Portret van Jean Nocret

De 30 bekendste schilderijen van Jean Nocret, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 30 werken van Jean Nocret in onze catalogus

Kortom

Van alle originele werken die Jean Nocret heeft nagelaten, is Het gezin van Lodewijk XIV (1670) het bekendst, in de collectie van het Château de Versailles, Versailles. Direct daarna volgen Louis XIV and the royal family (1670) en Louis XIV as a young man (1655). Onze catalogus bevat 30 werken van Jean Nocret; de galerie heeft de 30 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1615 – 1672, Nancy Baroque Meeste werken: Museo del Prado

De top 10 schilderijen van Jean Nocret: de selectie van de galerie

1
Het gezin van Lodewijk XIV (1670) door Jean Nocret

Het gezin van Lodewijk XIV

1670 · Olieverf op canvas · Château de Versailles, Versailles

Voor het meesterwerk uit 1670 van Jean Nocret, Het gezin van Lodewijk XIV, te staan is alsof men wordt meegezogen naar het kloppende hart van het Franse absolutisme. Dit is niet louter een portret van een koninklijke bloedlijn; het is een adembenemend georkestreerde allegorie die de grens tussen het sterfelijke en het goddelijke doet vervagen. In het centrum troont Lodewijk XIV, de Zonnekoning, niet slechts als monarch, maar als de…

2
Louis XIV and the royal family (1670) door Jean Nocret

Louis XIV and the royal family

1670 · Oil On Canvas · Château de Versailles, Versailles

To stand before this monumental depiction of Louis XIV and his royal family is to be enveloped in an atmosphere of unparalleled grandeur. This painting is not merely a portrait; it is a meticulously constructed testament to absolute power, dynastic continuity, and the rigid elegance of the French court during the late Baroque period. The composition itself is breathtakingly dense, a veritable gathering of nobility where every figure seems placed…

3
Louis XIV as a young man (1655) door Jean Nocret

Louis XIV as a young man

1655 · Oil On Canvas · Museo del Prado, Madrid

In this 1655 portrait, we encounter a young Louis XIV at a moment of profound transition. The composition is a three-quarter length study, positioning the monarch slightly off-center to create a sense of movement and immediate presence. There is a certain weight to the figure, anchored by the firm grip on a commander's baton, a symbol of his sovereign authority. The lighting, appearing to descend from the upper left, casts…

5
The Renunciation of Louise de la Vallière (1650) door Jean Nocret

The Renunciation of Louise de la Vallière

1650 · Oil On Canvas · Musée des Beaux-Arts de Brest, Brest

In this 1650 oil painting, we find ourselves witnessing a profound shift in the life of Louise de la Vallière. The scene is set within a landscape that feels both expansive and intimate, where the heavy, theatrical lighting of the Baroque style casts deep shadows across the figures. A central female figure, draped in luminous white fabric, becomes the focal point of this emotional drama. Her presence is marked by…

6
Allegory on the Marriage of Louis XIV and the Infanta Marie-Thérèse of Austria (1660) door Jean Nocret

Allegory on the Marriage of Louis XIV and the Infanta Marie-Thérèse of Austria

1660 · Oil On Canvas · Basque Museum, Bayonne

In this oil on canvas, Jean Nocret presents Allegory on the Marriage of Louis XIV and the Infanta Marie-Thérèse of Austria. Created in 1660, the work captures a significant moment of dynastic union through a complex mythological lens. Nocret, a painter who navigated the highest levels of the French court, utilizes this allegorical framework to frame the royal marriage within a celestial context.

7
Henriette-Anne of England, Duchess of Orleans, known as Madame (1644-1670) (1650) door Jean Nocret

Henriette-Anne of England, Duchess of Orleans, known as Madame (1644-1670)

1650 · Oil On Canvas · Opera House, Versailles

Henriette-Anne of England, Duchess of Orleans, is presented in a three-quarter length portrait that emphasizes her high station through a careful arrangement of texture and light. The subject is positioned against a dark, muted brown background, a choice that pushes her figure forward and creates a sense of depth through chiaroscuro. Her attire, a combination of blue silk and intricate white lace, reflects the light from an upper-left source, defining…

8
Princess Henrietta Anne, Duchess of Orléans (‘Minette’) (1644–1670) (1661) door Jean Nocret

Princess Henrietta Anne, Duchess of Orléans (‘Minette’) (1644–1670)

