Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 15 werken van James Peter Quinn in onze catalogus
Kortom
Van alle originele werken die James Peter Quinn heeft nagelaten, is A Japanese Lady (1914) het bekendst, in de collectie van het Walker Art Gallery, Liverpool. Direct daarna volgen Lillias Hamilton (1858–1925), Physician (1924) en LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910). Onze catalogus bevat 15 werken van James Peter Quinn; de galerie heeft de 13 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
The canvas holds a man of quiet weight. Lieutenant R.G. Combe sits in a three-quarter profile, his gaze directed toward an unseen point to the left. He wears a military tunic of deep olive green, the fabric rendered with thick, impasto strokes that suggest the heavy texture of wool. Light falls from the upper left, carving the contours of his face and casting soft, directional shadows that define the bridge…
In the portrait LIEUTENANT COLONEL W.A. BISHOP, James Peter Quinn presents a three-quarter length depiction of the military officer. The subject is positioned slightly off-center against a dark, indeterminate background that lacks specific environmental detail. This compositional choice focuses the viewer's attention entirely on the sitter and his attire. The officer is rendered in full military regalia, which includes visible medals, insignia, and a cross-belt. The arrangement of these elements…
The gaze of Major Okill Massey Learmonth meets the viewer through this formal oil portrait by the Australian portrait painter James Peter Quinn. Painted about 1918, the work captures a man defined by his service and the weight of his command. Learmonth holds the rank of acting Major in the 2nd (Eastern Ontario) Battalion of the Canadian Expeditionary Force, a position that carries a heavy sense of duty within the…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
George Bell (artist and critic) is a portrait by James Peter Quinn, executed about 1939. The sitter is George Bell, an Australian painter and teacher. Quinn, a prominent figure in Australian portraiture, captured the subject during a period of significant activity in the local art scene.
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 5 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van James Peter Quinn | Schilderijen uit deze lijst |
|---|---|---|---|
 Canadian War Museum |
Ottawa | 3 | LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth |
 Art Gallery of New South Wales |
Sydney | 2 | George Bell (artist and critic), The rendezvous |
 Walker Art Gallery |
Liverpool | 1 | A Japanese Lady |
 Government Art Collection |
Londen | 1 | Arthur, Duke of Connaught and Strathearn (1850–1942) (copy after John Singer Sargent) |
 The National Trust For Scotland |
Forres | 1 | Fish Market at Étaples, France |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
A Japanese Lady (1914), Walker Art Gallery, Liverpool. Lillias Hamilton (1858–1925), Physician (1924) en LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910) volgen.
45 jaar oud: A Japanese Lady dateert uit 1914, en James Peter Quinn werd geboren in 1869.
A Japanese Lady, Lillias Hamilton (1858–1925), Physician, LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth, William Self Weeks, George Bell (artist and critic), C. J. Bowen Cooke, London and North Western Railway, Dr Robert Aitken (1869–1951) en Arthur (1850–1942), Duke of Connaught, President of the Bible Society (copy of John Singer Sargent). De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 15 werken van James Peter Quinn, daterend van 1910 tot 1939.
Voornamelijk in Canadian War Museum (Ottawa), Art Gallery of New South Wales (Sydney) en Walker Art Gallery (Liverpool). De bovenstaande museumtabel bevat een volledig overzicht.
In 1930s: 5 van de 13 werken op deze pagina werden toen gemaakt, waaronder William Self Weeks.
Op deze pagina is het vroegste LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910) en het laatste George Bell (artist and critic) (1939).
Man (5), Chair (3) en Portrait (3), verspreid over de 13 werken op deze pagina.
Oil On Canvas, voor 4 van de 13 werken op deze pagina.
LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP en Major Okill Massey Learmonth: het Canadian War Museum, Ottawa herbergt 3 van de werken op deze pagina.
