered a stark contrast to the maritime themes that would eventually define his professional output.
Professional Career and Artistic Subjects
As a marine painter, Fraser dedicated much of his professional life to the study of the sea and its various coastal environments. His brush captured the maritime character of diverse locations, with subjects ranging from the shores of France and Spain to the rugged landscapes of Gibraltar and the Canary Islands. This focus on nautical scenes required a keen eye for the shifting movements of water and the specific light of these Mediterranean and Atlantic settings.
During his career, he maintained a studio at 7 The Mall, off Church Street, in the Hampstead area of London, between 1890 and 1892. His professional life was also marked by a significant collaboration with Commendatore Eduardo de Martino. The two worked together extensively, a partnership that saw them navigating the complexities of high-level commissions. While Fraser sought to follow in the footsteps of his collaborator, his own path eventually led him away from the easel and toward the commercial side of the arts.
In his later years, his occupation shifted from the studio to the management of a print shop located in Westminster. This transition marked a departure from the direct creation of marine oils, moving instead into the trade of printed imagery. His life's work remains tied to the maritime imagery he once rendered, a period of focused observation before his eventual move into the print trade.