1661 · Oil On Canvas

To look upon this portrait is to encounter the quiet dignity of Princess Henrietta Anne, known to those closest to her as ‘Minette’. Painted in 1660, the work captures the Duchess of Orléans at a moment of profound transition, reflecting the poise required of a woman navigating the intricate hierarchies of the French court. She is presented in a three-quarter length view, her presence defined by a soft, luminous quality…

9
Maria Theresa of Spain (1638-1683), Queen of France (1650) door Jean Nocret

Maria Theresa of Spain (1638-1683), Queen of France

1650 · Oil On Canvas

This bust-length portrait, executed in 1650, presents Maria Theresa of Spain, Queen of France, within an oval vignette. The subject is positioned in a straight-on, eye-level view, creating a formal connection between the sitter and the viewer. Her face is framed by tight, blonde ringlets of hair that cascade around her head. The skin tones are rendered with a luminous quality, appearing smooth and porcelain-like under a directional light source…

10
So-called Portrait of Henrietta of England (1650) door Jean Nocret

So-called Portrait of Henrietta of England

1650 · Oil On Canvas

The painting titled So-called Portrait of Henrietta of England is an oil on canvas work by the French artist Jean Nocret. Dated 1650, this formal portrait depicts Princess Henrietta Anne Stuart. The subject, who was the youngest daughter of King Charles I, was known by the affectionate name ‘Minette’.

De selectie van Jean Nocret gaat verder, van 11 tot 30

De onderwerpen die de aandacht van Jean Nocret troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Jean Nocret worden bewaard

De 7 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Jean Nocret Schilderijen uit deze lijst
Museo del Prado, MadridMuseo del Prado Madrid 3 Louis XIV as a young man, Phillip of France I Duke of Orléans, Portrait of Princess Marie Thérèse of France
Opera House, VersaillesOpera House Versailles 3 Henriette-Anne of England, Duchess of Orleans, known as Madame (1644-1670), Marie Thérèse of Austria in Royal Costume, Anne Marie Louise d'Orléans holding a portrait of her father the late Duke of Orléans
Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Het gezin van Lodewijk XIV, Louis XIV and the royal family
Musée des Beaux-Arts de Brest, BrestMusée des Beaux-Arts de Brest Brest 1 The Renunciation of Louise de la Vallière
Basque Museum, BayonneBasque Museum Bayonne 1 Allegory on the Marriage of Louis XIV and the Infanta Marie-Thérèse of Austria
Royal Collection, LondenRoyal Collection Londen 1 Henrietta, Duchess of Orleans (1644-1670)
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Henrietta Anne, Duchess of Orleans, 1644 - 1670. Fifth daughter of Charles I

Jean Nocret decennium voor decennium: het origineel dat elk tijdperk definieert

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Vragen van verzamelaars over de schilderijen van Jean Nocret

Waar is Jean Nocret het meest bekend om?Onthul het antwoord

Het gezin van Lodewijk XIV (1670), Château de Versailles, Versailles. Louis XIV and the royal family (1670) en Louis XIV as a young man (1655) volgen.

Hoe oud was Jean Nocret toen Het gezin van Lodewijk XIV werd gemaakt?Onthul het antwoord

55 jaar oud: Het gezin van Lodewijk XIV dateert uit 1670, en Jean Nocret werd geboren in 1615.

Wat zijn de tien beroemdste schilderijen van Jean Nocret?Onthul het antwoord

Het gezin van Lodewijk XIV, Louis XIV and the royal family, Louis XIV as a young man, Phillip of France I Duke of Orléans, The Renunciation of Louise de la Vallière, Allegory on the Marriage of Louis XIV and the Infanta Marie-Thérèse of Austria, Henriette-Anne of England, Duchess of Orleans, known as Madame (1644-1670), Princess Henrietta Anne, Duchess of Orléans (‘Minette’) (1644–1670), Maria Theresa of Spain (1638-1683), Queen of France en So-called Portrait of Henrietta of England. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Jean Nocret nagelaten?Onthul het antwoord

Onze catalogus bevat 30 werken van Jean Nocret, daterend van 1650 tot 1670.

In welke musea hangen de meesterwerken van Jean Nocret?Onthul het antwoord

Voornamelijk in Museo del Prado (Madrid), Opera House (Versailles) en Château de Versailles (Versailles). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Jean Nocret de beroemdste werken?Onthul het antwoord

In 1650s: 6 van de 30 werken op deze pagina werden toen gemaakt, waaronder Louis XIV as a young man.

