Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 18 werken van Giuseppe Abbati in onze catalogus
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Oration (The prayer) (1866) is het schilderij van Giuseppe Abbati dat de meeste aandacht trekt; het origineel bevindt zich in het Palazzo Pitti, Florence. Daarna gaat de blik naar Horse in the Sunlight (1866) en Marina in Castiglioncello (1863). Van de 18 werken van Giuseppe Abbati in onze catalogus zijn dit de 18 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
A solitary woman sits within a dimly lit, classical interior, her figure centered in a quiet moment of introspection. She is absorbed in prayer or reading, her presence defined by the heavy folds of a voluminous skirt and a dark cloak. The scene is structured by the verticality of background columns and the geometric precision of a tiled floor, creating a sense of architectural permanence around her private ritual. A…
The sunlight washes over the scene in Horse in the Sunlight, a work that captures a quiet moment of care between a man and his animal. Giuseppe Abbati, the artist behind this piece, brings a sense of warmth to the subject through his specific handling of light. The painting, created in 1866, finds its origins in the life of an artist born in Naples, Italy, on January 13, 1836. Here,…
Marina in Castiglioncello is an oil on canvas work by the Italian painter Giuseppe Abbati. This piece captures a specific coastal view, reflecting the artist's engagement with the natural light of the Italian landscape. The work is attributed to Abbati, who was born in Naples in 1836.
is an oil painting by the Italian artist Giuseppe Abbati. Created in 1861, the work emerged during a transformative period in the artist's development following his participation in Garibaldi’s 1860 campaign for Italian unification. This period of conflict, which resulted in the loss of his right eye at the Battle of Capua, preceded his move to Florence and his subsequent association with the Macchiaioli movement.
Giuseppe Abbati’s Portrait of a man, created about 1867, presents a somber and intimate study of a male subject in profile. The composition utilizes a close-up head-and-shoulders view, focusing the viewer's attention on the lateral silhouette of the man. This perspective establishes a quiet sense of distance between the observer and the subject, fostering a contemplative mood. The subject's features are defined by organic shapes, particularly within the structure of…
The work before us is titled Interior of a cloister (San Marco), a piece painted by Giuseppe Abbati. This specific composition reflects the artist's early focus on architectural settings, a direction influenced by the training he received from his father, Vincenzo Abbati, who specialized in interior scenes. It is a quiet study that captures a moment of solitude within a structured, stone environment.
In the quietude of 1865, Giuseppe Abbati captured more than just a figure in repose; he bottled a fleeting fragment of human existence. "A Man Seated and Asleep" serves as a profound window into the heart of the Macchiaioli movement, an Italian avant-garde that sought to strip away the artifice of academic tradition in favor of raw, unadorned truth. The painting presents us with a solitary figure, his head resting…
The Arno river near Casaccia1863
12
Landscape at Castiglioncello1863 · Galleria d'Arte Moderna
13
Country Road with Cypresses1860 · Galleria d'Arte Moderna
14
The Tower of the Palazzo Del Podestà1865
15
Gallery with Armor Bearer1864
16
Portrait of a Woman1865 · Galleria d'Arte Moderna
17
The milkman in Piagentina1864
18
The Artist Stanislao Pointeau1863 · Musée des Impressionnismes Giverny
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 5 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Giuseppe Abbati | Schilderijen uit deze lijst |
|---|---|---|---|
 Galleria d'Arte Moderna |
Florence | 4 | Cloister, Landscape at Castiglioncello, Country Road with Cypresses |
 Palazzo Pitti |
Florence | 2 | Oration (The prayer), The Cloister of Santa Croce |
 Galleria d'arte moderna Ricci Oddi |
Piacenza | 1 | Portrait of a man |
 Metropolitan Museum of Art |
New York | 1 | A Man Seated and Asleep |
 Musée des Impressionnismes Giverny |
Giverny | 1 | The Artist Stanislao Pointeau |
De gedateerde originele werken van Giuseppe Abbati die hier worden getoond, beslaan een periode van ongeveer tien jaar, van 1860 tot 1867: het oog volgt ze jaar voor jaar.
Selecteer een jaar om de originele werken te bekijken.
is an oil painting by the Italian artist Giuseppe Abbati. Created in 1861, the work emerged during a transformative period in the artist's development following his participation in Garibaldi’s 1860 campaign for Italian unification. This period of conflict, which resulted in the loss of his right eye at the Battle of Capua, preceded his move to Florence and his subsequent association with the Macchiaioli movement.
