Portret van Jan Matulka

Schilderijen van Jan Matulka: De 18 bekendste, door de ogen van een galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 19 werken van Jan Matulka in onze catalogus

Kortom

In het oog van de galerie is het beroemdste schilderij van Jan Matulka Arrangement New York (1925). (Surrealist Landscape) (1935) en New York (1925) maken het trio compleet dat elk oog herkent. Van de 19 werken van Jan Matulka in onze catalogus presenteert de galerie hieronder de 18 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1890 – 1972, Vlachovo Březí Meeste werken: Smithsonian American Art Museum

De top 10 schilderijen van Jan Matulka in de galerie

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New York (1925) door Jan Matulka

New York

1925

The painting New York by Jan Matulka is a remarkable example of modern art, showcasing the city's vibrant energy and architectural grandeur. Created in 1925, this lithograph on paper measures 31 x 45 cm and is currently housed at the Smithsonian American Art Museum in the United States. The Artist's Inspiration Jan Matulka was a Czech-American modern artist known for his diverse style, which ranged from abstract expressionism to landscapes.…

Schilderijen van Jan Matulka, gerangschikt van 11 tot 18

De musea waar de originele werken van Jan Matulka worden bewaard

De 2 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Jan Matulka Schilderijen uit deze lijst
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Arrangement with Phonograph, Mask, and Shell, (Surrealist Landscape)
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Untitled (Still Life with Lobster)

Jan Matulka, de kenmerkende schilderijen van elk jaar

Het carrièreverloop van Jan Matulka op deze pagina beslaat 15 jaar, van 1921 tot 1935: elk jaar wordt hier getoond met de meest beroemde originele werken.

Werken per jaar

Selecteer een jaar om de originele werken te bekijken.

Schilderijen van Jan Matulka: de galerie geeft antwoord

Welk schilderij van Jan Matulka is het beroemdste van allemaal?Onthul het antwoord

Arrangement New York (1925). (Surrealist Landscape) (1935) en New York (1925) volgen.

Hoe oud was Jan Matulka bij de voltooiing van Arrangement New York?Onthul het antwoord

35 jaar oud: Arrangement New York dateert uit 1925, en Jan Matulka werd geboren in 1890.

Wat zijn de top 10 schilderijen van Jan Matulka?Onthul het antwoord

Arrangement New York, (Surrealist Landscape), New York, View of our Lady of Tyn, Prague (Pohled na T yacute nsk yacute chrám), Cityscape, Paris, Avignon, Arrangement with Phonograph, Mask, and Shell, Untitled (Still Life with Lobster) en Untitled (Cassis Street Scene). De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Jan Matulka gemaakt?Onthul het antwoord

Onze catalogus bevat 19 werken van Jan Matulka, daterend van 1921 tot 1935.

Waar hangen de beroemdste originele werken van Jan Matulka?Onthul het antwoord

Voornamelijk in Smithsonian American Art Museum (Washington, D.C.) en Art Institute of Chicago (Chicago). De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Jan Matulka de beroemdste schilderijen?Onthul het antwoord

In 1930: 5 van de 18 werken op deze pagina werden toen gemaakt, waaronder Arrangement with Phonograph, Mask, and Shell.

Wat zijn de vroegste en laatste beroemde werken van Jan Matulka?Onthul het antwoord

Op deze pagina is het vroegste Untitled (View of Hill Town in Czechoslovakia) (1921) en het laatste (Surrealist Landscape) (1935).

Welke originelen van Jan Matulka zijn in de collectie van het Smithsonian American Art Museum?Onthul het antwoord

Arrangement with Phonograph, Mask, and Shell en (Surrealist Landscape): het Smithsonian American Art Museum, Washington, D.C. herbergt 2 van de werken op deze pagina.

Jan Matulka: de kunstenaar

The Alchemist of Color: The Life and Legacy of Jan Matulka

Jan Matulka stands as a luminous bridge between the deep-rooted traditions of European Bohemia and the experimental frontiers of American Modernism. Born in 1890 in Vlachovo Březí, within the then-Austro-Hungarian territory of Bohemia, his early life was defined by a profound sense of cultural heritage that would later infuse his canvases with a unique, symbolic depth. His journey to the United States in 1907 brought him to the Bronx, where he faced the challenges of a young immigrant but found within the bustling energy of New York a new canvas for his burgeoning talent. This duality—the nostalgic echoes of his Czech roots and the rhythmic pulse of American urbanity—became the heartbeat of his artistic evolution.

Matulka’s formal training was a rigorous pursuit of excellence, beginning at the National Academy of Design in New York between 1911 and 1916. This classical foundation provided him with the technical mastery required to later deconstruct form and color. However, it was his exposure to the avant-garde movements of Europe that truly ignited his creative spirit. During his time in Paris, he moved within circles of profound intellectual influence, becoming acquainted with luminaries such as Gertrude Stein and André Lhote. These encounters allowed him to absorb the lessons of Cubism and Surrealism, which he would eventually weave into a personal style that refused to be confined by a single movement.

A Tapestry of Styles: From Landscapes to Abstraction

The brilliance of Matulka’s oeuvre lies in its remarkable fluidity; his artistic temperament was such that he could traverse the spectrum from serene landscapes to jarring abstraction, sometimes within the span of a single day. His early works often captured the melancholic beauty of Bohemian vistas and the picturesque charm of Czechoslovakian hill towns, rendered with an impressionistic sensitivity to light and atmosphere. Yet, as the twentieth century progressed, his brushwork grew bolder and more experimental. He began to embrace the geometric complexities of modern life, creating vibrant cityscapes that pulsed with the kinetic energy of a changing world.

As his career matured, Matulka’s work delved into the realms of Surrealism and Abstract Expressionism. His compositions became playgrounds for the subconscious, where symbolic elements—such as shells, nude figures, or botanical forms—interacted with abstract shapes in dreamlike arrangements. This period of his work is characterized by:

  • Vibrant Chromaticism: A fearless use of saturated hues that evoke intense emotional responses.
  • Dynamic Composition: The use of intersecting lines and fragmented planes to create a sense of movement and depth.
  • Symbolic Narrative: The integration of folklore and mythic imagery, reflecting his Bohemian intellectual heritage.

One of his most significant achievements was his ability to translate the industrial and social shifts of America into a visual language that felt both contemporary and timeless. His collaboration with the sculptor David Smith serves as a testament to his role in the broader movement of American modern art, pushing the boundaries of how materials and forms could represent the human experience.

Historical Significance and Enduring Influence

Beyond the physical beauty of his paintings, Jan Matulka’s historical significance lies in his role as a cultural conduit. He did not merely adopt new styles; he synthesized them, creating a unique aesthetic that helped define the American modernist landscape. As an instructor at the Art Students League, he passed this rich, multifaceted tradition down to subsequent generations, influencing notable artists such as Dorothy Dehner, Francis Criss, and Burgoyne Diller.

His legacy is preserved not only in museum collections like the Smithsonian American Art Museum but also in the very fabric of modern art history. Matulka’s ability to maintain a connection to his origins while fearlessly embracing the unknown allowed him to create works that remain as captivating and intellectually stimulating today as they were during his lifetime. He remains a master of the transitional moment, an artist who captured the precise instant when tradition met the future.