Wat zijn de eerste en de laatste beroemde originelen van Jean Nocret?Onthul het antwoord

Op deze pagina is het vroegste Phillip of France I Duke of Orléans (1650) en het laatste Het gezin van Lodewijk XIV (1670).

Welke onderwerpen koos Jean Nocret het vaakst?Onthul het antwoord

Woman (9), Lace (7) en Pearls (5), verspreid over de 30 werken op deze pagina.

Welke techniek gebruikte Jean Nocret het meest?Onthul het antwoord

Oil On Canvas, voor 12 van de 30 werken op deze pagina.

Bij welke kunststroming behoort Jean Nocret?Onthul het antwoord

Baroque, te oordelen aan de originelen op deze pagina.

Welke werken van Jean Nocret hangen in het Museo del Prado?Onthul het antwoord

Louis XIV as a young man, Phillip of France I Duke of Orléans en Portrait of Princess Marie Thérèse of France: het Museo del Prado, Madrid herbergt 3 van de werken op deze pagina.

Jean Nocret: leven en werk

The Painter of Royal Splendor

Jean Nocret stands as a pivotal figure in the golden age of French portraiture, a master whose brush captured the very essence of 17th-century absolutism. Born in Nancy, France, Nocret’s journey through the art world was marked by an ambitious pursuit of excellence and a talent for navigating the highest echelons of the French court. His early training under Jean LeClerc provided a foundation of technical skill, but it was his travels to Rome that truly expanded his artistic horizons. In the heart of Italy, he encountered the profound influence of Nicolas Poussin, an encounter that would shape his approach to composition and narrative, even if the legendary Poussin himself viewed the young Nocret as somewhat pretentious for his eagerness to pursue more lucrative opportunities.

Upon returning to Paris in 1644, Nocret began to ascend the social and professional ladder of the French monarchy. His ability to blend the rigid elegance of courtly life with a sophisticated use of allegory allowed him to secure prestigious appointments, eventually serving as a painter to King Louis XIV and Gaston, Duke of Orléans. This proximity to power was not merely professional but personal, as he also served as the king's valet de chambre. His work during this period became a visual manifesto for the Bourbon dynasty, utilizing the language of Greek mythology to elevate mortal monarchs to the status of gods.

Mastery of Allegory and Technique

The brilliance of Nocret’s oeuvre lies in his ability to weave complex symbolic narratives into the fabric of portraiture. He did not merely record faces; he constructed legends. In his monumental works, such as The Family of Louis XIV, he transformed the royal lineage into a divine assembly. Through a masterful application of oil on canvas, Nocret rendered Louis XIV as the radiant Apollo and Queen Marie-Thérèse as Juno, creating an atmosphere where the boundaries between the terrestrial and the celestial dissolved. His technique was characterized by a meticulous precision, employing layers of glazes to achieve a luminous depth that made heavy golden draperies and intricate royal costumes appear to glow from within.

Nocret’s skill extended beyond the portrait to large-scale decorative projects that defined the interiors of the French aristocracy. His commissions included:

  • The decoration of the Château de Saint-Cloud with scenes from Greek mythology for the Duke of Orléans.
  • The elaborate decoration of Queen Maria Theresa's apartments at the Tuileries Palace, where he focused on themes relating to the goddess Minerva.
  • Diplomatic portraiture executed in Portugal, capturing the likenesses of the Portuguese Royal Family during a mission with the Bishop of Comminges.

Legacy and Historical Significance

Nocret’s contribution to the French Baroque style is cemented by his recognition within the Académie royale de peinture et de sculpture. His admission to this prestigious institution, earned through works such as The Repentance of Saint Peter, marked him as a leading light of his era. As a professor at the Academy, he helped shape the next generation of artists, ensuring that the traditions of formal portraiture and mythological allegory would endure. His influence even extended through his lineage, as his son, Jean-Charles Nocret, continued the family tradition of official portraiture and history painting.

Though much of his decorative work was tragically lost to history—destroyed during the burning of the Tuileries Palace and the later destruction of the Château de Saint-Cloud—the surviving remnants of his talent continue to evoke the grandeur of the Ancien Régime. Nocret remains a vital window into a period where art served as the ultimate instrument of political prestige, capturing a world of unparalleled luxury, rigid social hierarchy, and divine aspiration.