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George Dyer, with his dog, Daphne (1819) is het schilderij van Henry Hoppner Meyer dat de meeste aandacht trekt; het origineel bevindt zich in het Fitzwilliam Museum. Van de 1 werken van Henry Hoppner Meyer in onze catalogus zijn dit de 1 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
Top 10 schilderijen van Henry Hoppner Meyer, door de ogen van de galerie
De musea waar de originele werken van Henry Hoppner Meyer worden bewaard
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Henry Hoppner Meyer | Schilderijen uit deze lijst |
|---|---|---|---|
| 1 | George Dyer, with his dog, Daphne |
Henry Hoppner Meyer door de jaren heen: de unieke originelen van elk werk
Alle getoonde originele werken van Henry Hoppner Meyer uit 1819 behoren tot één enkel jaar: ze staan op volgorde van bekendheid.
Schilderijen van Henry Hoppner Meyer: vragen voor de galerie
Wat is het bekendste werk van Henry Hoppner Meyer?Onthul het antwoord
George Dyer, with his dog, Daphne (1819)
Op welke leeftijd creëerde Henry Hoppner Meyer George Dyer, with his dog, Daphne?Onthul het antwoord
39 jaar oud: George Dyer, with his dog, Daphne dateert uit 1819, en Henry Hoppner Meyer werd geboren in 1780.
Hoeveel werken van Henry Hoppner Meyer zijn er bekend?Onthul het antwoord
Onze catalogus bevat 1 werken van Henry Hoppner Meyer.
Waar kunnen de beroemdste originelen van Henry Hoppner Meyer worden bekeken?Onthul het antwoord
Voornamelijk in Fitzwilliam Museum. De bovenstaande museumtabel bevat een volledig overzicht.
Henry Hoppner Meyer: een portret van de kunstenaar
A Life in Portraiture and Engraving
Henry Hoppner Meyer was a British portrait painter and an engraver specializing in stipple and mezzotint. Born in London, he began his artistic journey at Christ’s Hospital, where he studied drawing under Benjamin Green. His formal training continued through a seven-year apprenticeship to the engraver Benjamin Smith, and he later refined his skills in engraving under Francesco Bartolozzi at the Royal Academy Schools.
His professional career saw him exhibiting small portrait-paintings at the Royal Academy starting in 1802. Beyond his paintings, he gained recognition for producing mezzotint and stipple engravings of prominent figures. His notable engraved portraits include:
In 1824, he became a founding member of the Society of British Artists, eventually serving as its President from 1828 to 1829.
Technique and Legacy
Meyer’s technical versatility allowed him to leave a mark on various mediums. His stipple engraving of Charles Lamb was displayed at the India Office between 1820 and 1850. He also achieved international recognition through his detailed portrait of D. Pedro as Regent of Portugal, a work printed for an edition of Portugal's second Constitution in 1832.
In his later years, Meyer operated a studio in Fitzrovia, London, where he took on private pupils in portraiture and stipple engraving. His students included Jane Waterhouse and Thomas Fairchild. His works are preserved in several significant institutions, including: