Portret van Jacob Coning

De 16 beroemdste schilderijen van Jacob Coning, elk uniek

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 16 werken van Jacob Coning in onze catalogus

Kortom

Nicolas de Seue (1691) is het schilderij van Jacob Coning dat de meeste aandacht trekt. Daarna gaat de blik naar Portrait of Peter Wessel Tordenskiold (1700) en Nikolaj Sibbern (1720). Van de 16 werken van Jacob Coning in onze catalogus zijn dit de 16 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.

1647 – 1724, The Hague Meeste werken: National Museum of Art, Architecture and Design

Top 10 schilderijen van Jacob Coning, door de ogen van de galerie

De beroemde schilderijen van Jacob Coning, nummer 11 tot 16

De musea waar de originele werken van Jacob Coning worden bewaard

De 3 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Jacob Coning Schilderijen uit deze lijst
National Museum of Art, Architecture and Design, OsloNational Museum of Art, Architecture and Design Oslo 9 Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss
Oslo Museum, OsloOslo Museum Oslo 3 Portrait of Peter Wessel Tordenskiold, Halden (Fredrikshald), Oslo Hospital
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 The Cattle Pen

Jacob Coning door de decennia heen: elk een uniek origineel

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Jacob Coning: vragen voor de galerie

Wat is het bekendste werk van Jacob Coning?Onthul het antwoord

Nicolas de Seue (1691). Portrait of Peter Wessel Tordenskiold (1700) en Nikolaj Sibbern (1720) volgen.

Op welke leeftijd creëerde Jacob Coning Nicolas de Seue?Onthul het antwoord

44 jaar oud: Nicolas de Seue dateert uit 1691, en Jacob Coning werd geboren in 1647.

Welke tien schilderijen van Jacob Coning zijn het meest bekend?Onthul het antwoord

Nicolas de Seue, Portrait of Peter Wessel Tordenskiold, Nikolaj Sibbern, The Cattle Pen, Halden (Fredrikshald), Oslo Hospital, Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss en Akershus Fortress near Christiania/Oslo. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken van Jacob Coning zijn er bekend?Onthul het antwoord

Onze catalogus bevat 16 werken van Jacob Coning, daterend van 1666 tot 1720.

Waar kunnen de beroemdste originelen van Jacob Coning worden bekeken?Onthul het antwoord

Voornamelijk in National Museum of Art, Architecture and Design (Oslo), Oslo Museum (Oslo) en Museum Boijmans Van Beuningen (Rotterdam). De bovenstaande museumtabel bevat een volledig overzicht.

In welke periode creëerde Jacob Coning de bekendste schilderijen?Onthul het antwoord

In 1690s: 10 van de 16 werken op deze pagina werden toen gemaakt, waaronder Nicolas de Seue.

Welk beroemd schilderij van Jacob Coning is de vroegste, en welke de laatste?Onthul het antwoord

Op deze pagina is het vroegste The Cattle Pen (1666) en het laatste Nikolaj Sibbern (1720).

Welke originele werken van Jacob Coning kan ik zien in het National Museum of Art, Architecture and Design?Onthul het antwoord

Krapfoss near Moss, Halden, seen from a hill on the foreground en View of Moss: het National Museum of Art, Architecture and Design, Oslo herbergt 9 van de werken op deze pagina.

Jacob Coning: een portret van de kunstenaar

A Master of the Topographical Eye

In the golden twilight of the seventeenth century, a period defined by the meticulous observation of the natural world, Jacob Coning emerged as a vital bridge between the storied traditions of Dutch landscape painting and the burgeoning courtly aesthetics of Denmark-Norway. Born around 1647 in The Hague, Coning was steeped in the rich artistic heritage of his homeland from his very first breaths. As the son of the Dutch painter Jacob Koninck, his apprenticeship began within the intimate confines of a family workshop, where he learned to capture the subtle nuances of light and atmosphere that had made Dutch art the envy of Europe. This foundational training was further refined under the guidance of masters such as Adriaen van de Velde, an influence that undoubtedly instilled in him a profound respect for topographical accuracy and the delicate interplay of shadow and sky.

The trajectory of Coning’s life took a transformative turn in 1676 when he traveled to Copenhagen. This migration was more than a mere change of scenery; it was a pivotal moment that allowed him to transplant the sophisticated techniques of the Dutch school into a new cultural landscape. Settling in Denmark, Coning found himself uniquely positioned to serve the needs of the Danish Court. His arrival coincided with a period where the nobility sought to document their lands and estates with a sense of grandeur and permanence. Through his marriage to Dorothea Tranberg, a lady-in-waiting to Queen Charlotte Amalie, Coning secured a prestigious foothold within the royal circle, eventually earning the esteemed title of painter to the Danish Court.

The Art of the Landscape and the Court

Coning’s oeuvre is characterized by a remarkable duality, oscillating between the intimate precision of topographical painting and the formal dignity of portraiture. He was a pioneer in Denmark-Norway, specializing in landscapes that functioned as much as historical documents as they did works of fine art. His approach to topography was not merely about mapping terrain; it was about capturing the soul of a place. Whether rendering the sweeping vistas of Norway or the manicured estates of Denmark, Coning possessed an uncanny ability to imbable his scenes with a sense of lived reality and atmospheric depth.

His technical mastery is perhaps most evident in his ability to navigate various artistic demands:

  • Topographical Precision: His works, such as the celebrated View of Moss from 1699, demonstrate an exacting eye for detail, documenting specific locales with a clarity that serves both aesthetic and archival purposes.
  • Portraiture: Beyond the landscape, Coning was a sought-after portraitist for the Danish and Norwegian nobility, translating the status and character of his subjects onto canvas with grace and sophistication.
  • Decorative Artistry: His versatility extended to the ornamental, as he undertook tasks such as the gilding of frames, ensuring that the presentation of art matched the quality of the painting itself.

Despite his proximity to royal splendor, Coning’s personal journey was marked by the harsh realities of economic instability. The life of a court painter, while prestigious, did not always guarantee financial security. He faced periods of significant hardship, often finding himself forced to auction off his beloved creations to sustain himself. This struggle adds a poignant layer to his legacy, painting a picture of an artist whose dedication to his craft persisted even amidst the shadows of poverty.

Legacy and Historical Significance

The historical significance of Jacob Coning lies in his role as a cultural conduit. He did not merely bring Dutch techniques to Scandinavia; he helped foster a new visual language for the region. His efforts to establish an art academy in Copenhagen, alongside a circle of contemporary artists, reflect his vision for a structured and flourishing artistic community in Denmark. Though he spent his final years in the humble surroundings of a reformed church poorhouse, his impact on the Northern European landscape tradition remains indelible.

Today, Coning’s works are cherished not only as beautiful objects of art but as essential windows into the past. His landscapes remain significant for their cultural and historic value, offering contemporary viewers a glimpse into the topography and spirit of a bygone era. Through his brush, the rugged beauty of the North and the refined elegance of the Court continue to breathe, preserved in the enduring legacy of a true master of observation.