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Volgens de visie van de galerie is het beroemdste schilderij van James Brooks Number 13 (1965), waarvan het origineel in het Dallas Museum of Art in Dallas hangt. Untitled (1952) en Black and White (1965) maken het trio compleet dat elk oog herkent. Van de 12 werken van James Brooks in onze catalogus presenteert de galerie hieronder de 12 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
In the realm of Abstract Expressionism, few works command attention with such stark, visceral intensity as James Brooks's Number 13. Created in 1965, this masterpiece serves as a profound dialogue between light and shadow, order and chaos. The composition is defined by a striking monochrome palette, where the deep, commanding presence of black paint meets the luminous clarity of white space. Upon first encounter, the viewer is swept into a…
The canvas is a field of deep blue, a heavy sky or a midnight sea. Across this expanse, yellow and orange splashes break the stillness. These are not controlled strokes but sudden interruptions. They appear as liquid bursts, bleeding into the surrounding darkness. The paint moves in drips, long vertical streaks that pull the eye downward. It is a record of gravity and momentum captured in 1952.
The Oran painting, created by James Brooks in 1969, is a remarkable piece of art that showcases the artist's unique style and technique. Measuring 270 x 233 cm, this acrylic on canvas painting is a prime example of Abstract Expressionism. The painting is currently housed at the Smithsonian American Art Museum in the United States. Artistic Style and Technique James Brooks was known for his innovative use of staining, dilution,…
De 4 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van James Brooks | Schilderijen uit deze lijst |
|---|---|---|---|
 Dallas Museum of Art |
Dallas | 3 | Number 13, Ipswich, Quand |
 Parrish Art Museum |
Water Mill | 2 | Untitled, Untitled |
 Pennsylvania Academy of Fine Arts |
Philadelphia | 1 | Mohan |
 Detroit Institute of Arts |
Detroit | 1 | Nado |
18 jaar aan kunst van James Brooks, van 1952 tot 1969: de galerie volgt hen jaar voor jaar, via de meest beroemde originelen van elk jaar.
Selecteer een jaar om de originele werken te bekijken.
The canvas is a field of deep blue, a heavy sky or a midnight sea. Across this expanse, yellow and orange splashes break the stillness. These are not controlled strokes but sudden interruptions. They appear as liquid bursts, bleeding into the surrounding darkness. The paint moves in drips, long vertical streaks that pull the eye downward. It is a record of gravity and momentum captured in 1952.
James Brooks grew up in Texas and attended Southern Methodist University from 1923 to 1925. He arrived in New York in the mid-1920s, and supported himself as a commercial artist while studying painting at the Art Students League. Brooks took up teaching, first at Columbia, and then for more extended periods at Pratt Institute and Yale His first solo show at Peridot Gallery in 1950, featured stained and dripped canvases…
In the realm of Abstract Expressionism, few works command attention with such stark, visceral intensity as James Brooks's Number 13. Created in 1965, this masterpiece serves as a profound dialogue between light and shadow, order and chaos. The composition is defined by a striking monochrome palette, where the deep, commanding presence of black paint meets the luminous clarity of white space. Upon first encounter, the viewer is swept into a…
Meer van 1965
Number 13 (1965), Dallas Museum of Art, Dallas. Untitled (1952) en Black and White (1965) volgen.
59 jaar oud: Number 13 dateert uit 1965, en James Brooks werd geboren in 1906.
Number 13, Untitled, Black and White, Mohan, Nado, Ipswich, Quand, Harmagh, Oran en Ipswich. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 12 werken van James Brooks, daterend van 1952 tot 1969.
Voornamelijk in Dallas Museum of Art (Dallas), Parrish Art Museum (Water Mill) en Pennsylvania Academy of Fine Arts (Philadelphia). De bovenstaande museumtabel bevat een volledig overzicht.
In 1965: 2 van de 12 werken op deze pagina werden toen gemaakt, waaronder Number 13.
Op deze pagina is het vroegste Untitled (1952) en het laatste Quand (1969).
Abstract expressionism, te oordelen aan de originelen op deze pagina.
Number 13, Ipswich en Quand: het Dallas Museum of Art, Dallas herbergt 3 van de werken op deze pagina.
