Portret van Jing Hao

Schilderijen van Jing Hao: De 1 bekendste, door de ogen van een galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 1 werken van Jing Hao in onze catalogus

Kortom

Volgens de visie van de galerie is het beroemdste schilderij van Jing Hao Mt. K'uang-lu (900), waarvan het origineel in het National Palace Museum in Taipei hangt. Van de 1 werken van Jing Hao in onze catalogus presenteert de galerie hieronder de 1 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

855 – 915, Qinshui County Meeste werken: National Palace Museum

De top 10 schilderijen van Jing Hao in de galerie

De musea waar de originele werken van Jing Hao worden bewaard

Het museum met de meeste schilderijen op deze pagina.

Museum Stad Werken van Jing Hao Schilderijen uit deze lijst
National Palace Museum, TaipeiNational Palace Museum Taipei 1 Mt. K'uang-lu

Jing Hao, de kenmerkende schilderijen van elk jaar

Elk gedateerd origineel van Jing Hao op deze pagina is gemaakt in 900: hier zijn ze, de bekendste eerst.

Werken per jaar

Selecteer een jaar om de originele werken te bekijken.

Schilderijen van Jing Hao: de galerie geeft antwoord

Welk schilderij van Jing Hao is het beroemdste van allemaal?Onthul het antwoord

Mt. K'uang-lu (900)

Hoe oud was Jing Hao bij de voltooiing van Mt. K'uang-lu?Onthul het antwoord

45 jaar oud: Mt. K'uang-lu dateert uit 900, en Jing Hao werd geboren in 855.

Hoeveel werken heeft Jing Hao gemaakt?Onthul het antwoord

Onze catalogus bevat 1 werken van Jing Hao.

Waar hangen de beroemdste originele werken van Jing Hao?Onthul het antwoord

Voornamelijk in National Palace Museum (Taipei). De bovenstaande museumtabel bevat een volledig overzicht.

Jing Hao: de kunstenaar

The Architect of the Northern Landscape

In the turbulent twilight of the Tang dynasty and the subsequent era of the Five Dynasties, a period marked by profound political fragmentation and social upheaval, there emerged a figure whose brush would define the very soul of Chinese landscape painting. Jing Hao, known by his courtesy name Haoran and art name Hongguality, was more than a mere painter; he was a visionary theorist and a master of the monumental. While much of the world around him descended into the chaos of warring factions, Jing Hao sought refuge in the rugged, mist-shrouded heights of the Taihang Mountains in Shanxi province. It was within this seclusion, living much of his life as a simple farmer, that he cultivated a profound spiritual and technical connection to the natural world, transforming the jagged peaks and dense cloud forests into a language of eternal permanence.

His artistic evolution was deeply rooted in the traditions of the Tang dynasty court painters, yet he possessed the rare genius to transcend them. While he inherited an appreciation for the grandeur and harmony found in the works of masters like Wang Wei, Jing Hao pushed the boundaries of the medium by pioneering the use of ink wash (yongmo) techniques. By manipulating varying tones of black ink, he was able to simulate depth, moisture, and the ethereal atmospheric perspective of a mountain range swallowed by fog. This mastery allowed him to move beyond mere representation, creating landscapes that felt as though they breathed with the rhythm of the earth itself.

A Legacy Written in Ink and Theory

The significance of Jing Hao extends far beyond the physical beauty of his surviving works, such as Mount Kuanglu and Travelers in a Snowy Landscape. He was a scholar-artist who sought to codify the very essence of painting through his influential treatise, Bifaji (or Record of Brush Methods). In this seminal essay, he articulated the spiritual aims, aesthetic ideals, and technical methods required for a painter to achieve true harmony with nature. His writings served as a foundational textbook for generations of artists, providing the theoretical scaffolding upon which the great Northern Song masters would later build their careers.

The impact of his "Northern Landscape style" cannot be overstated. Characterized by bold compositions, crisp, decisive lines, and the depiction of precipitous mountain crags, his work stood in striking contrast to the softer, more fluid styles emerging from southern China. This rugged, monumental approach became the standard for the Northern Song period, establishing a lineage of greatness that included his pupil Guan Tong and the legendary Li Cheng. Through his unique ability to blend technical innovation with profound philosophical depth, Jing Hao ensured that the mountains he painted would remain etched in the collective consciousness of Chinese art for over a millennium.