Meer van 1861
Marina in Castiglioncello is an oil on canvas work by the Italian painter Giuseppe Abbati. This piece captures a specific coastal view, reflecting the artist's engagement with the natural light of the Italian landscape. The work is attributed to Abbati, who was born in Naples in 1836.
Meer van 1863
The work before us is titled Interior of a cloister (San Marco), a piece painted by Giuseppe Abbati. This specific composition reflects the artist's early focus on architectural settings, a direction influenced by the training he received from his father, Vincenzo Abbati, who specialized in interior scenes. It is a quiet study that captures a moment of solitude within a structured, stone environment.
Meer van 1865
A solitary woman sits within a dimly lit, classical interior, her figure centered in a quiet moment of introspection. She is absorbed in prayer or reading, her presence defined by the heavy folds of a voluminous skirt and a dark cloak. The scene is structured by the verticality of background columns and the geometric precision of a tiled floor, creating a sense of architectural permanence around her private ritual. A…
Meer van 1866
Giuseppe Abbati’s Portrait of a man, created about 1867, presents a somber and intimate study of a male subject in profile. The composition utilizes a close-up head-and-shoulders view, focusing the viewer's attention on the lateral silhouette of the man. This perspective establishes a quiet sense of distance between the observer and the subject, fostering a contemplative mood. The subject's features are defined by organic shapes, particularly within the structure of…
Oration (The prayer) (1866), Palazzo Pitti, Florence. Horse in the Sunlight (1866) en Marina in Castiglioncello (1863) volgen.
30 jaar oud: Oration (The prayer) dateert uit 1866, en Giuseppe Abbati werd geboren in 1836.
Oration (The prayer), Horse in the Sunlight, Marina in Castiglioncello, Cloister, Portrait of a man, Interior of a cloister (San Marco), A Man Seated and Asleep, Beach at Caletta, The Cloister of Santa Croce en House at the River. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 18 werken van Giuseppe Abbati, daterend van 1860 tot 1867.
Voornamelijk in Galleria d'Arte Moderna (Florence), Palazzo Pitti (Florence) en Galleria d'arte moderna Ricci Oddi (Piacenza). De bovenstaande museumtabel bevat een volledig overzicht.
In 1863: 6 van de 18 werken op deze pagina werden toen gemaakt, waaronder Marina in Castiglioncello.
Op deze pagina is het vroegste Country Road with Cypresses (1860) en het laatste Portrait of a man (1867).
Man (2), Landscape (2) en Italian art (2), verspreid over de 18 werken op deze pagina.
Oil On Canvas, voor 5 van de 18 werken op deze pagina.
Cloister, Landscape at Castiglioncello en Country Road with Cypresses: het Galleria d'Arte Moderna, Florence herbergt 4 van de werken op deze pagina.
Giuseppe Abbati was born in Naples, Italy, on January 13, 1836. He received his initial artistic training from his father, Vincenzo Abbati, who specialized in paintings of architectural interiors. This early influence is evident in Giuseppe’s first works, which also focused on interior scenes.
Abbati's life took a dramatic turn when he participated in Garibaldi’s 1860 campaign for Italian unification. During the Battle of Capua, he tragically lost his right eye. Following this experience, he moved to Florence, a pivotal moment that shaped his artistic trajectory. In Florence, at the famed Caffè Michelangiolo, he connected with key figures who would become known as the Macchiaioli – Giovanni Fattori, Silvestro Lega, and others.
Initially recognized for his interior views—for which he even received a medal at the National Exposition in Florence in 1861 (which he refused as protest against the jury)—Abbati soon embraced plein air painting, influenced by his new circle of artists. His style became characterized by a bold treatment of light and shadow, focusing on capturing luminous effects in landscapes. He often depicted scenes viewed through doorways or windows, creating a sense of depth and atmosphere.
Abbati’s artistic pursuits were again interrupted in 1866 when he enlisted in the army for the Third Independence War. He was captured by Austrian forces in Croatia before returning to civilian life at the end of the year. He spent his final year painting in the countryside near Castelnuovo della Misericordia. Tragically, Abbati died on February 21, 1868, in Florence, after being bitten by his own dog and contracting rabies.
Abbati was significantly influenced by the ideals of the Macchiaioli movement, which sought to break away from academic traditions and embrace a more realistic depiction of Italian life. He contributed to the Risorgimento artistic expression through his depictions of landscapes and everyday scenes. While his career was cut short, Abbati’s work remains important for its innovative use of light, its connection to the Macchiaioli aesthetic, and its reflection of a pivotal period in Italian history.
