Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 13 werken van Gustavus Behne in onze catalogus
Kortom
Volgens de visie van de galerie is het beroemdste schilderij van Gustavus Behne Portrait of General George M. Keim (1861), waarvan het origineel in het Reading Public Museum in Reading hangt. Moro Castle, Havana (1865) en Alpine Glow (1870) maken het trio compleet dat elk oog herkent. Van de 13 werken van Gustavus Behne in onze catalogus presenteert de galerie hieronder de 13 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
In this 1861 oil portrait, we encounter General George M. Keim not as a distant figure of history, but as a man of palpable weight and quiet gravity. Presented in an oval format, the composition focuses on a bust-length view of the subject, whose gaze is directed forward, meeting the viewer with a steady, contemplative expression. There is a certain stillness here, a sense of a life lived through the…
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Gustavus Behne | Schilderijen uit deze lijst |
|---|---|---|---|
 Reading Public Museum |
Reading | 13 | Portrait of General George M. Keim, Moro Castle, Havana, Alpine Glow |
19 jaar aan kunst van Gustavus Behne, van 1861 tot 1879: de galerie volgt hen jaar voor jaar, via de meest beroemde originelen van elk jaar.
Selecteer een jaar om de originele werken te bekijken.
In this 1861 oil portrait, we encounter General George M. Keim not as a distant figure of history, but as a man of palpable weight and quiet gravity. Presented in an oval format, the composition focuses on a bust-length view of the subject, whose gaze is directed forward, meeting the viewer with a steady, contemplative expression. There is a certain stillness here, a sense of a life lived through the…
Portrait of General George M. Keim (1861), Reading Public Museum, Reading. Moro Castle, Havana (1865) en Alpine Glow (1870) volgen.
33 jaar oud: Portrait of General George M. Keim dateert uit 1861, en Gustavus Behne werd geboren in 1828.
Portrait of General George M. Keim, Moro Castle, Havana, Alpine Glow, Der Wild Kaiser, Bavaria, Ammer Lake, Bavaria, George DeBenneville Keim, Portrait of Kaiser Frederick Wilhelm, Emperor Franz Josef of Austria, Sicilian Street Shrine en Brucke. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 13 werken van Gustavus Behne, daterend van 1861 tot 1879.
Voornamelijk in Reading Public Museum (Reading). De bovenstaande museumtabel bevat een volledig overzicht.
Op deze pagina is het vroegste Portrait of General George M. Keim (1861) en het laatste Ammer Lake, Bavaria (1879).
Portrait of General George M. Keim, Moro Castle, Havana en Alpine Glow: het Reading Public Museum, Reading herbergt 13 van de werken op deze pagina.
Born in the Prussian lands of Nordhause, Gustavus Behne carried with him the disciplined spirit of the German academies. His early years were shaped by the rigorous training found at the Dusseldorf Academy, a place where the foundations of form and light were etched into his understanding of the brush. This education provided him with the technical vocabulary to later navigate much different landscapes, both physical and artistic.
The path of this painter was one of movement and migration. He eventually crossed the Atlantic, seeking new horizons in the United States. His early American years saw him settling in Reading, Pennsylvania, a period that allowed his German training to meet the varied subjects of the New World. It is said that during his time in Philadelphia, he may have walked the same paths as other great masters, absorbing the quiet lessons of the local art scene.
Behne possessed a versatile hand, capable of shifting from the intimate stillness of a small object to the grand scale of historical drama. He found equal footing in the realms of portraiture, landscape, and still life. His portraits were not merely likenesses but studies of character, including notable works such as his depiction of General Sam Houston of Texas. In these faces, one finds the careful observation of a man trained in the Dusseldorf tradition.
His work often reflected the dual influences of the Dusseldorf and Munich schools. This duality allowed him to capture the quietude of religious themes alongside the sweeping vistas of nature. Whether he was painting a Sicilian street shrine or the serene waters of Lake Chieming in Bavaria, his focus remained on the truth of the scene. His still lifes offered a different kind of meditation, focusing on the silent presence of objects held in perfect, frozen light.
As his life moved toward its conclusion near Munich, Behne had already left behind a body of work that bridged the gap between German academic precision and American subject matter. His ability to adapt to different environments—from the Duchy of Saxe-Coburg and Gotha to the bustling streets of Pennsylvania—defined his artistic identity. He remained a painter of the moment, capturing history, nature, and the human countenance with a steady, practiced hand.
The significance of his work lies in this very adaptability. Through his eyes, we see:
