Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 6 werken van John Da Costa in onze catalogus
Kortom
Van alle originele werken die John Da Costa heeft nagelaten, is Pastoral Scene (1892) het bekendst, in de collectie van het Museum voor Schone Kunsten Gent, Gent. Direct daarna volgen Idleness (1898) en Marjorie Armstrong (1895). Onze catalogus bevat 6 werken van John Da Costa; de galerie heeft de 6 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
The quietude of 1892 settles over the canvas in "Pastoral Scene," a work that captures a fleeting moment of stillness. The artist, John Da Costa, brings this scene to life through a lens of naturalism, grounding the viewer in a specific, tranquil reality. Every brushstroke seems to hold its breath, preserving a sense of peace that feels as though it is happening right now, just beyond the frame.
De 2 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van John Da Costa | Schilderijen uit deze lijst |
|---|---|---|---|
 Museum voor Schone Kunsten Gent |
Gent | 1 | Pastoral Scene |
 Penlee House |
Penzance | 1 | Marjorie Armstrong |
Van 1892 tot 1912 werkte John Da Costa 21 jaar lang: de selectie volgt deze lange carrière jaar voor jaar, via de mooiste originele werken.
Selecteer een jaar om de originele werken te bekijken.
The quietude of 1892 settles over the canvas in "Pastoral Scene," a work that captures a fleeting moment of stillness. The artist, John Da Costa, brings this scene to life through a lens of naturalism, grounding the viewer in a specific, tranquil reality. Every brushstroke seems to hold its breath, preserving a sense of peace that feels as though it is happening right now, just beyond the frame.
Pastoral Scene (1892), Museum voor Schone Kunsten Gent, Gent. Idleness (1898) en Marjorie Armstrong (1895) volgen.
25 jaar oud: Pastoral Scene dateert uit 1892, en John Da Costa werd geboren in 1867.
Onze catalogus bevat 6 werken van John Da Costa, daterend van 1892 tot 1912.
Voornamelijk in Museum voor Schone Kunsten Gent (Gent) en Penlee House (Penzance). De bovenstaande museumtabel bevat een volledig overzicht.
Op deze pagina is het vroegste Pastoral Scene (1892) en het laatste Miss Vera Butler (1912).
Located in the heart of London, John Wesley’s House stands as a testament to the profound impact of one man's unwavering faith and dedication to social reform. Established in 1790 by George Whitefield and Robert Sykes, this historic building houses a museum dedicated to preserving Wesley’s legacy and showcasing Methodism’s formative years.
Born in São Paulo in 1867, John Wesley’s House – The Museum of Methodism is a cornerstone of Methodist history, offering visitors insights into the movement's origins and enduring values. Its collections include documents, photographs, and artifacts documenting Wesley’s life and ministry.
“The Glen Walker Sisters” exemplifies Da Costa’s mastery of portraiture and his ability to convey emotion through visual representation. The painting portrays three young women—likely sisters—in a serene garden setting, bathed in soft sunlight. Da Costa's meticulous attention to detail captures the delicate textures of fabric and skin, conveying an aura of grace and tranquility.
Symbolism:Da Costa’s involvement in Grupo dos Cinco marked a pivotal moment in Brazilian art history, propelling it toward European modernist trends. The group's members debated artistic approaches and championed innovative techniques—challenging traditional academic conventions.
Key Influences:John Wesley’s House – The Museum of Methodism continues to serve as a beacon of Methodist faith and scholarship, attracting visitors from around the globe. Da Costa's artistic contributions solidified Brazilian Modernism's position within the international art landscape.
