Kortom
Volgens de visie van de galerie is het beroemdste schilderij van Izaäk Schmidt Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784), waarvan het origineel in het Museum Gouda in Gouda hangt. Van de 2 werken van Izaäk Schmidt in onze catalogus presenteert de galerie hieronder de 2 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
De top 10 schilderijen van Izaäk Schmidt in de galerie
De musea waar de originele werken van Izaäk Schmidt worden bewaard
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Izaäk Schmidt | Schilderijen uit deze lijst |
|---|---|---|---|
| Gouda | 2 | Portrait of mr. Adriaan Jacob van der Does, 1756-1830, Portrait of Constantia Catherina Jongbloet |
Izaäk Schmidt, de kenmerkende schilderijen van elk jaar
Elk gedateerd origineel van Izaäk Schmidt op deze pagina is gemaakt in 1784: hier zijn ze, de bekendste eerst.
Werken per jaar
Selecteer een jaar om de originele werken te bekijken.
Portrait of mr. Adriaan Jacob van der Does, 1756-1830
Meer van 1784
Schilderijen van Izaäk Schmidt: de galerie geeft antwoord
Welk schilderij van Izaäk Schmidt is het beroemdste van allemaal?Onthul het antwoord
Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784)
Hoe oud was Izaäk Schmidt bij de voltooiing van Portrait of mr. Adriaan Jacob van der Does, 1756-1830?Onthul het antwoord
44 jaar oud: Portrait of mr. Adriaan Jacob van der Does, 1756-1830 dateert uit 1784, en Izaäk Schmidt werd geboren in 1740.
Hoeveel werken heeft Izaäk Schmidt gemaakt?Onthul het antwoord
Onze catalogus bevat 2 werken van Izaäk Schmidt.
Waar hangen de beroemdste originele werken van Izaäk Schmidt?Onthul het antwoord
Voornamelijk in Museum Gouda (Gouda). De bovenstaande museumtabel bevat een volledig overzicht.
Wanneer creëerde Izaäk Schmidt de beroemdste schilderijen?Onthul het antwoord
In 1784: 2 van de 2 werken op deze pagina werden toen gemaakt, waaronder Portrait of mr. Adriaan Jacob van der Does, 1756-1830.
Welke originelen van Izaäk Schmidt zijn in de collectie van het Museum Gouda?Onthul het antwoord
Portrait of mr. Adriaan Jacob van der Does, 1756-1830 en Portrait of Constantia Catherina Jongbloet: het Museum Gouda, Gouda herbergt 2 van de werken op deze pagina.
Izaäk Schmidt: de kunstenaar
A Life in Amsterdam
Izaäk Schmidt lived his life within the familiar streets of Amsterdam. Born on 11 July 1740, he was a man of many talents, moving between the roles of painter, drawer, art teacher, and writer. His presence in the Dutch art scene was marked by a quiet dedication to his craft and the instruction of others. He remained in his home city until his death on 17 May 1818.
His daily existence was rooted in the rhythms of the Netherlands. As an educator, he shared his knowledge of line and color with students, helping to pass down technical skills through generations. His work often captured the simple, quiet moments of Dutch life, focusing on the landscapes and people that populated the countryside.
The Art of the Everyday
Schmidt found his expression primarily through watercolour and drawing. He had a particular eye for the scenery surrounding the canals and villages, often rendering scenes that felt deeply connected to the local landscape. His hands were skilled at capturing the light on a road along a canal or the movement of figures near a stone bridge.
His repertoire included various subjects that reflected his surroundings:
- Village views featuring figures gathered near inns or stone bridges.
- Portraits of individuals, such as Balthasarina Wilhelmina Pasques de Chavonnes and Jacob Pieter van Braam.
- Landscape studies like country folk at a fence and scenes of rural life.
- Allegorical works including his piece titled Allegory of Painting.
There is a certain stillness in his drawings. He did not seek to complicate the world, but rather to document it with clarity. Whether working on a portrait or a view of an inn, he focused on the tangible details of the people and places he knew.
A Lasting Record
Though much of his work remains in private hands or specific museum collections like the Fitzwilliam Museum, the traces of his skill remain visible. His ability to translate the atmosphere of a Dutch village into watercolour allowed for a lasting record of a period in history that has since changed. He left behind more than just images; he left a window into the way the Dutch landscape and its people appeared at the end of the eighteenth century.
