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De 4 bekendste schilderijen van Johan Bokhorst, een selectie uit de galerie
Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 6 werken van Johan Bokhorst in onze catalogus
Kortom
Van alle originele werken die Johan Bokhorst heeft nagelaten, is Linen roll with putti (whites). (1890) het bekendst, in de collectie van het Museum De Waag, Deventer. Direct daarna volgen A Festoon of Fruit (1904) en Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle (1909). Onze catalogus bevat 6 werken van Johan Bokhorst; de galerie heeft de 4 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
1865 – 1942, Deventer
Meeste werken: Museum De Waag
De top 10 schilderijen van Johan Bokhorst: de selectie van de galerie
De musea waar de originele werken van Johan Bokhorst worden bewaard
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Johan Bokhorst | Schilderijen uit deze lijst |
|---|---|---|---|
 Museum De Waag |
Deventer | 4 | Linen roll with putti (whites)., A Festoon of Fruit, Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle |
Johan Bokhorst jaar voor jaar: de originelen die elk jaar definiëren
Van 1890 tot 1909 werkte Johan Bokhorst 20 jaar lang: de selectie volgt deze lange carrière jaar voor jaar, via de mooiste originele werken.
Werken per jaar
Selecteer een jaar om de originele werken te bekijken.
1909
Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle
Leeftijd 44
2 werken dit jaar
Meer van 1909
Vragen van verzamelaars over de schilderijen van Johan Bokhorst
Waar is Johan Bokhorst het meest bekend om?Onthul het antwoord
Linen roll with putti (whites). (1890), Museum De Waag, Deventer. A Festoon of Fruit (1904) en Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle (1909) volgen.
Hoe oud was Johan Bokhorst toen Linen roll with putti (whites). werd gemaakt?Onthul het antwoord
25 jaar oud: Linen roll with putti (whites). dateert uit 1890, en Johan Bokhorst werd geboren in 1865.
Hoeveel schilderijen heeft Johan Bokhorst nagelaten?Onthul het antwoord
Onze catalogus bevat 6 werken van Johan Bokhorst, daterend van 1890 tot 1909.
In welke musea hangen de meesterwerken van Johan Bokhorst?Onthul het antwoord
Voornamelijk in Museum De Waag (Deventer). De bovenstaande museumtabel bevat een volledig overzicht.
In welke jaren schilderde Johan Bokhorst de beroemdste werken?Onthul het antwoord
In 1909: 2 van de 4 werken op deze pagina werden toen gemaakt, waaronder Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle.
Wat zijn de eerste en de laatste beroemde originelen van Johan Bokhorst?Onthul het antwoord
Op deze pagina is het vroegste Linen roll with putti (whites). (1890) en het laatste Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle (1909).
Welke werken van Johan Bokhorst hangen in het Museum De Waag?Onthul het antwoord
Linen roll with putti (whites)., A Festoon of Fruit en Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle: het Museum De Waag, Deventer herbergt 4 van de werken op deze pagina.
Johan Bokhorst: leven en werk
A Life Rooted in Deventer
Johan Bokhorst was a man deeply connected to the soil and spirit of Deventer, Netherlands. Born in 1865, he belonged to a lineage of painters from this same city, a family of creators who understood the weight of tradition. His life was spent within these familiar streets, from his birth until his passing in 1942. He was a man of many hands, working as a painter, a decorator, and a designer. His work was not confined to a single medium; he moved between the delicate touch of watercolors and the structured precision of drawings. He also applied his vision to art industry products, blending the fine arts with the practical needs of decorative design.
His creative output reflected the changing tastes of his era. In his earlier years, his work leaned toward the flowing, organic lines of Jugendstil. As time passed, his aesthetic shifted toward the more geometric and streamlined sensibilities of Art Deco. This evolution allowed him to remain relevant as the visual language of Europe transformed around him.
The Language of Form and Nature
Bokhorst possessed a particular ability to find beauty in both the natural world and the built environment. He could capture the quiet dignity of a landscape or the intricate patterns found in flora. His technical skill was evident in how he handled various materials, from oil on canvas mounted on panel to the more fluid application of watercolor. His repertoire included a variety of subjects and formats:
- Decorative bands featuring grapevines and grapes
- Fruit arrangements and festoons
- Architectural views, such as the Bolwerksmolen and the Grote Kerktoren
- Studies of putti and classical motifs
His work often bridged the gap between fine art and functional decoration. Whether he was painting a mill or designing a pattern, there was a sense of craftsmanship that tied his various pursuits together. He did not merely observe his surroundings; he translated them into a visual language that spoke to the decorative needs of his time.
A Legacy in Color and Line
The marks left by Bokhorst remain in collections like Museum De Waag, where his depictions of local landmarks are preserved. His ability to capture the essence of Deventer, such as the Bolwerksmolen, ensures that his perspective on his home city remains accessible. He was a craftsman who understood that art could exist in a painting, a drawing, or a designed object. His life was a steady application of skill and vision, rooted firmly in the Dutch tradition of his birth.