Portret van Jean Benner

De 18 bekendste schilderijen van Jean Benner, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 18 werken van Jean Benner in onze catalogus

Kortom

Van alle originele werken die Jean Benner heeft nagelaten, is The Woman with the Tambourine (1867) het bekendst, in de collectie van het Musée Des Beaux Arts, Mulhouse. Direct daarna volgen La petite folle de Capri (1868) en Athéniennes surprises par des Pélages de Lemnos (1876). Onze catalogus bevat 18 werken van Jean Benner; de galerie heeft de 18 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1836 – 1906, Mulhouse Meeste werken: Musée Des Beaux Arts

De top 10 schilderijen van Jean Benner: de selectie van de galerie

De selectie van Jean Benner gaat verder, van 11 tot 18

De musea waar de originele werken van Jean Benner worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Jean Benner Schilderijen uit deze lijst
Musée Des Beaux Arts, MulhouseMusée Des Beaux Arts Mulhouse 3 The Woman with the Tambourine, Untitled (ARCRXK), À la France, toujours
musée Bartholdi, Colmarmusée Bartholdi Colmar 2 La petite folle de Capri, Frédéric Auguste Bartholdi
Musée d'Arts de Nantes, NantesMusée d'Arts de Nantes Nantes 2 Salomé, Jeune fille de Capri
musée Petiet de Limoux, Limouxmusée Petiet de Limoux Limoux 1 The Wreck or The Italian
Musée d'Art Moderne et Contemporain de Strasbourg, StraatsburgMusée d'Art Moderne et Contemporain de Strasbourg Straatsburg 1 Ecstasy
Château de Nemours, NemoursChâteau de Nemours Nemours 1 Briseïs pleurant sur le corps de Patrocle
Musée des Beaux-Arts, ReimsMusée des Beaux-Arts Reims 1 Portrait of a Little Girl
Musée National Jean-jacques Henner, ParisMusée National Jean-jacques Henner Paris 1 Vue de Capri

Jean Benner decennium voor decennium: het origineel dat elk tijdperk definieert

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Vragen van verzamelaars over de schilderijen van Jean Benner

Waar is Jean Benner het meest bekend om?Onthul het antwoord

The Woman with the Tambourine (1867), Musée Des Beaux Arts, Mulhouse. La petite folle de Capri (1868) en Athéniennes surprises par des Pélages de Lemnos (1876) volgen.

Hoe oud was Jean Benner toen The Woman with the Tambourine werd gemaakt?Onthul het antwoord

31 jaar oud: The Woman with the Tambourine dateert uit 1867, en Jean Benner werd geboren in 1836.

Wat zijn de tien beroemdste schilderijen van Jean Benner?Onthul het antwoord

The Woman with the Tambourine, La petite folle de Capri, Athéniennes surprises par des Pélages de Lemnos, The Wreck or The Italian, Ecstasy, Frédéric Auguste Bartholdi, Untitled (ARCRXK), Salomé, À la France, toujours en Briseïs pleurant sur le corps de Patrocle. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Jean Benner nagelaten?Onthul het antwoord

Onze catalogus bevat 18 werken van Jean Benner, daterend van 1867 tot 1906.

In welke musea hangen de meesterwerken van Jean Benner?Onthul het antwoord

Voornamelijk in Musée Des Beaux Arts (Mulhouse), musée Bartholdi (Colmar) en Musée d'Arts de Nantes (Nantes). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Jean Benner de beroemdste werken?Onthul het antwoord

In 1870s: 3 van de 18 werken op deze pagina werden toen gemaakt, waaronder Athéniennes surprises par des Pélages de Lemnos.

Wat zijn de eerste en de laatste beroemde originelen van Jean Benner?Onthul het antwoord

Op deze pagina is het vroegste The Woman with the Tambourine (1867) en het laatste À la France, toujours (1906).

