Portret van Herbert Rollett

De 16 bekendste schilderijen van Herbert Rollett, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 16 werken van Herbert Rollett in onze catalogus

Kortom

Van alle originele werken die Herbert Rollett heeft nagelaten, is Seascape de bekendste. Direct daarna volgen Time to Go (1920) en Lincolnshire Scene (1920). Onze catalogus bevat 16 werken van Herbert Rollett; de galerie heeft de 16 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1872 – 1932 Meeste werken: Usher Gallery

De top 10 schilderijen van Herbert Rollett: de selectie van de galerie

De selectie van Herbert Rollett gaat verder, van 11 tot 16

De musea waar de originele werken van Herbert Rollett worden bewaard

De 3 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Herbert Rollett Schilderijen uit deze lijst
Usher Gallery, LincolnUsher Gallery Lincoln 7 Landscape (verso), Landscape (verso), Sheep
Fishing Heritage Centre, GrimsbyFishing Heritage Centre Grimsby 5 Lincolnshire Scene, Landscape with a Large Cloud, Victoria Mill and Alexandra Dock, Grimsby, Lincolnshire
Ferens Art Gallery, HullFerens Art Gallery Hull 2 Time to Go, North Lincolnshire Landscape

Herbert Rollett jaar voor jaar: de originelen die elk jaar definiëren

De gedateerde werken van Herbert Rollett in deze selectie beslaan slechts 5 jaar, van 1920 tot 1924: een korte carrière, hier jaar voor jaar weergegeven.

Werken per jaar

Selecteer een jaar om de originele werken te bekijken.

Vragen van verzamelaars over de schilderijen van Herbert Rollett

Waar is Herbert Rollett het meest bekend om?Onthul het antwoord

Seascape. Time to Go (1920) en Lincolnshire Scene (1920) volgen.

Wat zijn de tien beroemdste schilderijen van Herbert Rollett?Onthul het antwoord

Seascape, Time to Go, Lincolnshire Scene, North Lincolnshire Landscape, Landscape with a Large Cloud, Lincolnshire Seascape, Victoria Mill and Alexandra Dock, Grimsby, Lincolnshire, Landscape (verso), Landscape (verso) en Sheep. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Herbert Rollett nagelaten?Onthul het antwoord

Onze catalogus bevat 16 werken van Herbert Rollett, daterend van 1920 tot 1924.

In welke musea hangen de meesterwerken van Herbert Rollett?Onthul het antwoord

Voornamelijk in Usher Gallery (Lincoln), Fishing Heritage Centre (Grimsby) en Ferens Art Gallery (Hull). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Herbert Rollett de beroemdste werken?Onthul het antwoord

In 1920: 2 van de 16 werken op deze pagina werden toen gemaakt, waaronder Time to Go.

Wat zijn de eerste en de laatste beroemde originelen van Herbert Rollett?Onthul het antwoord

Op deze pagina is het vroegste Time to Go (1920) en het laatste North Lincolnshire Landscape (1924).

Welke werken van Herbert Rollett hangen in het Usher Gallery?Onthul het antwoord

Landscape (verso), Landscape (verso) en Sheep: het Usher Gallery, Lincoln herbergt 7 van de werken op deze pagina.

Herbert Rollett: leven en werk

Herbert Rollett: The Lincolnshire Grocer Who Painted the Sky

The story of Herbert Rollett is a remarkable one, a testament to the unexpected paths life can take and the enduring power of passion. Born in Gainsborough, Lincolnshire, in 1872, Rollett’s early life seemed destined for a predictable trajectory – a career in business, much like his father, a farmer. However, fate intervened, leading him down an extraordinary route: from running a successful grocery shop to becoming one of the most celebrated landscape artists of his era, all while maintaining his livelihood as a grocer.

Rollett’s artistic journey began almost accidentally. Initially, he sought refuge in music and photography, hobbies that provided a welcome escape from the demands of his trade. It wasn't until his late thirties, around 1920, that he truly embraced painting, driven by an innate desire to capture the beauty of the Lincolnshire countryside – a region he deeply loved and knew intimately. He taught himself, dedicating hours each morning before opening his shop to sketching and experimenting with watercolors. This early dedication was fueled by a profound connection to his surroundings; as he famously stated, “I have painted in Scotland and the Lake District but have always returned with a feeling of relief to the scene of my old labour,” recognizing that Lincolnshire offered unique atmospheric qualities – expansive skies and a lack of dramatic hills that allowed for a heightened appreciation of light and color.

A Unique Artistic Style

Rollett’s style was distinctly post-impressionist, characterized by bold brushstrokes, vibrant colors, and an emphasis on capturing the fleeting effects of light. He wasn't interested in photographic realism; instead, he sought to convey a sense of mood and atmosphere, translating his subjective experience of the landscape onto canvas. His paintings are often described as “luministic,” reflecting the way he skillfully rendered the interplay of sunlight and shadow, creating an almost ethereal quality. He frequently depicted familiar Lincolnshire scenes – rolling fields, quaint villages, and dramatic skies – but always with a distinctive artistic flair.

Influences on Rollett’s work are complex and somewhat debated. While he largely worked in isolation, his paintings bear traces of the Impressionists, particularly Monet and Pissarro, evident in their focus on capturing light and color. However, there's also a strong connection to the British Romantic tradition, with its emphasis on the sublime beauty of nature and the emotional response it evokes. The Kentish Yeomanry, a military unit that Rollett served in during World War I, undoubtedly shaped his perspective, instilling a deep appreciation for the ruggedness and resilience of the Lincolnshire landscape.

Recognition and Legacy

Despite his initial self-taught status, Rollett’s talent quickly gained recognition. His paintings were exhibited at prestigious venues throughout Britain, including the Royal Academy in London and the Royal Scottish Academy. In 1924, a pivotal moment arrived when ‘Killingholme Creek’ was accepted into the Paris Salon – a remarkable achievement for a largely unknown British artist. This success opened doors to further exhibitions and established Rollett as a significant figure in the British art scene.

His work continued to be exhibited throughout the 1920s and 30s, earning him both critical acclaim and commercial success. He was particularly celebrated for his depictions of Lincolnshire’s skies – vast, dramatic canvases filled with swirling clouds and shifting light. Sadly, Rollett's career was cut short by illness in 1932, but his legacy endures. His paintings are now housed in several prominent museums, including the Owletts Greenwch Herbert Art Gallery and Museum in Coventry, where they continue to captivate viewers with their beauty and evocative power.

The Grocer’s Studio

It's important to remember that Rollett’s artistic pursuits were undertaken alongside his demanding business life. He ran three grocery shops throughout Grimsby, a town known for its bustling fishing industry. Balancing the responsibilities of shopkeeping with the dedication required for painting was an extraordinary feat – a testament to his discipline and unwavering passion. The image of “the grocer-artist” is a powerful one, challenging conventional notions of artistic identity and demonstrating that creativity can flourish in unexpected places.

A Lasting Impression

Herbert Rollett’s story is more than just the biography of an artist; it's a poignant reflection on the pursuit of dreams, the beauty of everyday life, and the enduring power of art. His paintings offer a unique window into the Lincolnshire landscape and a glimpse into the soul of a man who dared to transform his humble profession into a remarkable artistic vocation. Today, his work continues to inspire and delight, reminding us that even the most ordinary lives can hold extraordinary beauty.