1
De 1 bekendste schilderijen van Howard Arkley, een selectie uit de galerie
Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 1 werken van Howard Arkley in onze catalogus
Kortom
Van alle originele werken die Howard Arkley heeft nagelaten, is Fast-lid het bekendst, in de collectie van het National Gallery of Victoria, Melbourne. Onze catalogus bevat 1 werken van Howard Arkley; de galerie heeft de 1 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
1951 – 1999, Australia
Meeste werken: National Gallery of Victoria
De top 10 schilderijen van Howard Arkley: de selectie van de galerie
De musea waar de originele werken van Howard Arkley worden bewaard
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Howard Arkley | Schilderijen uit deze lijst |
|---|---|---|---|
 National Gallery of Victoria |
Melbourne | 1 | Fast-lid |
Vragen van verzamelaars over de schilderijen van Howard Arkley
Waar is Howard Arkley het meest bekend om?Onthul het antwoord
Fast-lid
Hoeveel schilderijen heeft Howard Arkley nagelaten?Onthul het antwoord
Onze catalogus bevat 1 werken van Howard Arkley.
In welke musea hangen de meesterwerken van Howard Arkley?Onthul het antwoord
Voornamelijk in National Gallery of Victoria (Melbourne). De bovenstaande museumtabel bevat een volledig overzicht.
Howard Arkley: leven en werk
The Art of Suburbia
Howard Arkley was an Australian painter known for his airbrushed depictions of Melbourne suburbia. After studying at Prahran College of Advanced Education from 1969 to 1972, he discovered the airbrush, a tool he utilized to achieve the smooth surfaces he desired in his work. His early exhibitions, including his first at Tolarno Galleries in 1975, featured abstract works often composed of patterns or lines created with the airbrush. While his initial pieces were black and white, he eventually began experimenting with colour.
His career saw significant milestones, such as the creation of the mural Primitive in 1981 and painting a tram for the Victorian Ministry of the Arts in 1982. His artistic journey moved from abstraction toward figurative iconography and landscape. His work has been described as a visual equivalent to the monologues of Barry Humphries, capturing the essence of suburban life.
Life and Legacy
Arkley's life was marked by both artistic recognition and personal turbulence. He participated in the 1999 Venice Biennale and traveled to London to plan an album cover for Nick Cave. Following a successful exhibition at the Karen Lovegrove Gallery in Los Angeles, he traveled to Las Vegas, where he married Alison Burton. He returned to Melbourne, where he died in 1999.
His legacy is preserved through various publications and retrospectives, including: