Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 65 werken van Hans Holbein De Oude in onze catalogus
Kortom
Volgens de visie van de galerie is het beroemdste schilderij van Hans Holbein De Oude Grey Passion (1500), waarvan het origineel in het Staatsgalerie Stuttgart in Stuttgart hangt. Kaisheim Descent from the Cross (1500) en Katherine Altar: Martyrdom of Saint Peter (1512) maken het trio compleet dat elk oog herkent. Van de 65 werken van Hans Holbein De Oude in onze catalogus presenteert de galerie hieronder de 65 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
The Grey Passion is a series of twelve panels created by Hans Holbein the Elder between 1494 and 1500. These paintings illustrate the Passion of Christ, forming the wings of a larger altarpiece. The original structure was a triptych, designed to surround a central element. This centerpiece consisted of a sculpture by Gregor Erhart, which is now lost.
A heavy silence hangs over the wooden beams. The body of Christ hangs limp, a pale weight being lowered from the cross. Shadows cling to the deep folds of crimson and dark green drapery, swallowing the periphery in a somber gloom. Every line follows the downward pull of gravity, tracing the path from the rigid geometry of the timber to the slumped, organic curves of the mourners. At the base,…
Created in 1512, this work belongs to the Northern Renaissance. It reflects the transition from late Gothic traditions toward a more realistic, humanistic approach. The painting emphasizes the visceral details of the human body and the specific textures of material goods. This style is characteristic of early 16th-century German painting, where precision in draftsmanship was a primary concern. The subject matter focuses on religious devotion through the depiction of sacrifice…
The Kaisheim Crucifixion is a dramatic religious painting from 1500 that captures a moment of profound sorrow. The composition is defined by a strong verticality, centering on the figure of Christ on the cross against a dark, near-black background. This high-contrast setting serves to illuminate his pale body, making him the focal point of the work. The color palette is composed of deep reds, stark whites, and heavy blacks, accented…
Katherine Altar: Saint Anne Self-Third is a religious work by Hans Holbein The Elder, executed in 1512. This specific piece functions as a detail from the larger Katharinenaltar: Martyrium Der Hl. Katharina.
In this somber composition from 1500, we find ourselves drawn into a tight, vertical arrangement of mourning. The scene depicts the Lamentation, a moment of profound sorrow where the physical presence of the deceased Christ is the focal point. There is a palpable sense of claustrophobia here; the figures are packed closely together, their grief pressing inward upon the viewer. The color palette relies on deep, saturated tones—crimson reds, dark…
The Epitaph of the Vetter Sisters emerges from the shadows of the late Gothic era, a large-scale altarpiece that commands the space it occupies. Painted by Hans Holbein The Elder, this work dates to about 1499. It exists as a complex, multi-tiered narrative, unfolding through a series of interconnected vignettes that guide the eye across its structured, pointed, arched frame. The scale of the piece carries a weight that demands…
The Frankfurt Dominican Altarpiece: Flagellation is a significant work by Hans Holbein The Elder, dating to 1501. This painting was originally commissioned by the Dominican Convent for the High Altar of the Dominican Church in Frankfurt am Main. It remains a profound example of the artist's early period, executed during a time when his technical precision was already becoming a defining characteristic of his hand.
The Frankfurt Dominican Altarpiece: The Entry into Jerusalem is a significant work by Hans Holbein the Elder, executed in 1501. This piece functioned as the High Altar of the Dominican Church of Frankfurt. It forms a central part of a larger Passion cycle, designed to communicate the narrative of the Passion through a series of related panels.
Frankfurt Dominican Altarpiece: Ecce Homo is a work by Hans Holbein The Elder, executed in 1501. The piece belongs to the Northern Renaissance tradition, emerging from the artist's early career in the German region. It was created during a period when the transition from Late Gothic sensibilities toward Renaissance humanism was reshaping the visual language of religious art.