Welke werken van Jean Benner hangen in het Musée Des Beaux Arts?Onthul het antwoord

The Woman with the Tambourine, Untitled (ARCRXK) en À la France, toujours: het Musée Des Beaux Arts, Mulhouse herbergt 3 van de werken op deze pagina.

Jean Benner: leven en werk

A Legacy of Light and Lineage: The Life of Jean Benner

The story of Jean Benner is one deeply woven into the very fabric of nineteenth-century French artistry, a narrative defined by familial bonds and a profound connection to the landscape. Born in 1836 in Mulhouse, Alsace, Jean entered the world as a twin alongside his brother, Emmanuel Benner. Their shared beginnings were rooted in the industrious spirit of their father, Jean Benner-Fries, whose work as a textile designer provided the brothers with an early education in pattern and precision. Before they were masters of the brush, the Benner brothers served as designers in the prominent mills and factories of Mulhoause, a period that undoubtedly instilled in them a meticulous eye for detail and a deep appreciation for the interplay of color and form that would later define their fine art.

As his innate talent blossomed, Jean sought to transcend the industrial design of his youth, embarking on a rigorous academic journey. He immersed himself in the prestigious traditions of French Academic painting, studying under luminaries such as Léon Bonnat, Eck, and the ethereal master Jean-Jacques Henner. This period of intense mentorship was transformative; from Henner, he inherited a sensitivity to light and shadow, while his exposure to the classical principles of his instructors allowed him to master the idealized beauty and technical precision required for the grand stages of the era. His official debut at the Paris Salon in 1868 served as a triumphant announcement of his arrival, marking the moment when his personal vision began to merge with the broader movements of European art.

The Spirit of Capri and Artistic Evolution

While his training was rooted in the rigorous academies of France, Benner’s soul found a profound resonance in the sun-drenched landscapes of the Mediterranean. His fascination with the island of Capri became a cornerstone of his creative identity. During an era when Capri served as a vibrant colony for the world's most celebrated painters, Benner was not merely a visitor but an active participant in its artistic community. He moved within the same circles as Frederic Leighton, John Singer Sargent, and Walter McLaren, finding in the island’s exotic flora and dramatic vistas a perfect subject for his evolving style.

This Mediterranean influence breathed a new vitality into his work, allowing him to expand his repertoire far beyond the confines of traditional portraiture. His output became a rich tapestry of diverse genres:

  • Still Lifes: Brimming with vibrant color palettes that mirrored the exotic flora of Capri, these works showcased his ability to capture the fleeting beauty of nature.
  • Portraits: Evocative studies that sought to capture the subtle nuances of human emotion and character.
  • Genre Scenes: Captivating depictions of everyday life, often imbued with a sense of melancholic contemplation or quiet romanticism.

His technical achievements were recognized by his peers and institutions alike; notably, in 1881, he was awarded a medal at the Paris Salon for his painting Le Repos. This period of his career saw him producing works of significant scale and emotional depth, such as A House in Capri and Women of Capri, which demonstrated his ability to marry the grandiosity of Academic technique with the intimate, atmospheric qualities of the landscape.

Historical Significance and Artistic Enduring Presence

The historical significance of Jean Benner lies not only in his individual mastery but in his role as a bridge between the industrial precision of the mid-nineteenth century and the evocative, atmospheric sensibilities of the late century. He carried forward a family dynasty of creativity; as the father of the artist Emmanuel Michel Benner (known as Many Benner), he ensured that the Benner name remained synonymous with artistic excellence for another generation. His life was a testament to the idea that art is both a learned discipline and an inherited passion.

Though he passed away in Paris in 1906, his legacy remains preserved in the quiet beauty of his canvases. Through his ability to capture the light of Capri and the dignity of his subjects, Benner left behind a body of work that continues to resonate with those seeking the intersection of classical grace and natural splendor. His paintings remain enduring windows into a lost era of European elegance, reminding us of a time when the boundaries between the designer's hand and the painter's soul were beautifully blurred.