Frankfurt Dominican Altarpiece: The Cleansing of the Temple1501 · Städel Museum
12
Frankfurt Dominican Altarpiece: Christ’s Arrest1501 · Städel Museum
13
Frankfurt Dominican Altarpiece: Christ Washing St Peter's Feet1501 · Städel Museum
14
Frankfurt Dominican Altarpiece: Christ before Pontius Pilate1501 · Städel Museum
15
Frankfurt Dominican Altarpiece: Christ Crowned with Thorns1501 · Städel Museum
16
Frankfurt Dominican Altarpiece: Bearing of the Cross1501 · Städel Museum
17
Frankfurt Dominican Altarpiece: The Agony in the Garden1501 · Städel Museum
18
Frankfurt Dominican Altarpiece: Tree of Jesse (lower part)1501 · Städel Museum
19
Frankfurt Dominican Altarpiece: Resurrection1501 · Städel Museum
20
Frankfurt Dominican Altarpiece: Lineage of the Dominican Order (lower part)1501 · Städel Museum
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Frankfurt Dominican Altarpiece: Sunday view1501 · Städel Museum
22
Frankfurt Dominican Altarpiece: Tree of Jesse (upper part)1501 · Städel Museum
23
Basilica Santa Maria Maggiore1499 · Bayerische Staatsgemäldesammlungen
24
The Virgin Mary as the Mother of Sorrows1495 · Gemäldegalerie
25
Good Deeds of Empress Kunigunde1506 · Bayerische Staatsgemäldesammlungen
26
Kaisheim Altar: Birth of Christ1502 · Bayerische Staatsgemäldesammlungen
27
Kaisheim Altar: Christ before Pilate1502 · Bayerische Staatsgemäldesammlungen
28
Epitaph of the Walther Sisters: Feeding of the Five Thousand1502 · Bayerische Staatsgemäldesammlungen
29
Epitaph of the Walther Sisters: Healing of the Possessed1502 · Bayerische Staatsgemäldesammlungen
30
Votive Image of Ulrich Schwarz: Christ and Mary as Intercessors before God the Father1503 · Bayerische Staatsgemäldesammlungen
31
Kaisheim Altar: Annunciation of Mary1502 · Bayerische Staatsgemäldesammlungen
32
Kaisheim Altar: Capture of Christ1502 · Bayerische Staatsgemäldesammlungen
33
Kaisheim Altar: Crowning of Christ with Thorns1502 · Bayerische Staatsgemäldesammlungen
34
Emperor Henry Condemns the Empress to Trial by Ordeal1506 · Bayerische Staatsgemäldesammlungen
35
Emperor Henry Asks the Empress for Forgiveness1506 · Bayerische Staatsgemäldesammlungen
36
Epitaph of the Walther Sisters: Transfiguration of Christ1502 · Bayerische Staatsgemäldesammlungen
37
Death of Emperor Heinrich1506 · Bayerische Staatsgemäldesammlungen
38
Devils Inform a Hermit That They Could Not Lay Hold of the Soul of the Emperor1506 · Bayerische Staatsgemäldesammlungen
39
The Devil in the Form of a Youth in the Chamber of Empress Kunigunde1506 · Bayerische Staatsgemäldesammlungen
40
Katharinenaltar: Saint Ulrich and Conrad1512 · Bayerische Staatsgemäldesammlungen
41
Kaisheim Altar: Visitation of Mary1502 · Bayerische Staatsgemäldesammlungen
42
Kaisheim Altar: Carrying of the Cross of Christ1502 · Bayerische Staatsgemäldesammlungen
43
Kaisheim Altar: Presentation in the Temple1502 · Bayerische Staatsgemäldesammlungen
44
Kaisheim Altar: Christ on the Mount of Olives1502 · Bayerische Staatsgemäldesammlungen
45
Kaisheim Altar: Resurrection of Christ1502 · Bayerische Staatsgemäldesammlungen
46
Kaisheim Altar: Adoration of the Magi1502 · Bayerische Staatsgemäldesammlungen
47
Empress Kunigunde Accused of Adultery1506 · Bayerische Staatsgemäldesammlungen
48
Kaisheim Altar: Death of Mary1502 · Bayerische Staatsgemäldesammlungen
49
Kaisheim Altar: Temple Walk of Mary1502 · Bayerische Staatsgemäldesammlungen
50
Kaisheim Altar: Ecce Homo1502 · Bayerische Staatsgemäldesammlungen
51
Kaisheim Altar: Circumcision of Christ1502 · Bayerische Staatsgemäldesammlungen
52
Empress Kunigunde Walks Over Glowing Plowshares1506 · Bayerische Staatsgemäldesammlungen
53
Catherine Altar: Martyrdom of Saint Catherine1512 · Bayerische Staatsgemäldesammlungen
54
Kaisheim Altar: Flagellation of Christ1502 · Bayerische Staatsgemäldesammlungen
55
Mary with the Child1502 · Bayerische Staatsgemäldesammlungen
56
Virgin with Child by Hans Holbein the Elder, Museu Nacional de Arte Antiga1519 · Nationaal Museum van Oude Kunst
57
Portrait of a Member of the Weiss Family of Augsburg1522 · Städel Museum
58
Basilica San Paolo Fuori Le Mura1504 · Bayerische Staatsgemäldesammlungen
59
Ecce Homo (Grey Passion-6)1500 · Staatsgalerie Stuttgart
60
Bildnis Der Nonne Veronika Vetter1499
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Christ in silence (Grey Passion-9)1500 · Staatsgalerie Stuttgart
62
Maria Der Verkündigung (Sebastiansaltar)1516 · Bayerische Staatsgemäldesammlungen
63
Portrait of a Wife of An Unknown Stonemason1505
64
Grey Passion1500 · Staatsgalerie Stuttgart
65
The crown of thorns (Grey Passion-5)1500 · Staatsgalerie Stuttgart
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 5 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Hans Holbein De Oude | Schilderijen uit deze lijst |
|---|---|---|---|
 Bayerische Staatsgemäldesammlungen |
München | 40 | Kaisheim Descent from the Cross, Katherine Altar: Martyrdom of Saint Peter, Kaisheim Crucifixion |
 Städel Museum |
Frankfurt | 16 | Frankfurt Dominican Altarpiece: Flagellation, Frankfurt Dominican Altarpiece: The Entry into Jerusalem, Frankfurt Dominican Altarpiece: Ecce Homo |
 Staatsgalerie Stuttgart |
Stuttgart | 5 | Grey Passion, Ecce Homo (Grey Passion-6), Christ in silence (Grey Passion-9) |
 Gemäldegalerie |
Berlijn | 1 | The Virgin Mary as the Mother of Sorrows |
 Nationaal Museum van Oude Kunst |
Lissabon | 1 | Virgin with Child by Hans Holbein the Elder, Museu Nacional de Arte Antiga |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
The Epitaph of the Vetter Sisters emerges from the shadows of the late Gothic era, a large-scale altarpiece that commands the space it occupies. Painted by Hans Holbein The Elder, this work dates to about 1499. It exists as a complex, multi-tiered narrative, unfolding through a series of interconnected vignettes that guide the eye across its structured, pointed, arched frame. The scale of the piece carries a weight that demands…
The Grey Passion is a series of twelve panels created by Hans Holbein the Elder between 1494 and 1500. These paintings illustrate the Passion of Christ, forming the wings of a larger altarpiece. The original structure was a triptych, designed to surround a central element. This centerpiece consisted of a sculpture by Gregor Erhart, which is now lost.
Created in 1512, this work belongs to the Northern Renaissance. It reflects the transition from late Gothic traditions toward a more realistic, humanistic approach. The painting emphasizes the visceral details of the human body and the specific textures of material goods. This style is characteristic of early 16th-century German painting, where precision in draftsmanship was a primary concern. The subject matter focuses on religious devotion through the depiction of sacrifice…
The artwork is titled Portrait of a Member of the Weiss Family of Augsburg. It was executed by the German painter Hans Holbein The Elder. This portrait, which dates to about 1522, depicts a person of status. The subject is presented in a formal manner, captured during the Northern Renaissance period.
Grey Passion (1500), Staatsgalerie Stuttgart, Stuttgart. Kaisheim Descent from the Cross (1500) en Katherine Altar: Martyrdom of Saint Peter (1512) volgen.
35 jaar oud: Grey Passion dateert uit 1500, en Hans Holbein De Oude werd geboren in 1465.
Grey Passion, Kaisheim Descent from the Cross, Katherine Altar: Martyrdom of Saint Peter, Kaisheim Crucifixion, Katherine Altar: Saint Anne Self-Third, Burial of Kaisheim, Epitaph of the Vetter Sisters, Frankfurt Dominican Altarpiece: Flagellation, Frankfurt Dominican Altarpiece: The Entry into Jerusalem en Frankfurt Dominican Altarpiece: Ecce Homo. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 65 werken van Hans Holbein De Oude, daterend van 1495 tot 1522.
Voornamelijk in Bayerische Staatsgemäldesammlungen (München), Städel Museum (Frankfurt) en Staatsgalerie Stuttgart (Stuttgart). De bovenstaande museumtabel bevat een volledig overzicht.
In 1500s: 54 van de 65 werken op deze pagina werden toen gemaakt, waaronder Grey Passion.
Op deze pagina is het vroegste The Virgin Mary as the Mother of Sorrows (1495) en het laatste Portrait of a Member of the Weiss Family of Augsburg (1522).
People (21), Drapery (18) en Figures (15), verspreid over de 65 werken op deze pagina.
Oil On Panel, voor 40 van de 65 werken op deze pagina.
Northern renaissance, te oordelen aan de originelen op deze pagina.
Kaisheim Descent from the Cross, Katherine Altar: Martyrdom of Saint Peter en Kaisheim Crucifixion: het Bayerische Staatsgemäldesammlungen, München herbergt 40 van de werken op deze pagina.
